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carnival

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Journal Article
Comparative Literature (2010) 62 (1): 95–98.
Published: 01 January 2010
...John Wilkins Nature, Culture, and the Origins of Greek Comedy. By Kenneth S. Rothwell, Jr. New York: Columbia University Press, 2007. 326 p. Aristophanes and the Carnival of Genres. By Charles Platter. Baltimore: The Johns Hopkins University Press, 2007. 257 p. University of Oregon 2010...
Journal Article
Comparative Literature (2014) 66 (4): 399–419.
Published: 01 December 2014
...Frederick Burwick In Prinzessin Brambilla Hoffmann combines his study of mental pathology with his involvement in theater performance. Hoffmann introduces figures of the commedia dell'arte as street players in the midst of carnival. The derangement of Giglio Favia, an actor, is played out amidst...
Journal Article
Comparative Literature (2009) 61 (3): 295–315.
Published: 01 June 2009
... of confrontation, of interactions on different levels, different linguistic textures, intertextuality. Thus the Baroque occurs simultaneously as “a space of dialogism, polyphony, carnivalization, par- ody and intertextuality, . . . [that] presents itself, then, as a network of connec- tions, of successive fi...
Journal Article
Comparative Literature (2010) 62 (1): 89–92.
Published: 01 January 2010
.../00104124-2009-035 NATURE, CULTURE, AND THE ORIGINS OF GREEK COMEDY. By Kenneth S. Rothwell, Jr. New York: Columbia University Press, 2007. 326 p. ARISTOPHANES AND THE CARNIVAL OF GENRES. By Charles Platter. Baltimore: The Johns Hop- kins University Press, 2007. 257 p. The plays of Greek...
Journal Article
Comparative Literature (2010) 62 (1): 92–95.
Published: 01 January 2010
..., AND THE ORIGINS OF GREEK COMEDY. By Kenneth S. Rothwell, Jr. New York: Columbia University Press, 2007. 326 p. ARISTOPHANES AND THE CARNIVAL OF GENRES. By Charles Platter. Baltimore: The Johns Hop- kins University Press, 2007. 257 p. The plays of Greek Old Comedy are some of the most remarkable...
Journal Article
Comparative Literature (2010) 62 (1): 99–100.
Published: 01 January 2010
..., AND THE ORIGINS OF GREEK COMEDY. By Kenneth S. Rothwell, Jr. New York: Columbia University Press, 2007. 326 p. ARISTOPHANES AND THE CARNIVAL OF GENRES. By Charles Platter. Baltimore: The Johns Hop- kins University Press, 2007. 257 p. The plays of Greek Old Comedy are some of the most remarkable...
Journal Article
Comparative Literature (2010) 62 (1): 100–102.
Published: 01 January 2010
.../00104124-2009-035 NATURE, CULTURE, AND THE ORIGINS OF GREEK COMEDY. By Kenneth S. Rothwell, Jr. New York: Columbia University Press, 2007. 326 p. ARISTOPHANES AND THE CARNIVAL OF GENRES. By Charles Platter. Baltimore: The Johns Hop- kins University Press, 2007. 257 p. The plays of Greek...
Journal Article
Comparative Literature (2011) 63 (3): 253–268.
Published: 01 September 2011
...-Literary Movement of His Time] . Ленинград : Наука , 1976 . 178 – 85 . Print . Gasperetti David . “The Rhetoric of Parody in Prigozhaia Povarikha: Chulkov's Polemic with Emin.” PKFLC: SS ( 1986 ): 10 – 22 . Print . ———. The Rise of the Russian Novel: Carnival, Stylization...
Journal Article
Comparative Literature (2008) 60 (2): 142–163.
Published: 01 March 2008
... (see Rodríguez-Hernández). I contend that Del Paso achieves a more politically charged version of literature by adopting the more radical ele- ments of these writers and reshaping them into a carnivalized version of Mexico that addresses all power structures in the country rather than only the moral...
