...Hunter Dukes Abstract Philomela holds a privileged place in Euro-American poetry. Tracking the nightingales in Ovid, Marie de France, Gascoigne, Shakespeare, Milton, Coleridge, and Elizabeth Barrett Browning reveals a new dimension of an old trope. Frequently paired with images of architectural...

... a new type sztuki—powiedzmy—konkretnej of art—let us say—concrete nagle suddenly pod nogi upada mu at his feet falls skamienial/y sl/owik a petrified nightingale odwraca gl/owe...

... in human historical time, presenting no longer a distant metaphysical reality but, rather, one embedded in the sequences of human time ( 432–34 ). Interestingly, during the Middle Ages the nightingale, as the greatest singer of nature, became the ultimate symbol of the symbiosis between the music...

... Miller . Ed. Martin R.A. . New York : Viking Press , 1978 . Print . Nightingale Benedict . Rev. of The Burial at Thebes , by Heaney Seamus . The Times [London] 21 Sept. 2007 . Web. 30 Sept. 2015 . < http://www4.0pen.ac.uk/csdb/ASP/ViewDetails.asp?ProductionID=2799...

... University Press, 1986 . Michelini, Ann N., ed. Plato as Author: The Rhetoric of Philosophy . Leiden, 2003 . Morgan, Kathryn A. Myth and Philosophy from the Pre-Socratics to Plato . Cambridge: Cambridge University Press, 2000 . Nightingale, Andrea. Genres in Dialogue: Plato and the Construct...

... вишнях хрущі татари і солов’їі they told me once everyone here was a Tatar and the cherries were Tatars and the beetles on the cherries were Tatars and the nightingales                ( Kiyanovska, “List” 99 ) This poem describes the painful loss of cultural memory that accompanied the loss...

... philosophic project (see Morgan; Nightingale; Rutherford). The two books un- der review explore this question in different ways. Blondell argues that Plato’s attention to characterization is not a purely “literary” technique entailed by the dialogue form (for one must still ask, why write dialogues...

... antithesis, but the past ten years have made the important advance of asking in what ways Plato may have seen writing and reading as inseparable from his philosophic project (see Morgan; Nightingale; Rutherford). The two books un- der review explore this question in different ways. Blondell argues...

... philosophic project (see Morgan; Nightingale; Rutherford). The two books un- der review explore this question in different ways. Blondell argues that Plato’s attention to characterization is not a purely “literary” technique entailed by the dialogue form (for one must still ask, why write dialogues...

... that it remained within the honey-medicine antithesis, but the past ten years have made the important advance of asking in what ways Plato may have seen writing and reading as inseparable from his philosophic project (see Morgan; Nightingale; Rutherford). The two books un- der review explore this question...

... snakes; They run and suddenly they rip The curtain of darkness from a marble turban, From the gravesite embraced by roses; And the nightingale, the lover of roses, Is startled, and flies away from the graveside vines. ( Maslov 98–104 ) In fact, just like Byron and his Russian imitators...

... manipu- lated. But if it is only in Sophocles that “the nightingale whose song echoes through English literature” (45) can be heard “singing in her own Greek tongue” (45), Woolf observes that what for us is the “immortality” of that tongue still cannot tell us how it sounded in its own context...

... of frogs, interrupted by the trills and whistles of nightingales from the park, one distant and one close under the window in a blossoming lilac bush” (PSS 32: 203). Nature is in harmony. Only people fail to understand their place in the Whole. Tolstoy is not suggesting, however, that one can avoid...

... with frozen wreaths. The girl full of tears was bathing in flames, and the nightingale wept with its wings burnt. ( Lorca 59 ) The two poems echo one another not only in their use of similar images: Lorca’s “immaculate dawn,” Ibn al-Rūmī’s dawn that “pours out”; Lorca’s “thousand bovine faces...

... Spanish text. 6 Imagen de John Keats has, however, been translated into Italian by Elisabetta Vaccaro, Barbara Turitto, and Elido Fazi under the title A passeggio con John Keats . 7 The excerpted lines from Coleridge’s “Nightingale” are:              Poet who hath been building up...

... McFarland) have misunderstood Romanticism. The notion of failure, of “Romantic doubt,” is in fact central to Romantic writing such as Keats’s “Ode to a Night- ingale” (p. 171), in which the poet’s identification with the tradition of the nightingale, from Homer to the troubadours, heretofore consoling...

... McFarland) have misunderstood Romanticism. The notion of failure, of “Romantic doubt,” is in fact central to Romantic writing such as Keats’s “Ode to a Night- ingale” (p. 171), in which the poet’s identification with the tradition of the nightingale, from Homer to the troubadours, heretofore consoling...

... McFarland) have misunderstood Romanticism. The notion of failure, of “Romantic doubt,” is in fact central to Romantic writing such as Keats’s “Ode to a Night- ingale” (p. 171), in which the poet’s identification with the tradition of the nightingale, from Homer to the troubadours, heretofore consoling...

... McFarland) have misunderstood Romanticism. The notion of failure, of “Romantic doubt,” is in fact central to Romantic writing such as Keats’s “Ode to a Night- ingale” (p. 171), in which the poet’s identification with the tradition of the nightingale, from Homer to the troubadours, heretofore consoling...

... historians (such as Thomas McFarland) have misunderstood Romanticism. The notion of failure, of “Romantic doubt,” is in fact central to Romantic writing such as Keats’s “Ode to a Night- ingale” (p. 171), in which the poet’s identification with the tradition of the nightingale, from Homer...