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Journal Article
Comparative Literature (2015) 67 (1): 45–61.
Published: 01 March 2015
...William Coker This essay aims to contribute to a growing body of criticism devoted to the paradox of John Keats's peculiarly political aestheticism. Keats places a seemingly disinterested aestheticism squarely within the matrix of history, at a time when history itself was coming into its own as a...
Journal Article
Comparative Literature (2020) 72 (4): 439–459.
Published: 01 December 2020
...Olivia Loksing Moy Abstract In the 1950s, the Argentinian author Julio Cortázar (1914–84) composed Imagen de John Keats , a little-known work that merges his own life with that of the British Romantics. Part biography and part autobiography, it includes personal essays and literary criticism that...
Journal Article
Comparative Literature (2003) 55 (4): 293–319.
Published: 01 September 2003
...LILACH LACHMAN TIME, SPACE, AND ILLUSION: KEATS & POUSSIN /293 LILACH LACHMAN Time, Space, and Illusion: Between Keats and Poussin Nicolas Poussin (1594-1665), “Et in Arcadia Ego, or The Arcadian Shepherds.” Oil on canvas...
Journal Article
Comparative Literature (2013) 65 (1): 101–122.
Published: 01 March 2013
...Stanislav Shvabrin Overlooked by students of John Keats's reception in Russia and misattributed by scholars researching the earliest stages of the writer's evolution, Vladimir Nabokov's Russian domestication of “La Belle Dame Sans Merci” (1921) poses before its interpreter a set of problems ranging...
Journal Article
Comparative Literature (2020) 72 (4): 418–438.
Published: 01 December 2020
...” history of the bird from Ovid through Marie de France to T. S. Eliot, with truncated readings of George Gascoigne, William Shakespeare, John Milton, Samuel Taylor Coleridge, John Keats, and Elizabeth Barrett Browning along the way. Setting Eliot’s “A Game of Chess” within this wider context clarifies...
Journal Article
Comparative Literature (2020) 72 (2): 180–202.
Published: 01 June 2020
... spells its impossibility. 19 Illustrations of the impossibility of impasse can be found throughout de Man’s essays. Perhaps the most exemplary of these is in “The Resistance to Theory,” where de Man reads The Fall of Hyperion —not Keats’s poem, that is, but its title. Detailing, first, how the...
Journal Article
Comparative Literature (2001) 53 (1): 83–85.
Published: 01 January 2001
... and David Hayman to Rilke. Cohn declares that, of all other writers, Mallarmé is closest to Keats (p. 280). However, while the delicious “possibilité féminine” of “Le Nénuphar blanc” (p. 285) may indeed recall the “unheard melodies” of Keats’s Grecian urn, Keats has none of the obscurity of...
Journal Article
Comparative Literature (2001) 53 (1): 86–87.
Published: 01 January 2001
... and David Hayman to Rilke. Cohn declares that, of all other writers, Mallarmé is closest to Keats (p. 280). However, while the delicious “possibilité féminine” of “Le Nénuphar blanc” (p. 285) may indeed recall the “unheard melodies” of Keats’s Grecian urn, Keats has none of the obscurity of...
Journal Article
Comparative Literature (2001) 53 (1): 88–90.
Published: 01 January 2001
... and David Hayman to Rilke. Cohn declares that, of all other writers, Mallarmé is closest to Keats (p. 280). However, while the delicious “possibilité féminine” of “Le Nénuphar blanc” (p. 285) may indeed recall the “unheard melodies” of Keats’s Grecian urn, Keats has none of the obscurity of...
Journal Article
Comparative Literature (2001) 53 (1): 90–93.
Published: 01 January 2001
... and David Hayman to Rilke. Cohn declares that, of all other writers, Mallarmé is closest to Keats (p. 280). However, while the delicious “possibilité féminine” of “Le Nénuphar blanc” (p. 285) may indeed recall the “unheard melodies” of Keats’s Grecian urn, Keats has none of the obscurity of...
