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Comparative Literature (2015) 67 (2): 228–232.
Published: 01 June 2015
...Jody Blanco Baroque Sovereignty: Carlos Sigüenza y Góngora and the Creole Archive of Colonial Mexico . By More Anna . Philadelphia : University of Pennsylvania Press , 2012 . 360 p. © 2015 by University of Oregon 2015 Works Cited Anderson Benedict . Imagined...
Comparative Literature (2020) 72 (4): 377–405.
Published: 01 December 2020
... Cervantes, Góngora, Quevedo, Gracián, Marino, Browne, Pascal, Leibniz, Angelus Silesius, and Spinoza depend largely on his conservative notions of how style and, specifically, metaphor should work. While writers from the historical Baroque often require readers to embrace hermeneutic difficulty, Borges...
Comparative Literature (2015) 67 (2): 232–234.
Published: 01 June 2015
... the past two decades, allowing us to read them in dialogue and dispute with one another. This alone is a significant achievement. Of equal importance, however, is the sympathetic and nuanced treatment she gives to Sigüenza y Góngora’s expansive intellect, critical hermeneutics, and ambitious...
Comparative Literature (2006) 58 (2): 128–152.
Published: 01 March 2006
... poets of the generation of 1927 involved in the Góngora revival), modernist novelists (Djuna Barnes and William Faulkner), Latin Ameri- can colonial historians of the 1940s (Angel Guido, Pedro Henríquez-Ureña, and Mariano Picón-Salas), Cuban essayists of the post-WWII era ( José Lezama Lima, Alejo...
Comparative Literature (2009) 61 (3): 295–315.
Published: 01 June 2009
..., Quevedo, Calderón, Góngora, and Gracián are; likewise Rabelais (“the prince of French Baroque writers Ariosto’s Orlando Furioso, and Shake- speare are Baroque; so are Novalis’s Heinrich von Ofterdingen, Goethe’s second Faust, Rimbaud’s Illuminations, even Lautréamont’s Chants de Maldoror, as well as...
Comparative Literature (2008) 60 (1): 1–7.
Published: 01 January 2008
..., Mistral, Fernão Mendes Pinto, Jaime Roig, Francisco Delicado, Pessoa and Valéry, Góngora, King Dinis of Portugal, Borges, the troubadours . . . Epic, romance, and medieval courtly lyric are constants, as are the role of the reader and the practice and evolution of literary criticism itself, both in its...
Comparative Literature (2011) 63 (3): 307–327.
Published: 01 September 2011
... traffic at the time (see Trochon, Kushnir, and Góngora Escobedo), any of which conflicts by virtue of its complete- ness with some aspects of the historical fiction “consensus.” See also Salessi for a detailed consider- ation of how earlier histories promoted particular ethnic and gender stereotypes...
Comparative Literature (2000) 52 (1): 11–52.
Published: 01 January 2000