Search Results for collage

... reconstruing the condition of demanualization (the dispensability of the human hand in making) as primitive and modern. [email protected] Copyright © 2024 by University of Oregon 2024 surrealism ethnology magic collage technique IN 1930, ON THE OCCASION of an exhibition of recent works...

... the contemporaneousness of the novel in the digital age. University of Oregon 2011 Abre los ojos . Dir. Alejandro Amenábar. Canal+ + España et al., 1997 . Film. Adamowicz, Elsa. Surrealist Collage in Text and Image: Dissecting the Exquisite Corpse . Cambridge: Cambridge UP, 2005 . Print. Amiran, eyal...

... appeared as a disturbing collage of found objects still pregnant with untold stories: yellowed newspaper clippings, a love letter opened before reaching its intended destination, the transcript of an overheard conversation, scalloped-edged photographs, and fragments of literary manuscripts. If the sus...

... ). It would help to reconfigure historical discussions of the “remake” to include Askari’s Iranian “collage sound” as cultural composite work (Askari 83). Here the arts and humanities’ dedication to unique newness is reversed in Askari’s rescue of recombinant film objects whose appeal “lies in the ways...

...Figure 2. Doug Beube, Absence (2015), Speechless series, collage, 8 ⅜ × 5 ⅜ × 1 ¾ inches. Reproduced by kind permission of the artist. ...

... are its accounts of such works: Carlo Carra’s futurist collage painting Manifestazione Interventista (1914); Wyndham Lewis’s vorticist pseudo-play Enemy of the Stars (1914); Pound’s collage memoir Gaudier-Brzeska (1916); Hannah Höch’s dada collage Cut with the Kitchen Knife Dada through the Last...

... are its accounts of such works: Carlo Carra’s futurist collage painting Manifestazione Interventista (1914); Wyndham Lewis’s vorticist pseudo-play Enemy of the Stars (1914); Pound’s collage memoir Gaudier-Brzeska (1916); Hannah Höch’s dada collage Cut with the Kitchen Knife Dada through the Last...

... are its accounts of such works: Carlo Carra’s futurist collage painting Manifestazione Interventista (1914); Wyndham Lewis’s vorticist pseudo-play Enemy of the Stars (1914); Pound’s collage memoir Gaudier-Brzeska (1916); Hannah Höch’s dada collage Cut with the Kitchen Knife Dada through the Last...

... are its accounts of such works: Carlo Carra’s futurist collage painting Manifestazione Interventista (1914); Wyndham Lewis’s vorticist pseudo-play Enemy of the Stars (1914); Pound’s collage memoir Gaudier-Brzeska (1916); Hannah Höch’s dada collage Cut with the Kitchen Knife Dada through the Last...

... are its accounts of such works: Carlo Carra’s futurist collage painting Manifestazione Interventista (1914); Wyndham Lewis’s vorticist pseudo-play Enemy of the Stars (1914); Pound’s collage memoir Gaudier-Brzeska (1916); Hannah Höch’s dada collage Cut with the Kitchen Knife Dada through the Last...

... individual” (6). Puchner’s readings of key works of manifesto art are consistently acute and enlighten- ing. Some of the strongest pages of Poetry of the Revolution are its accounts of such works: Carlo Carra’s futurist collage painting Manifestazione Interventista (1914); Wyndham Lewis’s vorticist...

... falsifi cations. The motto of the text, vα v v (“Sequence Against Baudelaires which is a distortion of the title of Cavafy’s unpublished poem vα v v (“Sequence According to Baudelaire”; 1891), at once clearly points to the story as a textual collage of allusions, plagiarisms, and falsifi cations...

... media” (Higgins 23).4 Another example is the “happening” for Higgins, an “uncharted land that lies between collage, music and the theater,” in which “each work determines its own medium and form according to its needs” (25). As Higgins’s use of both the ready-made and the happening suggests, he...

... different. This book, however, is not a political roadmap but a com- bination of philology and philosophy, with its own aesthetic contributions thrown in for extra effect: each chapter begins with a collage image by the author that visually invokes the texts to be discussed in the pages to come...

... different. This book, however, is not a political roadmap but a com- bination of philology and philosophy, with its own aesthetic contributions thrown in for extra effect: each chapter begins with a collage image by the author that visually invokes the texts to be discussed in the pages to come...

... different. This book, however, is not a political roadmap but a com- bination of philology and philosophy, with its own aesthetic contributions thrown in for extra effect: each chapter begins with a collage image by the author that visually invokes the texts to be discussed in the pages to come...

... something of a commonplace that writing in general—modern- ist and postmodern poetics in particular—depends heavily upon techniques of fragmentation and juxtaposition. Literary theory teems with terms like collage, assemblage, and bricolage, and often the emphasis is on a text’s dismemberment...

....” In “The Baroque and the Neobaroque,” Sarduy explains that by intertextuality he means everything that comprises visible discourses in the form of collage (“super- imposition on the surface of this text, an elementary form of dialogue that modi- fi es none of its elements, nor alters its voice which he merges...

...” in the banalities of French or Russian life. Just as Charlotte passes her memories of France on to her grandchildren by means of COMPARATIVE LITERATURE/258 disparate objects—a collage of newspaper clippings, photos, and pebbles— so Makine’s narrator creates a powerful literary language out of French...