... fantasies that the novel, a genre associated with the ascendancy of the bourgeoisie and its values, weaves around the eroticized figure of the aristocrat. It documents, in Madame Bovary , the gradual replacement of the nobleman-rake in Emma Bovary's fantasies and love-affairs with substitutes produced...

...EMMA CAMPBELL University of Oregon 2003 Althusser, Louis. “Idéologie et appareils idéologiques d'état.” Positions . Paris: Éditions Sociales, 1976 . 67 -126. Ashton, Gayle. “Patient Mimesis: Griselda and the Clerk's Tale.” The Chaucer Review 32 ( 1998 ): 232 -38. Bakhtin...

... the wheels of the train, on which she still feels that she is riding. Like Anna, Flaubert’s Emma Bovary, approaching the moment of her death, looks out a carriage window. Hearing a blind man’s chant outside the hirondelle, Emma suffers a hallucinatory vision of the “face hideuse du misérable” (“hid...

... screen, for example, when Monsieur Lheureux “enthralls” Emma Bovary with his “gossamer silks and scarves” (p. 91) or, again in the Iliad, when Homer reports that not Paris’s spear but “his spear’s long shadow flew” (p. 93; Fagles translation). Writers also can move the reader’s mind from picture...

... and force” (p. 239). Rarity slips onto the mental screen, for example, when Monsieur Lheureux “enthralls” Emma Bovary with his “gossamer silks and scarves” (p. 91) or, again in the Iliad, when Homer reports that not Paris’s spear but “his spear’s long shadow flew” (p. 93; Fagles translation). Writers...

.... 239). Rarity slips onto the mental screen, for example, when Monsieur Lheureux “enthralls” Emma Bovary with his “gossamer silks and scarves” (p. 91) or, again in the Iliad, when Homer reports that not Paris’s spear but “his spear’s long shadow flew” (p. 93; Fagles translation). Writers also can...

...—into the representa- tion; Scarry asserts that despite their inherent “fragility or filminess,” rare objects “can move in the mind with direction and force” (p. 239). Rarity slips onto the mental screen, for example, when Monsieur Lheureux “enthralls” Emma Bovary with his “gossamer silks and scarves” (p. 91...

... screen, for example, when Monsieur Lheureux “enthralls” Emma Bovary with his “gossamer silks and scarves” (p. 91) or, again in the Iliad, when Homer reports that not Paris’s spear but “his spear’s long shadow flew” (p. 93; Fagles translation). Writers also can move the reader’s mind from picture...

.... 239). Rarity slips onto the mental screen, for example, when Monsieur Lheureux “enthralls” Emma Bovary with his “gossamer silks and scarves” (p. 91) or, again in the Iliad, when Homer reports that not Paris’s spear but “his spear’s long shadow flew” (p. 93; Fagles translation). Writers also can...

... screen, for example, when Monsieur Lheureux “enthralls” Emma Bovary with his “gossamer silks and scarves” (p. 91) or, again in the Iliad, when Homer reports that not Paris’s spear but “his spear’s long shadow flew” (p. 93; Fagles translation). Writers also can move the reader’s mind from picture...

... of play, time reversals, and even “retrospective transformations” (“Nabokov’s” 24). In the case of Lolita , however, it is Humbert himself who invokes the possibility of alternate endings for master plots, such as Lear “banging his tankard in high revelry” and Emma “revived by the sympathetic salts...

...Marie-Laure Ryan Narrative Causalities. By Emma Kafalenos. Columbus: Ohio State University Press, 2006. xiii, 247 p. University of Oregon 2007 BOOK REVIEWS/349 BOOK...

...: Palgrave, 2004 . Johannesson, Eric O. Afterword. Niels Lyhne. Seattle: Fjord Press, 1990 . 207 -12. Kildegaard, Bjarne. Fru Emma Gad . Copenhagen: Tiderne skifter, 1984 . Larsen, Nella. The Complete Fiction of Nella Larsen . Ed. Charles R. Larson. New York: Anchor Books, 2001 . Larson...

... BOOK REVIEWS NARRATIVE CAUSALITIES. By Emma Kafalenos. Columbus: Ohio State University Press, 2006. xiii, 247 p. The lofty goal of Emma Kafalenos in Narrative Causalities is to propose a model that accounts for the mental image that readers form of narrative texts, building it over time...

... REVIEWS NARRATIVE CAUSALITIES. By Emma Kafalenos. Columbus: Ohio State University Press, 2006. xiii, 247 p. The lofty goal of Emma Kafalenos in Narrative Causalities is to propose a model that accounts for the mental image that readers form of narrative texts, building it over time...

... BOOK REVIEWS NARRATIVE CAUSALITIES. By Emma Kafalenos. Columbus: Ohio State University Press, 2006. xiii, 247 p. The lofty goal of Emma Kafalenos in Narrative Causalities is to propose a model that accounts for the mental image that readers form of narrative texts, building it over time...

... of American Realism . Chicago : U of Chicago P , 2009 . Print . Kaufmann Michael W. “The Religious, the Secular, and Literary Studies: Rethinking the Secularization Narrative in Histories of the Profession.” New Literary History 38 ( 2007 ): 607 – 27 . Print . Lazarus Emma...

... . Lieber Emma . “ ‘Mister Russian Beast’: Civilization’s Discontents in Turgenev .” Russian Writers and the Fin de Siècle: The Twilight of Realism . Edited by Bowers Katherine Kokobobo Ani , Cambridge UP , 2015 , pp. 89 – 106 . Lovell Stephen . Summerfolk: A History of the Dacha...

... by Pike Burton Luft David S. , U of Chicago P , 1990 , pp. 193 – 208 . Salgaro Massimo Vangi Michele , editors. Mythos Rhythmus. Wissenschaft, Kunst und Literatur um 1900 . Franz Steiner Verlag , 2015 . Sutton Emma . “ ‘Putting Words on the Backs of Rhythm’: Woolf...

...-Bernard. Michel Tournier et L'Écriture Seconde . Lyon: Presses Universitaires de Lyon, 1997 . Wilson, Emma. “Vendredi ou les limbes du Pacifique: Tournier, Seduction and Paternity.” Spaas and Stimpson 199 -209. SUSAN C. BRANTLY Engaging the Enlightenment...