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1
Journal Article
Comparative Literature (2010) 62 (1): 95–98.
Published: 01 January 2010
...John Wilkins Nature, Culture, and the Origins of Greek Comedy. By Kenneth S. Rothwell, Jr. New York: Columbia University Press, 2007. 326 p. Aristophanes and the Carnival of Genres. By Charles Platter. Baltimore: The Johns Hopkins University Press, 2007. 257 p. University of Oregon 2010...
Journal Article
Comparative Literature (2014) 66 (4): 399–419.
Published: 01 December 2014
...Frederick Burwick In Prinzessin Brambilla Hoffmann combines his study of mental pathology with his involvement in theater performance. Hoffmann introduces figures of the commedia dell'arte as street players in the midst of carnival. The derangement of Giglio Favia, an actor, is played out amidst...
Journal Article
Comparative Literature (2009) 61 (3): 295–315.
Published: 01 June 2009
... of confrontation, of interactions on
different levels, different linguistic textures, intertextuality. Thus the Baroque
occurs simultaneously as “a space of dialogism, polyphony, carnivalization, par-
ody and intertextuality, . . . [that] presents itself, then, as a network of connec-
tions, of successive fi...
Journal Article
Comparative Literature (2024) 76 (2): 135–156.
Published: 01 June 2024
... European Art and Aesthetics . University Park : Pennsylvania State University Press , 1995 . Crichlow Michaeline , and Armstrong Piers . “ Carnival Praxis, Carnivalesque Strategies, and Atlantic Interstices .” Social Identities 16 , no. 4 ( 2010 ): 399 – 414 . Dagen Philippe...
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Journal Article
Comparative Literature (2010) 62 (1): 89–92.
Published: 01 January 2010
.../00104124-2009-035
NATURE, CULTURE, AND THE ORIGINS OF GREEK COMEDY. By Kenneth S. Rothwell, Jr. New York:
Columbia University Press, 2007. 326 p.
ARISTOPHANES AND THE CARNIVAL OF GENRES. By Charles Platter. Baltimore: The Johns Hop-
kins University Press, 2007. 257 p.
The plays of Greek...
Journal Article
Comparative Literature (2010) 62 (1): 92–95.
Published: 01 January 2010
..., AND THE ORIGINS OF GREEK COMEDY. By Kenneth S. Rothwell, Jr. New York:
Columbia University Press, 2007. 326 p.
ARISTOPHANES AND THE CARNIVAL OF GENRES. By Charles Platter. Baltimore: The Johns Hop-
kins University Press, 2007. 257 p.
The plays of Greek Old Comedy are some of the most remarkable...
Journal Article
Comparative Literature (2010) 62 (1): 99–100.
Published: 01 January 2010
..., AND THE ORIGINS OF GREEK COMEDY. By Kenneth S. Rothwell, Jr. New York:
Columbia University Press, 2007. 326 p.
ARISTOPHANES AND THE CARNIVAL OF GENRES. By Charles Platter. Baltimore: The Johns Hop-
kins University Press, 2007. 257 p.
The plays of Greek Old Comedy are some of the most remarkable...
Journal Article
Comparative Literature (2010) 62 (1): 100–102.
Published: 01 January 2010
.../00104124-2009-035
NATURE, CULTURE, AND THE ORIGINS OF GREEK COMEDY. By Kenneth S. Rothwell, Jr. New York:
Columbia University Press, 2007. 326 p.
ARISTOPHANES AND THE CARNIVAL OF GENRES. By Charles Platter. Baltimore: The Johns Hop-
kins University Press, 2007. 257 p.
The plays of Greek...
Journal Article
Comparative Literature (2011) 63 (3): 253–268.
Published: 01 September 2011
...-Literary Movement of His Time] . Ленинград : Наука , 1976 . 178 – 85 . Print . Gasperetti David . “The Rhetoric of Parody in Prigozhaia Povarikha: Chulkov's Polemic with Emin.” PKFLC: SS ( 1986 ): 10 – 22 . Print . ———. The Rise of the Russian Novel: Carnival, Stylization...
