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gallery
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Journal Article
Comparative Literature (2004) 56 (2): 111–129.
Published: 01 March 2004
... be defined and then filled with the objects that one needed to
recall, including, most importantly, the ethical and political precepts that could
help one lead a good life.2 In early modern Europe, a well-ordered and scripted
space, whether library, gallery, or audience chamber, was more than a decorous...
Journal Article
Comparative Literature (2016) 68 (4): 450–453.
Published: 01 December 2016
... is certainly no case of “unreflected
ease” (4), in dealing with both visual and verbal artifacts, as shown by his selection of
images, in itself a great reward of the book. His highly satisfactory and surprising gallery
features (besides Blechen’s extraordinary painting) Guardi’s Gala Concert in Honor...
Journal Article
Comparative Literature (2001) 53 (3): 233–261.
Published: 01 June 2001
.... Chronoschisms: Time, Narrative, and Postmodernism . Cambridge: Cambridge University Press, 1997 . Hunter, Sam. Vincent Desiderio: Recent Paintings . Exhibition Catalog. New York: Marlborough Gallery, 1993 . Jameson, Fredric. Postmodernism, or, The Cultural Logic of Late Capitalism . Durham: Duke...
Journal Article
Comparative Literature (2006) 58 (1): 24–43.
Published: 01 January 2006
...BONNIE ROOS University of Oregon 2006 Anselm Kiefer . Museum Folkwang Essen. Whitechapel Art Gallery London, 1981 /82. Anselm Kiefer: Peintures 1983-1984 . Musée d'art contemporain, 1984 . Arasse, Daniel. Anselm Kiefer . New York: Harry N. Abrams, Inc., 2001 . The New...
Journal Article
Comparative Literature (2021) 73 (2): 237–254.
Published: 01 June 2021
... ), in which Claude Brasseur, Sami Frey, and Anna Karina race through the same gallery of the Louvre. 15 For a comparison between Sciamma’s film and paintings (by Friedrich in particular, but also by Rem Brandt , Vermeer, Goya, Wyeth, and Courbet), see Asatekin . 16 See Mathieu Larnaudie’s...
FIGURES
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Image
Published: 01 June 2024
Figure 1. Romuald Hazoumè, Passe temps ( 2015 ). Found objects, 34 × 22 × 17 cm. © Romuald Hazoumè. © 2023 Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy of October Gallery, London. Photograph © Romuald Hazoumè.
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Journal Article
Comparative Literature (2016) 68 (4): 427–449.
Published: 01 December 2016
...: An Alternative History of Philosophy . Princeton : Princeton UP , 2002 . Print . Gallery Peter Kilchmann . Press Release . Margolles Teresa Juárez Ciudad . 12 June–30 July 2005 . Web. 8 Jan. 2015 . Rancière Jacques . “The Aesthetic Dimension: Aesthetics, Politics, Knowledge...
Journal Article
Comparative Literature (2011) 63 (3): 328–331.
Published: 01 September 2011
... and oikonomos —one notices a satirical force to
the scene that deserves further elaboration. The scene —the apparatus —is a large hall with
a gallery. Robed and wigged lawyers accompany Queen Caroline on her black ram, other
lawyers sit behind a table, and there is no bench, no bar, and no raised...
Journal Article
Comparative Literature (2011) 63 (3): 336–339.
Published: 01 September 2011
... and oikonomos —one notices a satirical force to
the scene that deserves further elaboration. The scene —the apparatus —is a large hall with
a gallery. Robed and wigged lawyers accompany Queen Caroline on her black ram, other
lawyers sit behind a table, and there is no bench, no bar, and no raised...
Journal Article
Comparative Literature (2011) 63 (3): 331–335.
Published: 01 September 2011
... and oikonomos —one notices a satirical force to
the scene that deserves further elaboration. The scene —the apparatus —is a large hall with
a gallery. Robed and wigged lawyers accompany Queen Caroline on her black ram, other
lawyers sit behind a table, and there is no bench, no bar, and no raised...
