...Timothy Peltason The Practice of Reading. By Denis Donoghue. New Haven: Yale University Press, 1998. 307 p. University of Oregon 2000 BOOK REVIEWS/363 BOOK REVIEWS...

.... WILLIAM STORM University of California, Santa Barbara THE PRACTICE OF READING. By Denis Donoghue. New Haven: Yale University Press, 1998. 307 p. Denis Donoghue’s new book, The Practice of Reading, is neither a collection of essays nor a progress of chapters, but something in between...

.... WILLIAM STORM University of California, Santa Barbara THE PRACTICE OF READING. By Denis Donoghue. New Haven: Yale University Press, 1998. 307 p. Denis Donoghue’s new book, The Practice of Reading, is neither a collection of essays nor a progress of chapters, but something in between...

... perspective on a key phase in the history of literacy and performance. WILLIAM STORM University of California, Santa Barbara THE PRACTICE OF READING. By Denis Donoghue. New Haven: Yale University Press, 1998. 307 p. Denis...

... of computers and of deconstruction have perhaps led us to forget the embodied experi- ence of writing with a pencil or a pen. As has been demonstrated by Joan DeJean, Emma Donoghue and Lawrence Lipking, among others, one history of Sappho’s reception is determined by the Ovidian myth of COMPARATIVE...

... of computers and of deconstruction have perhaps led us to forget the embodied experi- ence of writing with a pencil or a pen. As has been demonstrated by Joan DeJean, Emma Donoghue and Lawrence Lipking, among others, one history of Sappho’s reception is determined by the Ovidian myth of COMPARATIVE...

... of computers and of deconstruction have perhaps led us to forget the embodied experi- ence of writing with a pencil or a pen. As has been demonstrated by Joan DeJean, Emma Donoghue and Lawrence Lipking, among others, one history of Sappho’s reception is determined by the Ovidian myth of COMPARATIVE...

... of computers and of deconstruction have perhaps led us to forget the embodied experi- ence of writing with a pencil or a pen. As has been demonstrated by Joan DeJean, Emma Donoghue and Lawrence Lipking, among others, one history of Sappho’s reception is determined by the Ovidian myth of COMPARATIVE...

... of computers and of deconstruction have perhaps led us to forget the embodied experi- ence of writing with a pencil or a pen. As has been demonstrated by Joan DeJean, Emma Donoghue and Lawrence Lipking, among others, one history of Sappho’s reception is determined by the Ovidian myth of COMPARATIVE...

... of computers and of deconstruction have perhaps led us to forget the embodied experi- ence of writing with a pencil or a pen. As has been demonstrated by Joan DeJean, Emma Donoghue and Lawrence Lipking, among others, one history of Sappho’s reception is determined by the Ovidian myth of COMPARATIVE...

... of computers and of deconstruction have perhaps led us to forget the embodied experi- ence of writing with a pencil or a pen. As has been demonstrated by Joan DeJean, Emma Donoghue and Lawrence Lipking, among others, one history of Sappho’s reception is determined by the Ovidian myth of COMPARATIVE...

... of computers and of deconstruction have perhaps led us to forget the embodied experi- ence of writing with a pencil or a pen. As has been demonstrated by Joan DeJean, Emma Donoghue and Lawrence Lipking, among others, one history of Sappho’s reception is determined by the Ovidian myth of COMPARATIVE...

... of computers and of deconstruction have perhaps led us to forget the embodied experi- ence of writing with a pencil or a pen. As has been demonstrated by Joan DeJean, Emma Donoghue and Lawrence Lipking, among others, one history of Sappho’s reception is determined by the Ovidian myth of COMPARATIVE...