...Sara Castro-Klaren Transatlantic Translations: Dialogues in Latin American Literature. By Julio Ortega. Translated by Philip Derbyshire. London: Reaktion Books, 2006. 219 p. University of Oregon 2009 BOOK REVIEWS TRANSATLANTIC...

... and more gradually, but no less decisively. Yet, as Gayle Rogers indicates, a movement toward an intellectual pan-Europeanism of a cautiously pro- gressive cast also took place. Ortega himself did not think that reactionary thinking had much staying power: “La reacción no es más que un parásito de la...

... TRANSLATIONS: DIALOGUES IN LATIN AMERICAN LITERATURE. By Julio Ortega. Translated by Philip Derbyshire. London: Reaktion Books, 2006. 219 p. The term “transatlantic studies” has been in circulation at Modern Language Associa- tion meetings for about eight years and has attracted a variety of papers...

... TRANSLATIONS: DIALOGUES IN LATIN AMERICAN LITERATURE. By Julio Ortega. Translated by Philip Derbyshire. London: Reaktion Books, 2006. 219 p. The term “transatlantic studies” has been in circulation at Modern Language Associa- tion meetings for about eight years and has attracted a variety of papers...

...: DIALOGUES IN LATIN AMERICAN LITERATURE. By Julio Ortega. Translated by Philip Derbyshire. London: Reaktion Books, 2006. 219 p. The term “transatlantic studies” has been in circulation at Modern Language Associa- tion meetings for about eight years and has attracted a variety of papers that revisit...

...: Compañía Editora y Distribuidora del Plata, 1957 . Heidegger, Martin. El ser y el tiempo . Trans. José Gaos. Mexico City: Fondo de Cultura Económica, 1951 . Hernández Flores, Guillermo. Del circunstancialismo filosófico de Ortega y Gasset a la filosofía mexicana de Leopoldo Zea . Mexico City...

.... “On Stupidity.” Precision and Soul: Essays and Addresses . Trans. Burton Pike and David S. Luft. Chicago: University of Chicago Press, 1978 . 268 -86. Ortega y Gasset, José. The Revolt of the Masses . Trans. [authorized] anonymous. New York: W.W. Norton, 1957 . 70 . ____. La Rebelión de las Masas...

... him on the side of the downtrodden and pro- claimed him a non-ideological poet. Rogers also details Spender’s great interest in and translations of Lorca’s poetry. While through the Revista de Occidentes Ortega became an admired intellectual presence in the Europe of the thirties, Lorca gained...

... representations of human experience. In doing so his analysis gives new meaning and dimension to Ortega y Gasset’s characterization of the novel as “an atmospheric or provincial genre.” Mazzone does not believe that the novel has an essential form, but he does believe it has an historical destiny. “The novel...

... Renaissance: An Inquiry into the Meaning of Images . Newark & London: University of Delaware Press, 1996 . Y Gasset, Jose Ortega. The Dehumanization of Art and Other Essays on Art, Culture, and Literature . Princeton: Princeton University Press, 1968 . Zanker, Paul. The Power of Images...

... Serna), and D’Annunzio —​ others —​Eliot and Pound —​later and more gradually, but no less decisively. Yet, as Gayle Rogers indicates, a movement toward an intellectual pan-Europeanism of a cautiously pro- gressive cast also took place. Ortega himself did not think that reactionary thinking had...

..., in Auerbach’s eyes, modernist experimentation symptomatized an age of knowledge saturation and impossibility to totalize—this made it “modern” in the first place—Levin bids farewell to an unrepeatable breed of erudite artists, versed in the other artistic disciplines as much as their own ( 627 ). José Ortega y...

... Travelers: Lessons for a Theory of Conceit.” Third World Quarterly 18 . 5 ( 1997 ): 821 -41. Y Gasset, José Ortega. Man and Crisis . Trans. Mildred Adams. New York and London: W.W. Norton and Company, 1958 . OF POSTCOLONIAL ENTANGLEMENT & DURÉE/227 PIUS ADESANMI...

.... The analogy may seem far-fetched: mass man, one would tend to think, is a figure of incapacity, not of surefootedness. Yet, even in Gustave Le Bon’s crowd theory, in which sleepwalking models the unconsciousness and moral incapacity of the indi- vidual caught in a crowd, or José Ortega y Gasset’s techno...

... José Ortega y Gasset. Here, he looks back at Europe from the New World and imagines a “new sky . . . / even without names!” —​a land “sin historias” (“without histories,” with the additional sense of “without stories” [Diary  211 He looks back to Spain again several times, then looks to Asia...

... is Called Brazil: On the Traces of Blaise Cendrars). 10 Freyre’s Casa-grande & senzala is of course the result of a multiplicity of influences in addition to Cendrars (Boas, Unamuno, Ortega y Gasset, Freud, Dilthey, and so on). Others —​the American essayist Henry L. Mencken, for instance —​also...