Journal Article
Comparative Literature (2011) 63 (3): 339–343.
Published: 01 September 2011
... —is a large hall with
a gallery. Robed and wigged lawyers accompany Queen Caroline on her black ram, other
lawyers sit behind a table, and there is no bench, no bar, and no raised thrones. This is a
court of literature, a popular assembly, a representation of lex amicitia otherwise variously
named...
Journal Article
Comparative Literature (2017) 69 (1): 1–6.
Published: 01 March 2017
...
ACLA FORUM: OCEANIC ROUTES / 5
artist Jason deCaires Taylor —situated in sunken galleries in the Caribbean waters
of Mexico and Grenada —evocatively demonstrates the power that “submarine”
perspective offers.
To create the only conclusion we could imagine for such a forum, Rachel Price...
Journal Article
Comparative Literature (2019) 71 (3): 298–313.
Published: 01 September 2019
.... The “ Museums and Galleries NSW Reconciliation Action Plan 2012 ” states that Woolloomooloo, “derived from walla mulla, means place of plenty.” Godfrey Charles Mundy in Antipodes suggests that the suburb’s name derives from Wala-mala , “place of tombs” ( 10 ). 2 See Korff , “Paramatta...
Journal Article
Comparative Literature (2016) 68 (3): 251–273.
Published: 01 September 2016
... . Print . olmes James . Translated! Papers on Literary Translation and Translation Studies . Amsterdam : Rodopi , 1988 . Print . Homer Multitext Project . Web. < www.homermultitext.org/about.html .> Kovacs Maureen Gallery . The Epic of Gilgamesh . Stanford : Stanford...
Journal Article
Comparative Literature (2001) 53 (3): 193–213.
Published: 01 June 2001
... acconci each day takes one
object from his apartment near sheridan square to leave it
in a gallery on upper broadway emptying in the course of
a conventional thirty day show his spare apartment of most
of the things on which...
Journal Article
Comparative Literature (2012) 64 (4): 446–461.
Published: 01 December 2012
.... Hiddleston Jane Crowley Patrick . Liverpool : Liverpool UP , 2011 . 13 – 34 . Print . Nora Pierre . Les lieux de mémoire . 1984 . Paris : Gallimard , 1997 . Print . Pynor Helen . Liquid Ground . Dominik Mersch Gallery , London , Dec. 2010 . Web. < http...
Journal Article
Comparative Literature (2013) 65 (2): 242–246.
Published: 01 June 2013
... and experienced great commercial success. Goldhill’s main example in
his section on Victorian painting is Waterhouse’s Saint Eulalia (1885), now in the Tate
Gallery in London, which depicts the early Christian martyr lying dead and half-naked
on a snow-covered pavement in an archaeologically precise ancient...
Journal Article
Comparative Literature (2013) 65 (2): 246–249.
Published: 01 June 2013
... and experienced great commercial success. Goldhill’s main example in
his section on Victorian painting is Waterhouse’s Saint Eulalia (1885), now in the Tate
Gallery in London, which depicts the early Christian martyr lying dead and half-naked
on a snow-covered pavement in an archaeologically precise ancient...
Journal Article
Comparative Literature (2013) 65 (2): 249–251.
Published: 01 June 2013
... and experienced great commercial success. Goldhill’s main example in
his section on Victorian painting is Waterhouse’s Saint Eulalia (1885), now in the Tate
Gallery in London, which depicts the early Christian martyr lying dead and half-naked
on a snow-covered pavement in an archaeologically precise ancient...
Journal Article
Comparative Literature (2013) 65 (2): 251–253.
Published: 01 June 2013
... in
his section on Victorian painting is Waterhouse’s Saint Eulalia (1885), now in the Tate
Gallery in London, which depicts the early Christian martyr lying dead and half-naked
on a snow-covered pavement in an archaeologically precise ancient town. Through the
prism of classical reception, Goldhill...
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