... . Gershenzon, Mikhail. “Povesti Belkina.” Izbrannoe v trekh tomakh . Moscow, Jerusalem: Universitetskaia kniga, Gersharim, 2000 . 86 -89. Goethe, Johann Wolfgang, von. Dichtung und Wahrheit. Goethes Werke. Hrsg. von Rail Alt. Berlin-Leipzig-Wien-Stutgart, 9 . Goldsmith, Oliver. The Vicar...

... and Contemporary Criticism , edited by Allen Robert C. , 138 – 59 . London : Routledge , 1992 . Forster John . The Life and Adventures of Oliver Goldsmith: A Biography in Four Books . Vol. I . London : Bradbury and Evans , 1848 . Freeborn Richard . The Rise of the Russian Novel...

... with the surveillance chronicle or spy literature, which spurred novel imitations by Aphra Behn and Daniel Defoe. Chapter 2 continues to plot this trajectory by considering pseudoethnographic novels by Montesquieu, Oliver Goldsmith, George Lyttelton, and Elizabeth Hamilton, all of whom struggled to recover...

... , and Goldsmith Kenneth , eds. Against Expression: An Anthology of Conceptual Writing . Evanston : Northwestern UP , 2011 . Frank Joseph . The Idea of Spatial Form . 1945 . New Brunswick : Rutgers UP , 1991 . Genette Gérard . Mimologics . 1976 . Trans. Morgan Thais E...

... with a discussion of Šenoa’s The Goldsmith’s Gold (1871), provides an introduction to Croatian literature and the issue of the South Slavs place between the Islamic East and the Christian West (to which they wanted to belong). For readers with little or no knowledge of South Slavic literature, this chapter...

... an eighteenth-century transoceanic perspective that sutures the Atlantic and 4 Heller, Pezzani, and SITU research have painstakingly documented the precise route of the “Left to Die” Boat in their work with the Forensic Architecture Project at Goldsmiths London. Their version of “forensic oceanography...

... from a third that is focused on experimental and avant-garde poetry and storytelling. The work of Marjorie Perloff , Charles Bernstein , Steve McGaffery , Gerald Bruns , Craig Dworkin , and Kenneth Goldsmith displays a similar—if not a prior—sensitivity to how the materiality of the literary...

... . ____. The Sorrows of Werter: A German Story . Trans. Daniel Malthus. London, 1779 . ____. Werke: Gedichte und Epen 2 . Ed. Erich Trunz. Hamburg: Chr. Wegner, 1949 . Vol. 2 of Werke. Ed. Erich Trunz, et al. 14 vols. Hamburger Ausgabe, 1949-60. Goldsmith, Oliver. The Art of Poetry on a New Plan . 2 vols...

... réversible.” Figures I. Paris: Seuil, 1966. 9–20. Print. Goldsmith, Elizabeth C., and Dena Goodman, eds. Going Public: Women and Publishing in Early Mod- ern France. Ithaca: Cornell UP, 1995. Print. THE FRENCH DISEASE / 47 Goldberg...

... and Steiner , 1775–78 . Lewis Tim . “ The Influence of E. T. A. Hoffmann on Balzac .” PhD diss., University of London , Goldsmiths College , 1991 . Merleau-Ponty Maurice . L’œil et l’esprit . Paris : Gallimard , 1964 . Miller J. Hillis . Ariadne’s Thread: Story Lines...

... was so called in his own time, for his reputation was literally contemporary with Sir Walter’s . . . In a certain sense, then, he may be said to have imitated Scott; it is doubtful, however, whether he was by any means so conscious of his model as Brockden Brown was of Godwin, or Irving of Goldsmith...

... considers an episode occur- ring in about 1604 when English agents of the East India Company tortured a Chinese goldsmith in Java (11-15). However, his limited focus on the spectacular theatricality of the incident fails to account for the complex alliances and rival- 2 For Spanish Arabic versions...

...) in the language of classical Arabic literary criticism. He notes that scholars commonly refer to the poet’s craft as weaving ( nasj ), embroidery ( washy ), goldsmithing ( siyāgha ), and building ( binā’ ) (81). These metaphors for poetry, he argues, justify “consideration of the parts in relation to each other...

... to haunt us.” Goldsmiths, University of London Works Cited Ahern, Bertie. Speech by the Taoiseach, Mr. Bertie Ahern, T.D., at a lunch hosted by the Honorable Nancy Pelosi, Speaker of the House of Representatives, Washington D.C. 17 Mar. 2008. Web...

..., on the couches, on the lyre of Iopas—but the divine goldsmith, under his Roman name of Vulcan, has taken up residence off the coast of Italy, where in book 8 he uses his skill not to make the luxury appurtenances of a Phaeacia or a Carthage but to produce the weapons of Rome. The episode of Vulcan’s casting...