..., and a cognitive side that is engaged with questions about whether the things we perceive can lay claim to being knowledge. As such, it is central to some of the most persistent concerns of Western philosophy. The epistemic and emotional registers of doubt have a long history, but it is also a history that has...

...” to designate the reigning stance with respect to emotions at any given time in history (The Navigation of Feeling). Comparative Literature  69:1 DOI 10.1215/00104124-3794619  © 2017 by University of Oregon THE FEELING SUBJECT IN MEDIEVAL LITERATURE / 75 and fundamental aspect...

...David H. Fleming Economy, Emotion, and Ethics in Chinese Cinema: Globalization on Speed . By Li David Leiwei . New York : Routledge , 2016 . 229 p . © 2017 by University of Oregon 2017 BOOK REVIEWS / 351 Economy...

... on the negative emotions. Doran’s commentary is sensitive to the interesting ways in which Burke articulates the complex emotion of the sublime, especially by teasing out, through the notion of “virtuality,” just how fear and pleasure fig- ure in the experience of the subject. Overall, this chapter presents...

... it: instead of presenting a vivid picture for us to apprehend as spectators in front of, but at a distance from, a tableau, this [emphasis on emotion] collapses distance between subject and object, in effect subjectifying the experience, since we are obviously being called upon to identify ourselves...

... with, and about, the social and politi- cal consequences of the medium being too hard to distinguish from the message.” COMPARATIVE LITERATURE / 80 These consequences include the “social perils of speaking subjects being reduced to a kind of mechanism and of history being brought to a standstill” (22–23...

..., as an emotional phenomenon, thus drawing on and contributing to affect studies. The result is a wealth of insights. Her central historical claim serves as an etiology of ambiguous aggression. Niklas Luhmann taught us that love, as we know it, was forged by the European literature of the long eighteenth...

... and London: Yale University Press, 1983 . Guerlac, Suzanne. “Longinus and the Subject of the Sublime.” New Literary History 16.2 ( 1985 ): 275 -89. ____. “The Sublime in Theory.” Modern Language Notes 106.3 ( 1991 ): 895 -909. Hertz, Neil. The End of the Line: Essays on Psychoanalysis...

... of transcending the mundane toward a higher, universal expression of emotions. Given the range of fairly risqué subjects in Bankim’s novels, the aesthetic distance readers place between themselves and the text is of significance. The presence of the sahṛdaya pāthak capable of deriving aesthetic pleasure...

...Frederick Luis Aldama The Mind and Its Stories: Narrative Universals and Human Emotion. By Patrick Colm Hogan. New York: Cambridge University Press, 2003. xii, 302 p. Cognitive Science, Literature, and the Arts: A Guide for Humanities. By Patrick Colm Hogan. New York: Routledge, 2003. 244 p...

...Theo D'Haen A History of Literature in the Caribbean. Edited by A. James Arnold. Volume 2. English- and Dutch-Speaking Regions. A Comparative History of Literatures in European Languages. Amsterdam and Philadelphia: John Benjamins Publishing Company, 2001. x, 672 p. University of Oregon...

... and Erich Auerbach, whose work is better known to American readers, Weinrich was trained as a romance philologist. Lethe has much in com- mon with Auerbach’s Mimesis, though the differences far outweigh the similarities. Weinrich establishes the subject and method of his book clearly on the first...

... is better known to American readers, Weinrich was trained as a romance philologist. Lethe has much in com- mon with Auerbach’s Mimesis, though the differences far outweigh the similarities. Weinrich establishes the subject and method of his book clearly on the first page, stress- ing that his...

... Spitzer and Erich Auerbach, whose work is better known to American readers, Weinrich was trained as a romance philologist. Lethe has much in com- mon with Auerbach’s Mimesis, though the differences far outweigh the similarities. Weinrich establishes the subject and method of his book clearly...

... discipline, as the question of the “modern” Muslim female citizen subject hangs in the balance of an emergent Indian nationhood. The author offers a queer feminist critique of the traditional phenomenology of disgust by analyzing the codes of erotic texture produced out of histories of colonial hygiene...

.... Marshall Jr. . The Disenchanted Self: Representing the Subject in the Canterbury Tales . Berkeley : U of California P , 1990 . Print . McGregor James H. The Shades of Aeneas: The Imitation of Vergil and the History of Paganism in Boccaccio's Filostrato, Filocolo, and Teseida . Athens...

... , 1933 , 5 – 6 . Copyright © 2021 by University of Oregon 2021 Yosef Hayim Brenner Uri Nissan Gnessin history of emotions and subjectivity phenomenological criticism Jewish fin de siècle Hebrew modernism A certain day in a certain month of the year 1900 I am now in a very...

... interleaves the narrator’s different recollections of Nadia’s suicide as she struggles to cope with the emotional aftermath, and also juxtaposes her memories of Nadia with a family history centered around the narrator’s mother. Although the narrator sees Nadia on a telephone call with her family in Sudan...

... theory as a refl exive, meta-critical enterprise — nonetheless offers an account of that vexing book at once sophisticated and readable; typically, in the long history of Hegel criticism only one of these epithets applies. On the face of it, the subject of Chai’s next chapter, Xavier Bichat, would...

... theory as a refl exive, meta-critical enterprise — nonetheless offers an account of that vexing book at once sophisticated and readable; typically, in the long history of Hegel criticism only one of these epithets applies. On the face of it, the subject of Chai’s next chapter, Xavier Bichat, would...