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manifesto

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Journal Article
Comparative Literature (1 March 2008) 60 (2): 107–124.
Published: 01 March 2008
... The OuLiPoe, or Constraint and (Contre-) Performance: “The Philosophy of Composition” and the Oulipian Manifestos “I kept steadily in view the design of rendering...
Journal Article
Comparative Literature (1 March 2008) 60 (2): 193–197.
Published: 01 March 2008
...Paul Peppis Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes. By Martin Puchner. Princeton and Oxford: Princeton University Press, 2006. xiv, 315 p. University of Oregon 2008 COMPARATIVE LITERATURE/186 BOOK REVIEWS...
Journal Article
Comparative Literature (1 September 2009) 61 (4): 367–387.
Published: 01 September 2009
... Imaginism to create his own idiosyncratic Hebrew modernism. At the center of his modernist poetry and manifestoes is a chameleon-like lyrical “I” that dominates the text as it unfolds. Shlonsky brilliantly used a new literary Hebrew to create himself as a revolutionary modernist poet. Like many of his...
Journal Article
Comparative Literature (1 January 2010) 62 (1): 55–67.
Published: 01 January 2010
... Manifesto, a document that the Tsarist government found inflammatory. Prison Pastimes was itself evidently influenced by Silvio Pellico's My Prisons (Le mie prigioni ), a French translation of which ( Mes prisons ) is listed in the catalogue of V. D. Nabokov's voluminous library. Moreover, Nabokov himself...
Journal Article
Comparative Literature (1 March 2008) 60 (2): 186–188.
Published: 01 March 2008
... REVIEWS/193 POETRY OF THE REVOLUTION: MARX, MANIFESTOS, AND THE AVANT-GARDES. By Martin Puchner. Princeton and Oxford: Princeton University Press, 2006. xiv, 315 p. In The 18th Brumaire of Louis Bonaparte, Karl Marx, reflecting on the failure of the 1848 revolution in France, asserted, “the...
Journal Article
Comparative Literature (1 March 2008) 60 (2): 188–192.
Published: 01 March 2008
... Aesthetics of Opera in the Ancien Régime, 1647-1785. Cambridge: Cambridge University Press, 2002. BOOK REVIEWS/193 POETRY OF THE REVOLUTION: MARX, MANIFESTOS, AND THE AVANT-GARDES. By Martin Puchner. Princeton and Oxford: Princeton...
Journal Article
Comparative Literature (1 March 2008) 60 (2): 197–199.
Published: 01 March 2008
... REVIEWS/193 POETRY OF THE REVOLUTION: MARX, MANIFESTOS, AND THE AVANT-GARDES. By Martin Puchner. Princeton and Oxford: Princeton University Press, 2006. xiv, 315 p. In The 18th Brumaire of Louis Bonaparte, Karl Marx, reflecting on the failure of the 1848 revolution in France, asserted, “the...
Journal Article
Comparative Literature (1 March 2008) 60 (2): 199–202.
Published: 01 March 2008
... Aesthetics of Opera in the Ancien Régime, 1647-1785. Cambridge: Cambridge University Press, 2002. BOOK REVIEWS/193 POETRY OF THE REVOLUTION: MARX, MANIFESTOS, AND THE AVANT-GARDES. By Martin Puchner. Princeton and Oxford: Princeton...
Journal Article
Comparative Literature (1 March 2008) 60 (2): 203–205.
Published: 01 March 2008
... REVIEWS/193 POETRY OF THE REVOLUTION: MARX, MANIFESTOS, AND THE AVANT-GARDES. By Martin Puchner. Princeton and Oxford: Princeton University Press, 2006. xiv, 315 p. In The 18th Brumaire of Louis Bonaparte, Karl Marx, reflecting on the failure of the 1848 revolution in France, asserted, “the...
Journal Article
Comparative Literature (1 December 2015) 67 (4): 394–414.
Published: 01 December 2015
... . Romantic Moods: Paranoia, Trauma, and Melancholy, 1790–1840 . Baltimore : The Johns Hopkins UP , 2005 . Print . Puchner Martin . Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes . Princeton : Princeton UP , 2006 . Print . ———. Stage Fright: Modernism, Anti...
