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adorno

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Journal Article
Comparative Literature (2013) 65 (2): 182–199.
Published: 01 June 2013
...Lucy O'Meara This article is a comparative study of Theodor Adorno and Roland Barthes. These rarely compared thinkers share a profound affinity: their lifelong work on ideology critique proceeds from similar bases, and they each accord preeminence to aesthetic reflection. Their shared insistence...
Journal Article
Comparative Literature (2009) 61 (4): 416–431.
Published: 01 September 2009
...JONATHAN ULLYOT According to Theodor Adorno, the modern artwork makes the beholder shudder and reflect, purging his habit of over-conceptualizing. Furthermore, although the modern artwork may seem incomprehensible and foreign to the beholder, it expresses only a simple message: “this is how...
Journal Article
Comparative Literature (2015) 67 (1): 45–61.
Published: 01 March 2015
... of dialectical thinkers from Schiller to Adorno, I locate Keats's engagement with history precisely where he appears to suspend it: in those sculptural figurations of stasis in which the poem depicts, and to no small degree fetishizes, the archaic. An ironic myth of myth's demise, Hyperion exposes the fetishism...
Journal Article
Comparative Literature (2009) 61 (2): 128–141.
Published: 01 March 2009
...SUSAN C. BRANTLY Although the most important critics of the Enlightenment remain Max Horkheimer and Theodor Adorno, who claim in Dialektik der Aufklärung that the universalisms and instrumental reason of the Enlightenment evolved into the inhumanity of Auschwitz, their arguments have been...
Journal Article
Comparative Literature (2012) 64 (4): 382–406.
Published: 01 December 2012
... from Burckhardt, Nietzsche, and Weber down to Benjamin's rivals and epigones, Adorno, Schmitt, and Agamben. © 2012 by University of Oregon 2012 Works Cited Agamben Giorgio . Homo Sacer: Sovereign Power and Bare Life . Trans. Heller-Roazen Daniel . Stanford : Stanford UP , 1998...
Journal Article
Comparative Literature (2013) 65 (4): 408–428.
Published: 01 December 2013
..., I show how Upward's work was centrally shaped by Soviet aesthetics, a reception which led him to an innovative conception of literary commitment, surprisingly resistant to the powerful critiques later offered by Theodor Adorno and Raymond Williams. This conception of commitment emerges through...
Journal Article
Comparative Literature (2017) 69 (2): 238–249.
Published: 01 June 2017
..., and the Lyric Regime , engaging with its revisionist, Adorno-based take on “the Negritude poem” (specifically the poetry of Aimé Césaire and Léon-Gontran Damas) and contextualizing her approach in relation to the recent “aesthetic turn” in post colonial studies. Noland Carrie . Voices of Negritude...
Journal Article
Comparative Literature (2020) 72 (2): 240–257.
Published: 01 June 2020
...Anne-Lise François Abstract From Carolyn Merchant to Theodor Adorno, historians and critics of capitalist modernity have described its expansion as the story of the lifting of traditional taboos, or inversely as the laying down of a ban on taboo itself such that nothing is to remain off-limits...
Journal Article
Comparative Literature (2012) 64 (4): 407–428.
Published: 01 December 2012
... well take, once free and clear of Benjamin's shadow, Baudelairean “contingency” as its watchword and Baudelaire's complex staging of irresolvable psychic and social antagonisms as its praxis. © 2012 by University of Oregon 2012 Works Cited Adorno Theodor . “Benjamin, der Briefschreiber...
Journal Article
Comparative Literature (2017) 69 (3): 340–342.
Published: 01 September 2017
...Henrik S. Wilberg Security: Politics, Humanity, and the Philology of Care . By Hamilton John T. . Princeton : Princeton University Press , 2013 . 336 p . © 2017 by University of Oregon 2017 Works Cited Adorno Theodor W. The Jargon of Authenticity . Trans...
Journal Article
Comparative Literature (2001) 53 (3): 193–213.
