Search Results for art
1-20 of 556 Search Results for
Comparative Literature (1 January 2010) 62 (1): 22–40.
Published: 01 January 2010
... Narratives: A Way to Figure Out Raoul de Cambrai and Its Role in the Lyrics of Bertran de Born.” Olifant 8 ( 1980 ): 3 -28. Watkin, William. “Melancholia, Revolution, and Materiality in the Work of Julia Kristeva.” Paragraph 26 ( 2003 ): 86 -107. LUKE SUNDERLAND The Art of Revolt...
Comparative Literature (1 March 2010) 62 (2): 191–193.
Published: 01 March 2010
...Thomas R. Hart † On Borrowed Time: The Art and Economy of Living with Deadlines. By Harald Wein rich. Translated by Steven Rendall. Chicago: University of Chicago Press, 2008. 243 p. University of Oregon 2010 BOOK REVIEWS CAN THESE BONES LIVE? TRANSLATION, SURVIVAL, AND CULTURAL MEMORY. By...
Comparative Literature (1 January 2011) 63 (1): 111–115.
Published: 01 January 2011
...John Bryant Securing the Past: Conservation in Art, Architecture, and Literature. By Paul Eggert. Cambridge: Cambridge University Press, 2009. xii, 290 p. University of Oregon 2011 BOOK REVIEWS Se c u r i n g t h e Pa s t : Co n s e r v a t i o n i n Ar t , Ar c h i t e c t u r e , a n d...
Comparative Literature (1 June 2013) 65 (2): 246–249.
Published: 01 June 2013
...Stefano Evangelista Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity . By Goldhill Simon . Princeton and Oxford : Princeton University Press , 2011 . viii, 352 p . © 2013 by University of Oregon 2013 BOOK REVIEWS The Implications of...
Comparative Literature (1 September 2004) 56 (4): 365–367.
Published: 01 September 2004
...Stanley Corngold Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and the Culture of the Fin de Siècle in Europe. By Charles Bernheimer. Edited by T. Jefferson Kline and Naomi Schor. Baltimore: Johns Hopkins University Press, 2002. 228 p. University of Oregon 2004...
Comparative Literature (1 September 2005) 57 (4): 352–353.
Published: 01 September 2005
...Thomas R. Hart Lethe: The Art and Science of Forgetting. By Harald Weinrich. Translated by Steven Rendall. Ithaca and London: Cornell University Press, 2004. vi, 254 p. University of Oregon 2005 COMPARATIVE LITERATURE/352 BOOK REVIEWS...
Comparative Literature (1 January 2006) 58 (1): 24–43.
Published: 01 January 2006
...BONNIE ROOS University of Oregon 2006 Anselm Kiefer . Museum Folkwang Essen. Whitechapel Art Gallery London, 1981 /82. Anselm Kiefer: Peintures 1983-1984 . Musée d'art contemporain, 1984 . Arasse, Daniel. Anselm Kiefer . New York: Harry N. Abrams, Inc., 2001 . The New Oxford...
Comparative Literature (1 March 2007) 59 (2): 183–189.
Published: 01 March 2007
...Christopher Braider The Frame of Art: Fictions of Aesthetic Experience, 1750-1815. By David Marshall. Baltimore: The Johns Hopkins University Press, 2005. 259 p. University of Oregon 2007 Hume, David. “The Sceptic.” Essays Moral, Political, and Literary . Ed. Eugene F. Miller. Indianapolis...
Comparative Literature (1 September 2016) 68 (3): 332–350.
Published: 01 September 2016
...Marco Alexandre de Oliveira By exploring the ubiquity of Bashō's frog haiku in Brazil as the naturalization of a poetics of nature and the ideographic sign, this essay traces distinct affinities between the arts of Zen and concrete poetry, in both theory and practice. It begins by observing the...
Comparative Literature (1 December 2016) 68 (4): 459–461.