Journal Article
Comparative Literature (1 June 2015) 67 (2): 232–234.
Published: 01 June 2015
.... By Gayle Rogers. Oxford: Oxford University Press, 2012. 283 p. Around the time of the Great War a number of artists and writers began moving to the right, some earlier —Marinetti, the founder of Futurism, whose Manifesto appeared in 1909 (translated into Spanish for Prometeo in 1910 by Gómez...
Journal Article
Comparative Literature (1 December 2016) 68 (4): 459–461.
Published: 01 December 2016
... presumptions” (45). What follows, then, are three chapters whose engagement with the image of the spiral is based not on the supposed coherence of movements or manifestoes, but on less readily apprehensible (but no less significant) networks of affiliation. In pairing his discussion of Yeats’s A...
Journal Article
Comparative Literature (1 June 2009) 61 (3): 220–230.
Published: 01 June 2009
... manifesto, “Present Tasks of Comparative Literature,” as the ür-text in which Meltzl, as Saussy declares, “announces the name and predicts the institution” of the discipline (6). Saussy praises Meltzl’s vision of comparative literature, and in particular his choice of ten core languages, as “admirably...
Journal Article
Comparative Literature (1 June 2016) 68 (2): 199–217.
Published: 01 June 2016
... . Amaral Aracy . Blaise Cendrars no Brasil e os modernistas. Edição revista e ampliada . São Paulo : Editora 34 , 1997 . Print . Andrade Oswald de . Pau Brasil . Paris : Au sans pareil , 1925 . Print . Andrade Oswald de . “Manifesto antropófago.” A Utopia Antropofágica...
Journal Article
Comparative Literature (1 June 2011) 63 (2): 119–141.
Published: 01 June 2011
.... Hall, Steven. “ Aquarium Fragment .” Negative 1/36–37. Web. Oct. 2010 . < www.rawsharktexts.com >. ———. The Raw Shark Texts . Edinburgh: Canongate, 2007 . Print. Haraway, Donna. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the late Twentieth Century.” Simians...
Journal Article
Comparative Literature (1 March 2019) 71 (1): 86–107.
Published: 01 March 2019
... salient in Macunaíma , which has been described as a parody of Camões ( George 42 ). George claims Macunaíma uses Amerindian and Afro-Brazilian mythology to resist the imported ideologies of Catholicism and Positivism, the canned conscience described in Oswald de Andrade’s Manifesto Antropófago...
Journal Article
Comparative Literature (1 September 2000) 52 (4): 363–366.
Published: 01 September 2000
... audience comes first to see what will be enacted rather COMPARATIVE LITERATURE/364 than hear what might be told. Later, Antonin Artaud’s impassioned manifestos were con- cerned to a large extent with identifying and promoting a theatrical style in primal and pre-literate terms; his “no more...
Journal Article
Comparative Literature (1 September 2000) 52 (4): 366–369.
Published: 01 September 2000
... enacted rather COMPARATIVE LITERATURE/364 than hear what might be told. Later, Antonin Artaud’s impassioned manifestos were con- cerned to a large extent with identifying and promoting a theatrical style in primal and pre-literate terms; his “no more masterpieces” platform was an argument against...
Journal Article
Comparative Literature (1 September 2000) 52 (4): 369–372.
Published: 01 September 2000
... audience comes first to see what will be enacted rather COMPARATIVE LITERATURE/364 than hear what might be told. Later, Antonin Artaud’s impassioned manifestos were con- cerned to a large extent with identifying and promoting a theatrical style in primal and pre-literate terms; his “no more...
Journal Article
Comparative Literature (1 September 2000) 52 (4): 372–376.
Published: 01 September 2000
... conviction was that the ancient dramatist rightly knew that an audience comes first to see what will be enacted rather COMPARATIVE LITERATURE/364 than hear what might be told. Later, Antonin Artaud’s impassioned manifestos were con- cerned to a large extent with identifying and promoting a...