Journal Article
Comparative Literature (2001) 53 (1): 93–96.
Published: 01 January 2001
... and David Hayman to Rilke. Cohn declares that, of all other writers, Mallarmé is closest to Keats (p. 280). However, while the delicious “possibilité féminine” of “Le Nénuphar blanc” (p. 285) may indeed recall the “unheard melodies” of Keats’s Grecian urn, Keats has none of the obscurity of...
Journal Article
Comparative Literature (2008) 60 (3): 288–290.
Published: 01 June 2008
... Channel with a study of Mallarmé’s translation of Tennyson and Yves Bonnefoy’s translations of Shakespeare, Keats, and Yeats. In addition to chapters on Ezra Pound and Samuel Beckett, she devotes a chapter to French translations of Virginia Woolf, one of the topics of an earlier critical collection...
Journal Article
Comparative Literature (2008) 60 (3): 290–294.
Published: 01 June 2008
... looks back from across the Channel with a study of Mallarmé’s translation of Tennyson and Yves Bonnefoy’s translations of Shakespeare, Keats, and Yeats. In addition to chapters on Ezra Pound and Samuel Beckett, she devotes a chapter to French translations of Virginia Woolf, one of the topics of an...
Journal Article
Comparative Literature (2008) 60 (3): 295–297.
Published: 01 June 2008
... looks back from across the Channel with a study of Mallarmé’s translation of Tennyson and Yves Bonnefoy’s translations of Shakespeare, Keats, and Yeats. In addition to chapters on Ezra Pound and Samuel Beckett, she devotes a chapter to French translations of Virginia Woolf, one of the topics of an...
Journal Article
Comparative Literature (2008) 60 (3): 297–300.
Published: 01 June 2008
... special attention to trans- lations of French Surrealists and proto-Surrealists by both British and American transla- tors. She also looks back from across the Channel with a study of Mallarmé’s translation of Tennyson and Yves Bonnefoy’s translations of Shakespeare, Keats, and Yeats. In addition to...
Journal Article
Comparative Literature (2002) 54 (2): 187–190.
Published: 01 March 2002
... overdetermined. In contrast to Abrams’s apparently clear account, Milner COMPARATIVE LITERATURE/194 points to Keats’s tasting of the primal feast near the beginning of The Fall of Hyperion, in which he at once reenacts the Fall (in his ingestion and swooning) and internalizes the Miltonic narrative of...
Journal Article
Comparative Literature (2002) 54 (2): 191–193.
Published: 01 March 2002
... overdetermined. In contrast to Abrams’s apparently clear account, Milner COMPARATIVE LITERATURE/194 points to Keats’s tasting of the primal feast near the beginning of The Fall of Hyperion, in which he at once reenacts the Fall (in his ingestion and swooning) and internalizes the Miltonic narrative of...
Journal Article
Comparative Literature (2002) 54 (2): 193–195.
Published: 01 March 2002
... overdetermined. In contrast to Abrams’s apparently clear account, Milner COMPARATIVE LITERATURE/194 points to Keats’s tasting of the primal feast near the beginning of The Fall of Hyperion, in which he at once reenacts the Fall (in his ingestion and swooning) and internalizes the Miltonic narrative of...
Journal Article
Comparative Literature (2008) 60 (3): 207–227.
Published: 01 June 2008
..., with Wolfhard Steppe and Claus Melchior. Afterword by Michael Groden. London: The Bodley Head, 2002 . ____. A Portrait of the Artist as a Young Man . Ed. Jeri Johnson. London and New York: Oxford University Press, 2000 . Keats, John. Selected Letters . Ed. Robert Gittings. New York: Oxford...
Journal Article
Comparative Literature (2011) 63 (4): 366–382.
Published: 01 December 2011
... “Strange Meeting.” In short, they wish for Keats in a Sherman tank rather than a “tough and ironic” narra- tor who regards Germans and Italians not as potential friends but as decaying corpses. But “Elegy for an 88 Gunner” is arguably the most famous example of perpetrator aesthetics in English...