... fantasies that the novel, a genre associated with the ascendancy of the bourgeoisie and its values, weaves around the eroticized figure of the aristocrat. It documents, in Madame Bovary , the gradual replacement of the nobleman-rake in Emma Bovary's fantasies and love-affairs with substitutes produced...

...EMMA CAMPBELL University of Oregon 2003 Althusser, Louis. “Idéologie et appareils idéologiques d'état.” Positions . Paris: Éditions Sociales, 1976 . 67 -126. Ashton, Gayle. “Patient Mimesis: Griselda and the Clerk's Tale.” The Chaucer Review 32 ( 1998 ): 232 -38. Bakhtin...

... the wheels of the train, on which she still feels that she is riding. Like Anna, Flaubert’s Emma Bovary, approaching the moment of her death, looks out a carriage window. Hearing a blind man’s chant outside the hirondelle, Emma suffers a hallucinatory vision of the “face hideuse du misérable” (“hid...

... screen, for example, when Monsieur Lheureux “enthralls” Emma Bovary with his “gossamer silks and scarves” (p. 91) or, again in the Iliad, when Homer reports that not Paris’s spear but “his spear’s long shadow flew” (p. 93; Fagles translation). Writers also can move the reader’s mind from picture...

... and force” (p. 239). Rarity slips onto the mental screen, for example, when Monsieur Lheureux “enthralls” Emma Bovary with his “gossamer silks and scarves” (p. 91) or, again in the Iliad, when Homer reports that not Paris’s spear but “his spear’s long shadow flew” (p. 93; Fagles translation). Writers...

.... 239). Rarity slips onto the mental screen, for example, when Monsieur Lheureux “enthralls” Emma Bovary with his “gossamer silks and scarves” (p. 91) or, again in the Iliad, when Homer reports that not Paris’s spear but “his spear’s long shadow flew” (p. 93; Fagles translation). Writers also can...

...—into the representa- tion; Scarry asserts that despite their inherent “fragility or filminess,” rare objects “can move in the mind with direction and force” (p. 239). Rarity slips onto the mental screen, for example, when Monsieur Lheureux “enthralls” Emma Bovary with his “gossamer silks and scarves” (p. 91...

... screen, for example, when Monsieur Lheureux “enthralls” Emma Bovary with his “gossamer silks and scarves” (p. 91) or, again in the Iliad, when Homer reports that not Paris’s spear but “his spear’s long shadow flew” (p. 93; Fagles translation). Writers also can move the reader’s mind from picture...

.... 239). Rarity slips onto the mental screen, for example, when Monsieur Lheureux “enthralls” Emma Bovary with his “gossamer silks and scarves” (p. 91) or, again in the Iliad, when Homer reports that not Paris’s spear but “his spear’s long shadow flew” (p. 93; Fagles translation). Writers also can...

... screen, for example, when Monsieur Lheureux “enthralls” Emma Bovary with his “gossamer silks and scarves” (p. 91) or, again in the Iliad, when Homer reports that not Paris’s spear but “his spear’s long shadow flew” (p. 93; Fagles translation). Writers also can move the reader’s mind from picture...

... reunion with all three daughters and their lapdogs. Never will Emma rally, revived by the sympathetic salts in Flaubert’s father’s timely tear. Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends...

...Marie-Laure Ryan Narrative Causalities. By Emma Kafalenos. Columbus: Ohio State University Press, 2006. xiii, 247 p. University of Oregon 2007 BOOK REVIEWS/349 BOOK...

...: Palgrave, 2004 . Johannesson, Eric O. Afterword. Niels Lyhne. Seattle: Fjord Press, 1990 . 207 -12. Kildegaard, Bjarne. Fru Emma Gad . Copenhagen: Tiderne skifter, 1984 . Larsen, Nella. The Complete Fiction of Nella Larsen . Ed. Charles R. Larson. New York: Anchor Books, 2001 . Larson...

... BOOK REVIEWS NARRATIVE CAUSALITIES. By Emma Kafalenos. Columbus: Ohio State University Press, 2006. xiii, 247 p. The lofty goal of Emma Kafalenos in Narrative Causalities is to propose a model that accounts for the mental image that readers form of narrative texts, building it over time...

... REVIEWS NARRATIVE CAUSALITIES. By Emma Kafalenos. Columbus: Ohio State University Press, 2006. xiii, 247 p. The lofty goal of Emma Kafalenos in Narrative Causalities is to propose a model that accounts for the mental image that readers form of narrative texts, building it over time...

... BOOK REVIEWS NARRATIVE CAUSALITIES. By Emma Kafalenos. Columbus: Ohio State University Press, 2006. xiii, 247 p. The lofty goal of Emma Kafalenos in Narrative Causalities is to propose a model that accounts for the mental image that readers form of narrative texts, building it over time...

...- tors of The Century  likewise eulogized him as “the great poet departed” (“Ralph Waldo Emerson” 458), and in the same issue Emma Lazarus praised Emerson for 3 This does not mean, however, that Arnold, by contrast, was strictly a normative formalist. Vince Pecora has argued that culture, “far...

... and social status (Vautrin in Père Goriot), or learning to think and act judiciously (Mr. Knightley in Emma). What is unusual about Volodya’s mentor is that he has only one message to convey, namely that the young man should exit the game, run from the Zasyekins with his sanity intact. We have seen...

.... Sutton, Emma. “‘Putting Words on the Backs of Rhythm’: Woolf, ‘Street Music,’ and The Voyage Out.” Paragraph, vol. 33/2, 2010, pp. 176–96. Quintilian’s Institutes of Oratory: or, Education of an Orator in Twelve Books, vol. 2. Translated by John Selby Watson, London: Bohn’s Classical Library...

... self-made heroes, such as Rastignac and Lucien de Rubempré. But the tragic delusions of Emma Bovary and of the little telegraph operator in Henry James’s story “In the Cage” are also a product of the realist obsession with what and how much one can envision and desire. Brooks’s tour de force...