1-12 of 12 Search Results for

enargeia

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Comparative Literature (2002) 54 (2): 97–126.
Published: 01 March 2002
... University Press, 1994 . Winnicott, D.W. Playing and Reality . London: Routledge, 1991 . ENARGEIA, EKPHRASISSPRING & MOURNING/97 2002 Volume 54, Number 2 MARION A. WELLS...
Journal Article
Comparative Literature (2000) 52 (1): 1–10.
Published: 01 January 2000
... to astonishment (ekplêxis), while the rhetorical use leads to clarity (enargeia). In the rhetorical system, enargeia can be described as the figure to which phantasia among other figures is supposed to lead. The more conventional rhetorician Quintilian puts it this way: There are certain experiences which...
Journal Article
Comparative Literature (2003) 55 (2): 177–185.
Published: 01 March 2003
... on a “horizontal” (210), low-profile concept derived from the classical rhetorical notion of “enargeia” (211), which means—etymologically related to the adjective argos: white, shimmery—clarity (of expression), illustration, or graphic nature. The handed-down, “elevatory-emphatical” (210) concept of intuition...
Journal Article
Comparative Literature (2003) 55 (2): 185–190.
Published: 01 March 2003
... reason and nature, or accordingly between signifier and body, Naumann-Beyer’s entry sees contemporary theory of intuition as skeptical of phenomenological idealism and notices that it has fallen back on a “horizontal” (210), low-profile concept derived from the classical rhetorical notion of “enargeia...
Journal Article
Comparative Literature (2002) 54 (1): 72–75.
Published: 01 January 2002
..., an almost magical feeling for the perceptual sleight-of-hand that fabricates and unveils images that animate before our mental eyes (a phenomenon classical rhetoric referred to as enargeia, a term Scarry invokes [p. 21 Proust, for example, succeeds in evoking the “solidity” of the wall, door...
Journal Article
Comparative Literature (2002) 54 (1): 76–78.
Published: 01 January 2002
.... Certain writers, it seems, possess an uncanny knack, an almost magical feeling for the perceptual sleight-of-hand that fabricates and unveils images that animate before our mental eyes (a phenomenon classical rhetoric referred to as enargeia, a term Scarry invokes [p. 21 Proust, for example...
Journal Article
Comparative Literature (2002) 54 (1): 78–83.
Published: 01 January 2002
..., possess an uncanny knack, an almost magical feeling for the perceptual sleight-of-hand that fabricates and unveils images that animate before our mental eyes (a phenomenon classical rhetoric referred to as enargeia, a term Scarry invokes [p. 21 Proust, for example, succeeds in evoking the “solidity...
Journal Article
Comparative Literature (2002) 54 (1): 84–87.
Published: 01 January 2002
... mental eyes (a phenomenon classical rhetoric referred to as enargeia, a term Scarry invokes [p. 21 Proust, for example, succeeds in evoking the “solidity” of the wall, door and doorknob in Marcel’s bedroom by inviting us to imagine the (really no more or less tangible) magic lantern images...
Journal Article
Comparative Literature (2002) 54 (1): 88–91.
Published: 01 January 2002
..., an almost magical feeling for the perceptual sleight-of-hand that fabricates and unveils images that animate before our mental eyes (a phenomenon classical rhetoric referred to as enargeia, a term Scarry invokes [p. 21 Proust, for example, succeeds in evoking the “solidity” of the wall, door...
Journal Article
Comparative Literature (2002) 54 (1): 91–93.
Published: 01 January 2002
..., possess an uncanny knack, an almost magical feeling for the perceptual sleight-of-hand that fabricates and unveils images that animate before our mental eyes (a phenomenon classical rhetoric referred to as enargeia, a term Scarry invokes [p. 21 Proust, for example, succeeds in evoking the “solidity...
Journal Article
Comparative Literature (2002) 54 (1): 94–96.
Published: 01 January 2002
..., an almost magical feeling for the perceptual sleight-of-hand that fabricates and unveils images that animate before our mental eyes (a phenomenon classical rhetoric referred to as enargeia, a term Scarry invokes [p. 21 Proust, for example, succeeds in evoking the “solidity” of the wall, door...
Journal Article
Comparative Literature (2007) 59 (1): 33–62.
Published: 01 January 2007
... the word énérgie to suggest both the Greek energeia, or the force of soul that propels the rhetorical act of persuading, and the similar enargeia, or pictorial vividness—associating each mode with both a “persuasive tone of voice and a colorful theatricality” (322). Charpentier was willing to switch...