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erotic comedy

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Journal Article
Comparative Literature (2021) 73 (3): 299–319.
Published: 01 September 2021
... adaptations of Soviet erotic fiction. In reading Vâlâ’s neglected 1928 erotic historical comedy Baltacı ile Katerina ( Baltacı and Catherine ), unique among Vâlâ’s writings in its direct and explicit imagination and specification of an entangled revolution, this article suggests, by way of specific attention...
FIGURES
Journal Article
Comparative Literature (2010) 62 (1): 95–98.
Published: 01 January 2010
...John Wilkins Nature, Culture, and the Origins of Greek Comedy. By Kenneth S. Rothwell, Jr. New York: Columbia University Press, 2007. 326 p. Aristophanes and the Carnival of Genres. By Charles Platter. Baltimore: The Johns Hopkins University Press, 2007. 257 p. University of Oregon 2010...
Journal Article
Comparative Literature (2010) 62 (1): 89–92.
Published: 01 January 2010
... on sheer communicative transparency, fails to recognize the extent to which the erotics of the scene is bound up with its indirections, with overhear- ing and being overheard, with vicariousness and the mediatory relation between language and desire. But the problem extends beyond the question...
Journal Article
Comparative Literature (2010) 62 (1): 92–95.
Published: 01 January 2010
... of the voice —is not part of the Shakespearean text at all (Kottman would argue that the text nevertheless orients itself around that unrepresentable kernel), one can still feel that such a claim, centered on sheer communicative transparency, fails to recognize the extent to which the erotics...
Journal Article
Comparative Literature (2010) 62 (1): 99–100.
Published: 01 January 2010
... of the voice —is not part of the Shakespearean text at all (Kottman would argue that the text nevertheless orients itself around that unrepresentable kernel), one can still feel that such a claim, centered on sheer communicative transparency, fails to recognize the extent to which the erotics...
Journal Article
Comparative Literature (2010) 62 (1): 100–102.
Published: 01 January 2010
... on sheer communicative transparency, fails to recognize the extent to which the erotics of the scene is bound up with its indirections, with overhear- ing and being overheard, with vicariousness and the mediatory relation between language and desire. But the problem extends beyond the question...
Journal Article
Comparative Literature (2001) 53 (1): 42–57.
Published: 01 January 2001
.... “In Defense of Philip Roth.” Pinsker 182 -93. Landis, Joseph C. “The Sadness of Philip Roth.” Pinsker 164 -71. Lewis, Anthony. “The Jew in Stand-Up Comedy.” Sarah Blancher Cohen 58 -70. Malin, Irving, ed. Contemporary American-Jewish Literature . Bloomington: Indiana University Press, 1973...
Journal Article
Comparative Literature (2005) 57 (2): 101–116.
Published: 01 March 2005
... . Critchley, Simon. The Ethics of Deconstruction: Derrida and Levinas . Oxford: Blackwell, 1992 . Dante Alighieri. The Divine Comedy . Trans. and commentary by C.S. Singleton. Vol. 2 . Routledge & Kegan Paul, 1971 -75. Derrida, Jacques. Politics of Friendship. Trans. George Collins. London...
Journal Article
Comparative Literature (2008) 60 (2): 186–188.
Published: 01 March 2008
... subjects from a series of Ovidian texts that closely parse erotic relationships. At stake in her reading is not just a way to consider desire, but also to think about poetry since desire and creativity, specifically poetic creativity, suggests Rimell, become ineluctably intertwined in Ovid. Finding...
Journal Article
Comparative Literature (2008) 60 (2): 188–192.
Published: 01 March 2008
... erotic relationships. At stake in her reading is not just a way to consider desire, but also to think about poetry since desire and creativity, specifically poetic creativity, suggests Rimell, become ineluctably intertwined in Ovid. Finding contemporary scholarly readings of desire and artistic...
Journal Article
Comparative Literature (2008) 60 (2): 193–197.
Published: 01 March 2008
... subjects from a series of Ovidian texts that closely parse erotic relationships. At stake in her reading is not just a way to consider desire, but also to think about poetry since desire and creativity, specifically poetic creativity, suggests Rimell, become ineluctably intertwined in Ovid. Finding...
Journal Article
Comparative Literature (2008) 60 (2): 197–199.
Published: 01 March 2008
... texts that closely parse erotic relationships. At stake in her reading is not just a way to consider desire, but also to think about poetry since desire and creativity, specifically poetic creativity, suggests Rimell, become ineluctably intertwined in Ovid. Finding contemporary scholarly readings...
Journal Article
Comparative Literature (2008) 60 (2): 199–202.
Published: 01 March 2008
... erotic relationships. At stake in her reading is not just a way to consider desire, but also to think about poetry since desire and creativity, specifically poetic creativity, suggests Rimell, become ineluctably intertwined in Ovid. Finding contemporary scholarly readings of desire and artistic...
Journal Article
Comparative Literature (2008) 60 (2): 203–205.
Published: 01 March 2008
... intertextuality to intersubjectivity” as its objective. Rimell seeks to tease out the dynamics of the interactions between gendered subjects from a series of Ovidian texts that closely parse erotic relationships. At stake in her reading is not just a way to consider desire, but also to think about poetry...
Journal Article
Comparative Literature (2013) 65 (3): 345–362.
Published: 01 September 2013
... a secular Hebrew poetry that embraces traditional Jewish sources but, at the same time, is not subject to the constraints of Jewish piety. Although he has lost his faith in God and eschews religious rites, Kron is drawn to the transcendent wisdom and erotic economy of a historical mystical practice...
Journal Article
Comparative Literature (2010) 62 (2): 103–121.
Published: 01 March 2010
...David Quint In its retrospect on the history of the European novel, Tomasi di Lampedusa's Il Gattopardo identifies the figure of the aristocratic male libertine as a particular novelistic object of erotic attraction and repulsion. The nobleman's sexual dominance and whip-wielding brutality...
Journal Article
Comparative Literature (2004) 56 (4): 362–364.
Published: 01 September 2004
... the questions of literary identity and provenance (a new and different version or a repetition of the model on which it is based?) and of generic identity (tragedy, tragi- comedy, comedy The final doubling is of the nature, or identity, of the “subject” itself: it is uncertain whether the plays dramatize...
Journal Article
Comparative Literature (2004) 56 (4): 365–367.
Published: 01 September 2004
... identity, all three versions posing but failing to resolve the questions of literary identity and provenance (a new and different version or a repetition of the model on which it is based?) and of generic identity (tragedy, tragi- comedy, comedy The final doubling is of the nature, or identity...
Journal Article
Comparative Literature (2004) 56 (4): 367–370.
Published: 01 September 2004
... (tragedy, tragi- comedy, comedy The final doubling is of the nature, or identity, of the “subject” itself: it is uncertain whether the plays dramatize the Cartesian essentialist, self-determined subject or the subject as a conventional social (and linguistic) construct, built, as it were, from...
Journal Article
Comparative Literature (2004) 56 (4): 370–372.
Published: 01 September 2004
... identity and provenance (a new and different version or a repetition of the model on which it is based?) and of generic identity (tragedy, tragi- comedy, comedy The final doubling is of the nature, or identity, of the “subject” itself: it is uncertain whether the plays dramatize the Cartesian...