Journal Article
Comparative Literature (2000) 52 (4): 269–290.
Published: 01 September 2000
... MOMENT/279 the earth, for as he reminds the emperor, “Der Boden ist des Kaisers, der soll’s haben” (“The land is the Emperor’s, he should keep it”; 4938). It is only after the following carnival scene, however, that the actual nature of Mephisto’s solution becomes clear. The chancellor appears...
Journal Article
Comparative Literature (2009) 61 (3): 316–326.
Published: 01 June 2009
... with the obscenity of over-representation and extreme availability of messages, and with the multiple temporalities that modernity had ordered in a historical, linear, progressive, teleological course, and that now are displaced and endlessly rearticulated in a communicative carnivalization. (250) Piglia’s...
Journal Article
Comparative Literature (2016) 68 (2): 199–217.
Published: 01 June 2016
... trip in 1924, he surprised his Brazilian audience by dedicating one of his lectures to African literature, and, while in Rio de Janeiro, he insisted on being taken to a carnival celebration in one of the city’s predominantly black neighborhoods (Amaral 115). The admiration Cendrars displayed...
Journal Article
Comparative Literature (2022) 74 (3): 293–305.
Published: 01 September 2022
... sociality with respect to such manifestations as the Median Movement and the 2010 Tunisian uprising, referring to their effects as “explosive or carnival solidarity” (144). Arguably, the discordance between poetic socialities and Bauman’s aesthetic sociality has to do with the difference between...
Journal Article
Comparative Literature (2000) 52 (4): 363–366.
Published: 01 September 2000
... and presence being implicitly neither high nor low but simply manifest in the representation of human character and action. The “high textual/low bodily polarity,” useful perhaps in regard to carnival, the grotesque, and types of broad comedy, lacks the breadth of application that Wise appears to suggest...
Journal Article
Comparative Literature (2000) 52 (4): 366–369.
Published: 01 September 2000
... and presence being implicitly neither high nor low but simply manifest in the representation of human character and action. The “high textual/low bodily polarity,” useful perhaps in regard to carnival, the grotesque, and types of broad comedy, lacks the breadth of application that Wise appears to suggest...
Journal Article
Comparative Literature (2000) 52 (4): 369–372.
Published: 01 September 2000
... and presence being implicitly neither high nor low but simply manifest in the representation of human character and action. The “high textual/low bodily polarity,” useful perhaps in regard to carnival, the grotesque, and types of broad comedy, lacks the breadth of application that Wise appears to suggest...
Journal Article
Comparative Literature (2000) 52 (4): 372–376.
Published: 01 September 2000
... of the actor as an instrument and medium of communication, with physicalization and presence being implicitly neither high nor low but simply manifest in the representation of human character and action. The “high textual/low bodily polarity,” useful perhaps in regard to carnival, the grotesque, and types...
Journal Article
Comparative Literature (2019) 71 (3): 213–225.
Published: 01 September 2019
... in Dispute , translated by Van Den Abbeele Georges . Manchester, UK : Manchester University Press , 1988 . MacCabe Colin . “ A Defense of Criticism .” In Perpetual Carnival: Essays on Film and Literature , 137 – 50 . Oxford : Oxford University Press , 2017 . Massumi Brian...
Journal Article
Comparative Literature (2023) 75 (4): 437–475.
Published: 01 December 2023
... cannot help but jot down the odd dicta of everyday people, notably the strange things people say during sex (see Sedaris, Theft ; Sedaris, Carnival ). The novel is full of racial microaggressions (being denied entry into a party by a white girl [74]) and overt racism (signs on hookup booths...
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Journal Article
Comparative Literature (2023) 75 (1): 73–88.
Published: 01 March 2023
... to the physical reality of how infrastructure, material resources, and cultural spaces [theaters, places of worship, bookstores, Carnival parades] are distributed throughout the city). Notable in this explanation of cultural geography is the sense of proximity to the physical reality of the city, a quality...