Journal Article
Comparative Literature (2008) 60 (2): 142–163.
Published: 01 March 2008
... (see Rodríguez-Hernández). I contend that Del Paso achieves a
more politically charged version of literature by adopting the more radical ele-
ments of these writers and reshaping them into a carnivalized version of Mexico
that addresses all power structures in the country rather than only the moral...
Journal Article
Comparative Literature (2000) 52 (4): 269–290.
Published: 01 September 2000
... MOMENT/279
the earth, for as he reminds the emperor, “Der Boden ist des Kaisers, der soll’s
haben” (“The land is the Emperor’s, he should keep it”; 4938). It is only after the
following carnival scene, however, that the actual nature of Mephisto’s solution
becomes clear. The chancellor appears...
Journal Article
Comparative Literature (2009) 61 (3): 316–326.
Published: 01 June 2009
... with the obscenity of over-representation and extreme availability of messages, and
with the multiple temporalities that modernity had ordered in a historical, linear, progressive,
teleological course, and that now are displaced and endlessly rearticulated in a communicative
carnivalization. (250)
Piglia’s...
Journal Article
Comparative Literature (2016) 68 (2): 199–217.
Published: 01 June 2016
... trip in 1924, he surprised his
Brazilian audience by dedicating one of his lectures to African literature, and,
while in Rio de Janeiro, he insisted on being taken to a carnival celebration in one
of the city’s predominantly black neighborhoods (Amaral 115). The admiration
Cendrars displayed...
Journal Article
Comparative Literature (2022) 74 (3): 293–305.
Published: 01 September 2022
...’ anyway); it thereby cancels its own future” (131). In an interview with Simon Tabet, he will reiterate this point about aesthetic sociality with respect to such manifestations as the Median Movement and the 2010 Tunisian uprising, referring to their effects as “explosive or carnival solidarity” (144...
Journal Article
Comparative Literature (2019) 71 (3): 213–225.
Published: 01 September 2019
... in Dispute , translated by Van Den Abbeele Georges . Manchester, UK : Manchester University Press , 1988 . MacCabe Colin . “ A Defense of Criticism .” In Perpetual Carnival: Essays on Film and Literature , 137 – 50 . Oxford : Oxford University Press , 2017 . Massumi Brian...
Journal Article
Comparative Literature (2000) 52 (4): 363–366.
Published: 01 September 2000
... and presence being implicitly neither high nor low but simply manifest in
the representation of human character and action. The “high textual/low bodily polarity,”
useful perhaps in regard to carnival, the grotesque, and types of broad comedy, lacks the
breadth of application that Wise appears to suggest...
Journal Article
Comparative Literature (2000) 52 (4): 366–369.
Published: 01 September 2000
... and presence being implicitly neither high nor low but simply manifest in
the representation of human character and action. The “high textual/low bodily polarity,”
useful perhaps in regard to carnival, the grotesque, and types of broad comedy, lacks the
breadth of application that Wise appears to suggest...
Journal Article
Comparative Literature (2000) 52 (4): 369–372.
Published: 01 September 2000
... and presence being implicitly neither high nor low but simply manifest in
the representation of human character and action. The “high textual/low bodily polarity,”
useful perhaps in regard to carnival, the grotesque, and types of broad comedy, lacks the
breadth of application that Wise appears to suggest...
Journal Article
Comparative Literature (2000) 52 (4): 372–376.
Published: 01 September 2000
... of the actor as an instrument and medium of communication, with
physicalization and presence being implicitly neither high nor low but simply manifest in
the representation of human character and action. The “high textual/low bodily polarity,”
useful perhaps in regard to carnival, the grotesque, and types...
Journal Article
Comparative Literature (2023) 75 (4): 437–475.
Published: 01 December 2023
... people say during sex (see Sedaris, Theft ; Sedaris, Carnival ). The novel is full of racial microaggressions (being denied entry into a party by a white girl [74]) and overt racism (signs on hookup booths at the Christopher Bookstore that explicitly refuse Black men [64]). Allison also tracks...
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