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mimesi

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Journal Article
Comparative Literature (1 September 2012) 64 (3): 257–269.
Published: 01 September 2012
...Jacob Hovind If Erich Auerbach's Mimesis is generally considered a landmark in twentieth-century literary criticism and an originary text for the modern practice of comparative literature, then this is despite the fact that its profound interpretive structures and hermeneutic consequences still...
Journal Article
Comparative Literature (1 December 2014) 66 (4): 459–480.
Published: 01 December 2014
... mimesis, which operates not only in the (very real) fantasy of the “life and work” continuum but also in the sensual experience of the text as the Other's life-words , an important aspect of Uno's authorial actuality. It is the body that finally brings these disparate modalities of mimesis into a...
Journal Article
Comparative Literature (1 September 2009) 61 (4): 416–431.
Published: 01 September 2009
... reading Comment c'est as, on the one hand, a literalization of Adorno's ideas in Aesthetic Theory (in other words, as a kind of meta-text) and, on the other, as an exemplum of his views on the new, on unity and meaning, and on mimesis and expression. In doing so, I hope to deepen our understanding of the...
Journal Article
Comparative Literature (1 September 2014) 66 (3): 340–360.
Published: 01 September 2014
... River by U.S. writers Don Winslow and Charles Bowden, respectively. Reconsidering the classical notion of mimesis, this essay contends that, despite their varying proximity to their common referent—the drug trade—and their differing practices of realism, most narco-narratives replicate official...
Journal Article
Comparative Literature (1 December 2015) 67 (4): 394–414.
Published: 01 December 2015
... complex interplay between diegesis and mimesis at the heart of the plays. Shelley and Artaud might then be seen to co-opt the trauma scenario as an epistemological paradigm whereby their theaters assume revolutionary potential. © 2015 by University of Oregon 2015 Shelley Artaud Cenci trauma...
Journal Article
Comparative Literature (1 March 2019) 71 (1): 108–110.
Published: 01 March 2019
..., the cultural role, and the moral good of mimesis. It is not a question that admits of a single or simple, much less immediate answer. To his credit Mazzone is patient in reconstructing the various stages of the “geological change in the system of literary genres starting from the second half of the...
Journal Article
Comparative Literature (1 September 2005) 57 (4): 312–327.
Published: 01 September 2005
...DANIEL FRIED University of Oregon 2005 Apter, Emily. “Global Translatio: The `Invention' of Comparative Literature, Istanbul, 1933.” Critical Inquiry 29 ( 2003 ): 253 -81. Auerbach, Erich. “Epilegomena zu Mimesis.” Romanische Forschungen 65 ( 1953 ): 1 -18. ____. Literary...
Journal Article
Comparative Literature (1 January 2004) 56 (1): 99–102.
Published: 01 January 2004
... for narrated diegesis over mimesis in The Republic, which quickly became eclipsed by the mimesis prescribed in Aristotle’s Poetics, to such an extent that Aristotelian and not Socratic aesthetics have governed the growth of the Western theater (p. 14). Puchner contends that this debate resumes...
Journal Article
Comparative Literature (1 January 2004) 56 (1): 102–104.
Published: 01 January 2004
... for narrated diegesis over mimesis in The Republic, which quickly became eclipsed by the mimesis prescribed in Aristotle’s Poetics, to such an extent that Aristotelian and not Socratic aesthetics have governed the growth of the Western theater (p. 14). Puchner contends that this debate resumes...
Journal Article
Comparative Literature (1 January 2004) 56 (1): 105–107.
Published: 01 January 2004
... for narrated diegesis over mimesis in The Republic, which quickly became eclipsed by the mimesis prescribed in Aristotle’s Poetics, to such an extent that Aristotelian and not Socratic aesthetics have governed the growth of the Western theater (p. 14). Puchner contends that this debate resumes...
Journal Article
Comparative Literature (1 January 2004) 56 (1): 107–109.
Published: 01 January 2004
... for narrated diegesis over mimesis in The Republic, which quickly became eclipsed by the mimesis prescribed in Aristotle’s Poetics, to such an extent that Aristotelian and not Socratic aesthetics have governed the growth of the Western theater (p. 14). Puchner contends that this debate resumes...
Journal Article
Comparative Literature (1 September 2003) 55 (4): 293–319.
Published: 01 September 2003
...: Conflictive Mimesis in Lessing's Laokoon.” Poetics Today 20 . 2 ( 1999 ): 273 -89. Scott, Grant F. The Sculpted Word: Keats, Ekphrasis, and the Visual Arts . Hanover: New England University Press, 1994 . Scott, Katie, and Genevieve Warwick, eds. Commemorating Poussin: Reception and...
Journal Article
Comparative Literature (1 January 2003) 55 (1): 57–77.
Published: 01 January 2003
... University Press, 1951 . Cave, Terence. “The Mimesis of Reading in the Renaissance.” Mimesis: From Mirror to Method, Augustine to Descartes . Ed. John D. Lyons and Stephen G. Nichols. Hanover, NH: University Press of New England, 1982 . 149 -65. Clark, Timothy. Derrida, Heidegger, Blanchot...
Journal Article
Comparative Literature (1 March 2008) 60 (2): 186–188.
Published: 01 March 2008
... between two formal modes of dramatic representation grounded in competing systems of moral vision and commitment: allegory of the sort that the medieval Everyman typifies and what the author somewhat eccentrically calls “neoclassicism,” the perfected mimesis achieved on the seventeenth-century...
Journal Article
Comparative Literature (1 March 2008) 60 (2): 188–192.
Published: 01 March 2008
... of dramatic representation grounded in competing systems of moral vision and commitment: allegory of the sort that the medieval Everyman typifies and what the author somewhat eccentrically calls “neoclassicism,” the perfected mimesis achieved on the seventeenth-century stage. As with any well...
Journal Article
Comparative Literature (1 March 2008) 60 (2): 193–197.
Published: 01 March 2008
... between two formal modes of dramatic representation grounded in competing systems of moral vision and commitment: allegory of the sort that the medieval Everyman typifies and what the author somewhat eccentrically calls “neoclassicism,” the perfected mimesis achieved on the seventeenth-century...
Journal Article
Comparative Literature (1 March 2008) 60 (2): 197–199.
Published: 01 March 2008
... between two formal modes of dramatic representation grounded in competing systems of moral vision and commitment: allegory of the sort that the medieval Everyman typifies and what the author somewhat eccentrically calls “neoclassicism,” the perfected mimesis achieved on the seventeenth-century...
Journal Article
Comparative Literature (1 March 2008) 60 (2): 199–202.
Published: 01 March 2008
... of dramatic representation grounded in competing systems of moral vision and commitment: allegory of the sort that the medieval Everyman typifies and what the author somewhat eccentrically calls “neoclassicism,” the perfected mimesis achieved on the seventeenth-century stage. As with any well...
Journal Article
Comparative Literature (1 March 2008) 60 (2): 203–205.
Published: 01 March 2008
... perfected mimesis achieved on the seventeenth-century stage. As with any well-plotted story, the key lies in how it ends; and what makes an end here is the death—indeed, the firey self-immolation—of allegory in the spectacular finale of Wagner’s Götterdämmerung. Brown’s story accordingly relates how...
Journal Article
Comparative Literature (1 March 2001) 53 (2): 172–174.
Published: 01 March 2001
... more than that. It is not irrelevant, in this connection, to recall how some of the early readers of Auerbach’s Mimesis under- stood his method because it bears a resemblance to Josipovici’s. As David Damrosch recently pointed out, the first classicists reading Mimesis thought that Auerbach was...