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Journal Article
Comparative Literature (1 September 2004) 56 (4): 372–375.
Published: 01 September 2004
...Jean-Louis Pautrot Listening In: Music, Mind, and the Modernist Narrative. By Eric Prieto. Lincoln and London: University of Nebraska Press, 2002. xiii + 322 p. University of Oregon 2004 Arroyas, Frédérique. La Lecture musico-littéraire . Montreal: Presses de l'Université de Montréal, 2001...
Journal Article
Comparative Literature (1 June 2011) 63 (2): 182–202.
Published: 01 June 2011
...Adrienne Janus This essay analyzes Jean-Luc Nancy's recent work À L'Écoute (2002)/ Listening (2007) as a culminating moment in what might be called the “anti-ocular” turn in Continental philosophy. It situates Nancy within a genealogy of “otocentric” thinkers that includes Martin Heidegger, Peter...
Journal Article
Comparative Literature (1 June 2016) 68 (2): 107–115.
Published: 01 June 2016
... RELATIONALITY: AN ACLA FORUM KEITH P. FELDMAN On Relationality, On Blackness: A Listening Post One way ashore, a thousand channels  douard Glissant, Poetics of Relation...
Journal Article
Comparative Literature (1 September 2011) 63 (3): 253–268.
Published: 01 September 2011
... Tales (1766). This essay argues that Chulkov was inspired by at least one of these versions of Charlotte Summers when he developed his own self-conscious, self-mocking narrator and mock(ed) readers and listeners. The essay focuses on the self-conscious narrator and mock readers in the English original...
Journal Article
Comparative Literature (1 December 2013) 65 (4): 383–407.
Published: 01 December 2013
... entertains is in each case to miss the point. Beckett's use of allusive discourse is demonstrated to be a vector through which he explores the mechanisms of listening, memory, and creativity. This article therefore offers the precise example of Beckett's use of Ancient philosophy to illustrate how his...
Journal Article
Comparative Literature (1 March 2014) 66 (1): 52–70.
Published: 01 March 2014
... reading a text or listening to a piece “as if” for the first time. Such an approach can refresh or enliven our understanding of a familiar work; it can also leave a difficult text or musical composition seeming stranger than before. Kripke's commentary on Wittgenstein and Taruskin's on Beethoven provide...
Journal Article
Comparative Literature (1 March 2017) 69 (1): 74–90.
Published: 01 March 2017
... performance in the past. It therefore addresses material textuality as well as the implications of aural performativity for generating and sustaining empathetic connection between text and reader, or between the text and an audience of listeners. © 2017 by University of Oregon 2017 emotion voice...
Journal Article
Comparative Literature (1 September 2018) 70 (3): 337–356.
Published: 01 September 2018
... appear to maintain complex yet normative relations to their printed editions, to show how the margins of the audiobook are brought into focus by raising the question of aurality. What does the audiobook suggest in terms of its relation to technologies of listening, hearing, and overhearing? Suggesting...
Journal Article
Comparative Literature (1 January 2008) 60 (1): 74–80.
Published: 01 January 2008
... uptake,” and this in turn implies a listener. Hence Ama- dour begins by verifying the connection, by insisting on Floride’s obligation to hear him out: “Vous me promectrez donques [. . .] que vous ne serez non seulle- ment marrye des propos que je vous veulx dire, mais estonnée jusques à temps que...
Journal Article
Comparative Literature (1 June 2016) 68 (2): 218–234.
Published: 01 June 2016
... Want Betty Curtis! Viva Verdi! The Stirred Audience Shouted during the Entire Concert of the Avantgarde Guru).” Il Giorno 4 Dec. 1977 . Web. 6 Feb. 2015 . < http://www.johncage.it/en/1977-emptywords.html#carlino19771203 >. Priest Eldritch . “Listening to Nothing in Particular...
Journal Article
Comparative Literature (1 December 2015) 67 (4): 452–454.
Published: 01 December 2015
... program in which host Ted Malone encouraged thousands of listeners to submit requests to be read on air—Chasar illuminates how Malone’s listeners defined the social role of poetry outside of the logics of corporate radio and consumer capitalism. Using Franco Moretti’s method of “distant reading...
Journal Article
Comparative Literature (1 December 2014) 66 (4): 481–488.
Published: 01 December 2014
... at the way we behave —​that our writing is somehow exempt from the theories of language that we apply so easily to litera- ture? Is it because we think that we’re doing “science”? We mostly don’t believe science  is doing “science” . . . . Listen: I am not saying, let’s all do collaborative...
Journal Article
Comparative Literature (1 March 2017) 69 (1): 91–110.
Published: 01 March 2017
... sharing his effort. It is only by forgetting the lecturer’s erudition that one can attempt to listen to “Dante’s voice” through Miriam, even though the reader never actually hears or reads the sonnets in the Vita Nuova, but only reads of Miriam and the whole audience listening to them “as they could...
Journal Article
Comparative Literature (1 January 2009) 61 (1): 43–53.
Published: 01 January 2009
... world aright” (151). Both the photographs presented in Austerlitz and the language Jacques Auster- litz employs as he relates his childhood to Sebald’s listening narrator appear to be attempts to transcend Wittgenstein’s ladder. Each responds to Wittgenstein’s challenges. Along with...
Journal Article
Comparative Literature (1 January 2008) 60 (1): 29–44.
Published: 01 January 2008
... and the Wedo.” Chap. 13 of The Medieval Poet as Voyeur: Looking and Listening in Medieval Love-Narratives . Cambridge: University Press, 1993 . 249 -67. Tavani, Giuseppe, ed. “Il canzoniere del giullare Lourenço.” Cultura Neolatina 19 (1959): 5-33 and 22 (1962): 62-113. Repr. as Lourenço...
Journal Article
Comparative Literature (1 June 2008) 60 (3): 279–287.
Published: 01 June 2008
... reconcile himself to his own past. As Weine reminds us in his Introduction, in assessing the value and purpose of testimony we need to ask: “Who is talking and who is listening? Who or what is helped by the testimony? By what means? Toward what ends?” (xvi). Based on his research and that of others...
Journal Article
Comparative Literature (1 September 2018) 70 (3): 247–263.
Published: 01 September 2018
... the print book as an abstract and material form. What, it might be asked, does it mean for a book (as such, itself, ipse ) to be performed? In particular, what does it mean for a book to be performed aurally, before the ear of a listener? And what does it require from a listener to hear, or overhear...
Journal Article
Comparative Literature (1 September 2003) 55 (4): 320–337.
Published: 01 September 2003
... choked words of Antelme and other survivors: “For we must speak in the sense that we must not ever forget the disaster, the immeasurable suffering of those who suffered the death camps; we must speak in the sense that there must be, among men who speak and listen to each other, a word bearing witness...
Journal Article
Comparative Literature (1 September 2005) 57 (4): 352–353.
Published: 01 September 2005
... literature and the arts are many; I will only highlight further the question of innovation: how the mind works when an author (musician, artist, film director) innovates, and what happens when a reader (listener, viewer) encounters artistic innovations. Hogan contends that “radical innova- tion is...
Journal Article
Comparative Literature (1 September 2005) 57 (4): 354–355.
Published: 01 September 2005
... literature and the arts are many; I will only highlight further the question of innovation: how the mind works when an author (musician, artist, film director) innovates, and what happens when a reader (listener, viewer) encounters artistic innovations. Hogan contends that “radical innova- tion is...