..., it has even been incorporated in modern text theory (See Guerlac, “The Sublime in Theory,” and Nancy). This interest in the sublime can be traced to the trea- tise Peri hupsous by an unknown author usually dubbed Longinus. Although this work is no longer at the center of discussion about the sublime...

... hand, and exalted or elevated, on the other. Longinus’s ancient treatise Peri hypsous, or On the Sublime, is widely regarded as the first comprehensive discussion of the concept. It is typically treated as a work that is concerned with sublime style, a study of the grand or high style in rhetoric...

....” He extrapolates this concept from Aristotle’s account in book 3 of Πɛρὶ φυχῆς ( Peri psychēs ), “ On the Soul ,” of φαντασία ( phantasia )—the psychological faculty whereby images are generated—which, again following the Latin, we render in English as, “imagination.” In Aristotle’s account, while...

... . Oxford: Clarendon Press, 1966 . Lollini, Massimo. Il vuoto della forma: scrittura, testimonianza e verità . Genova: Marietti, 2001 . Longinus. On the Sublime (Peri hypsous) . Trans. W.H. Fyfe. Aristotle: Poetics, Longinus: On the Sublime, Demetrius: On Style. Cambridge, MA: Harvard University...

... Guatemala’s little- known writers, artists, and scholars to greater public awareness in Latin America and beyond. Further into the narrative, however, Martí frames his proposed peri- odical as part of a larger American vision: Europa busca los productos de nuestro suelo, que dan brillo a sus plazas...

...-Esprit fort défait derrière l’autel de la chapelle; il n’avait point péri par méfait, mais par cet éternelle The provocative nature of modern lyric appeals to gods stems from the fact that these are taken as illusions not to be overcome but to be reconfigured. But how does one exert one’s agency...

... from ghettoization as well as outright diminution: no fewer than 80% of the pre-twentieth-century papers were pre- sented in sessions devoted entirely to pre-twentieth-century materials. The peri- ods beyond the recent past, in sum, have a separate but dramatically unequal status at our annual...

... and whose denizens know each other “tanpa bahasa” —​without language —​and on a deeper level than can ever be attained by the human beings who assign them scientific names (2). Shakuntala’s description of herself as descended from fairies (peri) and attracted to ogres (rak- sasa  or buta) aligns her...

... definition of the logos apophantikos in the text that would be published under the title Peri hermeneias likewise emphasizes the necessity of verbs—of those words that indicate time—for a proposition to be a proposition, which is to say: for a proposition to be true or false (16a–17a). But even when...

... and often mutually contradictory, overlapping bureaucra- cies under whose jurisdiction it fell under apartheid law —​the Peri-Urban Areas Health Board, the Group Areas Board, the Department of Community Development, the House of Representatives, the South West Management Committee, and so...

... . . . ”) into two and translates it peri- phrastically with verb phrases (literally: “nor when he [the sun] rises up above, near the stars / nor when he bends to turn back from the sky If we look at Homer, we see that in this case Pound may not be Seferis’s facing page: there too we find two lines...

...” como aquél y hasta insinuó a otro peri- odista que, al exponerlo a las inclemencias del tiempo, “el tratado había captado por fin cuatro cosas de la vida.” (2666 246) Duchamp instructed the couple by letter to hang a geometry book by strings on the balcony of their apartment so that the wind...

... that it is precisely this crude social reality —individual​ exile and collective migrations —that​ gives rise to language interaction and, consequently, to at least some of the peri- odic shifts in verbal idiom. On the other hand, when stressing the sociohistorical mediation in heteroglossia, Bakhtin excludes...

... no prejudicial or ideological distaste for the moral, political, and spiri- tual dimensions of Manzoni’s worldview; and, most important, he manages to replicate some of the major aspects of Manzoni’s style, including his long peri- ods, limpid analytical rigor, and penchant for colloquial maxims...

...- peri, who is a suitor to the Princess. Flattered by the identification, Giglio is well on his way to assuming his role as Prince, until he encounters another Pulcinello dancing with his beloved Princess. This other Pulcinello is Ein possierlicher Kerl, bis auf die geringste Kleinigkeit gekleidet...

... visual form. (Erasmus II.5, italics mine) Similarly, Longinus’s Peri Hypsous espouses a notion of a kind of sympathetic engagement between poet and hearer in which the vivid image, first produced by the force of the poet’s emotion, is the vehicle by which the poet transfers that emotion...