...Wallace Martin Estrangement and the Somatics of Literature: Tolstoy, Shklovsky, Brecht. By Douglas Robinson. Baltimore: The Johns Hopkins University Press, 2008. xx, 317 p. University of Oregon 2010 BOOK REVIEWS ESTRANGEMENT...

...Claire White This article reads George Sand's Le Compagnon du Tour de France (1840) alongside Karl Marx's “Economic and Philosophic Manuscripts of 1844.” It considers how these contemporaries bring to bear on their accounts of labor, estrangement, and the structures of property an attention...

... short fiction, Matalon uses the elevated Hebrew of Barthes in translation as a surreal device of linguistic and narrative estrangement from the Israeli-Palestinian conflict and from the predictable script of an Israeli journalist's visit to a mourning family in Gaza. Parodying Barthes's discovery...

... substitute within the tale. The tale and the larger Nights show how the estrangement that is the means of literary fiction can lie at cross-purposes with the ethical end of self-recognition and empathetic identification with others. Works Cited al-Musawi Muhsin . The Islamic Context...

...Christopher Pye A Politics of the Scene. By Paul A. Kottman. Stanford: Stanford University Press, 2007. 272 p. University of Oregon 2010 BOOK REVIEWS ESTRANGEMENT AND THE SOMATICS OF LITERATURE: TOLSTOY, SHKLOVSKY, BRECHT...

... BOOK REVIEWS ESTRANGEMENT AND THE SOMATICS OF LITERATURE: TOLSTOY, SHKLOVSKY, BRECHT. By Douglas Robinson. Baltimore: The Johns Hopkins University Press, 2008. xx, 317 p. Innovations in criticism evoke a predictable sequence of responses. After the fi rst fl urry of interest...

...Michael Bell Dualisms: The Agons of the Modern World. By Ricardo J. Quinones. Toronto and London: University of Toronto Press, 2007. xvi, 451 p. University of Oregon 2010 BOOK REVIEWS ESTRANGEMENT AND THE SOMATICS OF LITERATURE...

... ESTRANGEMENT AND THE SOMATICS OF LITERATURE: TOLSTOY, SHKLOVSKY, BRECHT. By Douglas Robinson. Baltimore: The Johns Hopkins University Press, 2008. xx, 317 p. Innovations in criticism evoke a predictable sequence of responses. After the fi rst fl urry of interest, their limitations and mistakes attract...

.... GUIDES TO BERLIN/293 exile. But the structure or anti-structure evinced by these two catalogues— estrangement, collection, arrangement, and display of a system of objects—is identical, and Ugresˇic´ is far from the only twentieth-century author to have used it; indeed, her book frequently gives...

... . Absurdistan . Random House , 2006 . Slobin Greta . “ Why the First-Wave Russian Literary Diaspora Embraced Shklovskian Estrangement .” Poetics Today , vol. 26 , no. 4 , 2005 , pp. 697 – 718 . Smith Michael Peter . Transnational Urbanism: Locating Globalization . Blackwell...

..., Writing and Psychoanalysis . London: Routledge, 1992 . Boym, Svetlana. “Estrangement as a Lifestyle: Shklovsky and Brodsky.” Poetics Today 17.4 ( 1996 ): 511 -30. Brooker, Peter. “The Wandering Flâneur, or, Something Lost in Translation.” Miscelánea: A Journal of English and American...

... “odissea rettilinea” (47; rec- tilinear odyssey), a nomadism without Ithaca, prompted by a perpetual interroga- tion of the world. The modern Ulysses does not return home confirmed in his own identity. He disperses and is estranged from himself, unable to recognize the many faces he puts...

... attempt to turn Pu Songling’s fantasy narratives into objects of scientific study. The English word “strange” comes from the Old French word estrange (foreign, unrelated to kin; or marvelous, unusual), of which the verbal form estranger is the etymological root of the English word “estrange.” Since...

... anticipate, between these bodies bound so intimately together by such fragile bonds, a contact which would reveal in a terrible way their lack of bonds. (80) In each of these passages references to intimacy and estrangement are deployed side by side, as if some profound oblivion had annulled...

... in a note. 4 This thematic is more apparent in the Arabic, as Antoon’s stylistic elision of numerous instances of “I don’t know why” may minimize the protagonists’ initial self-estrangement and passivity. For example, Ala “doesn’t know why” speaking Hebrew makes him feel his voice is not his own...

...- nity and modernism not as ‘past’ but as ‘foreign’ things” (7). Suter thus attempts to remove Murakami from the diachronic framework of premodern, modern, and postmodern and to situate him in a more synchronic world in which a non-Western writer estranges the reader from both Western and Japanese...

...- nity and modernism not as ‘past’ but as ‘foreign’ things” (7). Suter thus attempts to remove Murakami from the diachronic framework of premodern, modern, and postmodern and to situate him in a more synchronic world in which a non-Western writer estranges the reader from both Western and Japanese...

...- nity and modernism not as ‘past’ but as ‘foreign’ things” (7). Suter thus attempts to remove Murakami from the diachronic framework of premodern, modern, and postmodern and to situate him in a more synchronic world in which a non-Western writer estranges the reader from both Western and Japanese...

...- nity and modernism not as ‘past’ but as ‘foreign’ things” (7). Suter thus attempts to remove Murakami from the diachronic framework of premodern, modern, and postmodern and to situate him in a more synchronic world in which a non-Western writer estranges the reader from both Western and Japanese...

...- nity and modernism not as ‘past’ but as ‘foreign’ things” (7). Suter thus attempts to remove Murakami from the diachronic framework of premodern, modern, and postmodern and to situate him in a more synchronic world in which a non-Western writer estranges the reader from both Western and Japanese...