Published: 01 June 2001
...GERALD L. BRUNS University of Oregon 2001 Adorno, Theodor. Ästhetische Theorie . Frankfurt: Suhrkamp, 1973 . ____. Aesthetic Theory . Trans. Robert Hullot-Kentor. Minneapolis: University of Minnesota Press, 1997 . ____. “Looking Back on Surrealism.” Notes to Literature . Trans...
Journal Article
Comparative Literature (2013) 65 (2): 162–181.
Published: 01 June 2013
... implicit on the topic in Sebald's fiction and points toward some difficult questions regarding the role of aesthetics and agency in Sebald's work. © 2013 by University of Oregon 2013 Works Cited Adorno Theodor W. Negative Dialectics . Trans. Ashton E.B. . London : Routledge...
Journal Article
Comparative Literature (2016) 68 (1): 96–99.
Published: 01 March 2016
...John T. Hamilton Minding the Modern: Human Agency, Intellectual Traditions, and Responsible Knowledge . By Pfau Thomas . Notre Dame : University of Notre Dame Press , 2013 . 673 p. © 2016 by University of Oregon 2016 Works Cited Adorno Theodor W. Minima Moralia...
Journal Article
Comparative Literature (2017) 69 (3): 338–340.
Published: 01 September 2017
... of “German ideology” executed in the mold of Marx and Engels, Theodor W. Adorno provides the following anecdote: “After a long sep- aration a certain person wrote that he was existentially secure; it took some reflection to realize that he meant he had been sufficiently taken care of in regard to his...
Journal Article
Comparative Literature (2000) 52 (2): 119–142.
Published: 01 March 2000
...HUGH GRADY University of Oregon 2000 Adams, Robert M., ed. The Prince: A Norton Critical Edition . By Niccolò Machiavelli. New York: Norton, 1977 . Adorno, Theodor W. Aesthetic Theory . Eds. Gretel Adorno and Rolf Tiedemann. Trans. Robert Hullot-Kentor. Minneapolis: University...
Journal Article
Comparative Literature (2021) 73 (3): 344–359.
Published: 01 September 2021
... background, shifting from the unspeakable atrocity of the concentration camp to a reality seemingly more banal, but perhaps more cunning as well—that of what German philosopher Theodor Adorno termed “the culture industry.” Adorno’s Aesthetic Theory , published in 1970 shortly after his death, is perhaps...
Journal Article
Comparative Literature (2004) 56 (1): 99–102.
Published: 01 January 2004
..., which is the “theatrical performance” (p. 41). The argu- ment is convincing on gesture’s central role in Wagner’s total theatricality, as Puchner turns to Adorno and Nietzsche. Adorno describes even music’s collapse into Wagner’s stage; because the score is so tethered to the gestures of the actors...
Journal Article
Comparative Literature (2004) 56 (1): 102–104.
Published: 01 January 2004
..., which is the “theatrical performance” (p. 41). The argu- ment is convincing on gesture’s central role in Wagner’s total theatricality, as Puchner turns to Adorno and Nietzsche. Adorno describes even music’s collapse into Wagner’s stage; because the score is so tethered to the gestures of the actors...
Journal Article
Comparative Literature (2004) 56 (1): 105–107.
Published: 01 January 2004
..., which is the “theatrical performance” (p. 41). The argu- ment is convincing on gesture’s central role in Wagner’s total theatricality, as Puchner turns to Adorno and Nietzsche. Adorno describes even music’s collapse into Wagner’s stage; because the score is so tethered to the gestures of the actors...
Journal Article
Comparative Literature (2004) 56 (1): 107–109.
Published: 01 January 2004
..., which is the “theatrical performance” (p. 41). The argu- ment is convincing on gesture’s central role in Wagner’s total theatricality, as Puchner turns to Adorno and Nietzsche. Adorno describes even music’s collapse into Wagner’s stage; because the score is so tethered to the gestures of the actors...