Published: 01 December 2016
...Erwin Rosinberg Spirals: The Whirled Image in Twentieth-Century Literature and Art . By Israel Nico . New York : Columbia University Press , 2015 . 299 p. © 2016 by University of Oregon 2016 BOOK REVIEWS / 459 to that question drawn from I Hotel: “not a revival of revolution...
Comparative Literature (1 March 2001) 53 (2): 170–172.
Published: 01 March 2001
...Steven Jaron On Trust: Art and the Temptations of Suspicion. By Gabriel Josipovici. New Haven and London: Yale University Press, 1999. x, 294 p. University of Oregon 2001 COMPARATIVE LITERATURE/170 BOOK REVIEWS ON TRUST: ART AND THE...
Comparative Literature (1 January 2002) 54 (1): 91–93.
Published: 01 January 2002
...Nicola Luckhurst Bloomsbury and France: Art and Friends. By Mary Ann Caws and Sarah Bird Wright. Oxford: Oxford University Press, 2000. xviii, 430 p. University of Oregon 2002 COMPARATIVE LITERATURE/72 BOOK REVIEWS DREAMING BY THE...
Comparative Literature (1 September 2005) 57 (4): 356–358.
Published: 01 September 2005
...Frederick Luis Aldama The Mind and Its Stories: Narrative Universals and Human Emotion. By Patrick Colm Hogan. New York: Cambridge University Press, 2003. xii, 302 p. Cognitive Science, Literature, and the Arts: A Guide for Humanities. By Patrick Colm Hogan. New York: Routledge, 2003. 244 p...
Comparative Literature (1 March 2009) 61 (2): 142–159.
Published: 01 March 2009
... associated with the baroque style of Ulysses did help to elucidate for him a set of literary problems involving the relation of erudition to art. Indeed, Joyce may have revealed to Borges the possibility of uniting two schismatic impulses: the avant-garde desire to “make it new” in the modernist spirit, and...
Comparative Literature (1 September 2010) 62 (4): 361–375.
Published: 01 September 2010
... language that is its ostensible ground, while at the same time arguing, through a specific theory of the art object, against the stability of the perceiving subject. The poem thus critiques the concentric circles of identity, nation, and culture by positing a transnational world literature built upon the...
Comparative Literature (1 June 2014) 66 (2): 208–226.
Published: 01 June 2014
...José Felipe Alvergue This article explores the art and poetics of Chilean born Cecilia Vicuña in the contemporary context of indigenismo, while simultaneously questioning the capacity of ethnopoetics to fully engage the political, cultural, and social reaches of transnational aesthetics in the...
Comparative Literature (1 December 2014) 66 (4): 420–437.
Published: 01 December 2014
...Christoph Prang Umberto Eco's novel The Name of the Rose provides a distinctive example of what has been called semiomimesis : the creative appropriation and exploitation of narrative moments within semiotic theory for the production of art. This essay defines what constitutes this type of art by...
Comparative Literature (1 June 2017) 69 (2): 181–200.
Published: 01 June 2017
... perception brought on by the development of the metropolis. What is the effect of the crisis in terms of reading and writing for Benjamin? What happens to the responsibility of art? More specifically, which genres and modes are apt 1) to help the city-dweller adapt to perceptual changes and 2) to clear the...
Comparative Literature (1 March 2017) 69 (1): 45–53.
Published: 01 March 2017
... on work that historicizes both the formation and use of different oceans; that underscores the differences between Oceanic Studies and histories of globalization; and that interrogates the role for literature, art, and aesthetic theory more generally in engaging with research into the oceans. Along...
Comparative Literature (1 December 2016) 68 (4): 408–426.
Published: 01 December 2016
...Karen Grumberg This essay argues that the gothicism of Lea Goldberg's play ba'alat ha-armon ( The Lady of the Castle , 1956) undergirds its key concern: the role time plays in the encounter between art and reality, poetry and ideology. I compare key signifiers of gothic spatiality and temporality...