... enemy. The tale was taken up in the eighteenth century by Voltaire, Rousseau, and Bodmer as an occasion to reflect on the differences between a state of nature and civilization and on the morality of vengeance. In Kleist's Hermannsschlacht it was secularized into a purely political exhortation. © 2017...

... guilt may produce crime in order to assure punish- ment as the only satisfaction of the guilt” (p. 21) to interpret Rousseau’s famous account of the stolen ribbon. Rousseau’s speech act, “I confess to stealing the ribbon,” is at once a constative (it describes something) and a performative...

... guilt may produce crime in order to assure punish- ment as the only satisfaction of the guilt” (p. 21) to interpret Rousseau’s famous account of the stolen ribbon. Rousseau’s speech act, “I confess to stealing the ribbon,” is at once a constative (it describes something) and a performative...

... guilt may produce crime in order to assure punish- ment as the only satisfaction of the guilt” (p. 21) to interpret Rousseau’s famous account of the stolen ribbon. Rousseau’s speech act, “I confess to stealing the ribbon,” is at once a constative (it describes something) and a performative...

... . Cambridge : Cambridge University Press , 2018 . Rousseau Jean-Jacques . Les confessions . Vol. 14 of Oeuvres complètes . 21 vols. Paris : Chez P. Dupont , 1824 . Rousseau Jean-Jacques . The Confessions and Correspondence, Including the Letters to Malesherbes , translated...

... and Reill 19 -38. Rousseau, Jean-Jacques. Emile . Trans. Barbara Foxley. London: Dent, 1963 . Saarilouma, Liisa. “Hinaus aus der Zivilisation: Tourniers Vendredi and Rousseaus Zivilisationskritik.” Germanisch-Romanisch Mondatsschrift 47 . 1-2 ( 1997 ): 133 -49. Salkin Sbiroli, Lynn. Michel...

... Letters,” Marshall sets Rousseau’s Julie, ou la Nouvelle Héloïse in dialogue with its source in Richardson’s Clarissa—a dialogue enriched by close analysis of the intermediary role played by the abbé Prévost’s translation of Richardson’s novel and by discussion of the intricate interplay between...

... Letters,” Marshall sets Rousseau’s Julie, ou la Nouvelle Héloïse in dialogue with its source in Richardson’s Clarissa—a dialogue enriched by close analysis of the intermediary role played by the abbé Prévost’s translation of Richardson’s novel and by discussion of the intricate interplay between...

... Letters,” Marshall sets Rousseau’s Julie, ou la Nouvelle Héloïse in dialogue with its source in Richardson’s Clarissa—a dialogue enriched by close analysis of the intermediary role played by the abbé Prévost’s translation of Richardson’s novel and by discussion of the intricate interplay between...

... Letters,” Marshall sets Rousseau’s Julie, ou la Nouvelle Héloïse in dialogue with its source in Richardson’s Clarissa—a dialogue enriched by close analysis of the intermediary role played by the abbé Prévost’s translation of Richardson’s novel and by discussion of the intricate interplay between...

... the study of Romanticism from a still lingering bal- kanization fi rst wrought by the curricular and aesthetic orthodoxies of the later nineteenth century. Following an opening discussion of the theoretical stakes encrypted in Rousseau’s and Shelley’s concept of emotion, Romantic Theory takes up...

... the study of Romanticism from a still lingering bal- kanization fi rst wrought by the curricular and aesthetic orthodoxies of the later nineteenth century. Following an opening discussion of the theoretical stakes encrypted in Rousseau’s and Shelley’s concept of emotion, Romantic Theory takes up...

... the study of Romanticism from a still lingering bal- kanization fi rst wrought by the curricular and aesthetic orthodoxies of the later nineteenth century. Following an opening discussion of the theoretical stakes encrypted in Rousseau’s and Shelley’s concept of emotion, Romantic Theory takes up...

... the study of Romanticism from a still lingering bal- kanization fi rst wrought by the curricular and aesthetic orthodoxies of the later nineteenth century. Following an opening discussion of the theoretical stakes encrypted in Rousseau’s and Shelley’s concept of emotion, Romantic Theory takes up...

.... Il mito della letteratura europea . Roma: Meltemi, 1998 . Spivak, Gayatri Chakravorty. Death of a Discipline . New York: Columbia University Press, 2003 . Texte, Joseph. Jean-Jacques Rousseau and the Cosmopolitan Spirit in Literature . Trans. J.W. Matthews. London: Ducworth, 1897...

...: Interpretazioni manzoniane . Florence: G. D'Anna, 1979 . Raimondi, Ezio. La letteratura italiana: Il moderno, la tradizione, e l'identità nazionale . Bologna: CUSL, 1994 . Richards, I.A. Practical Criticism: A Study of Literary Judgement . 1929. London: Routledge & Kegan Paul, 1964 . Rousseau...

... . Insectopedia . New York : Vintage Books , 2010 . Rilke Rainer Maria . The Selected Poetry of Rainer Maria Rilke , edited and translated by Mitchell Stephen . New York : Vintage International , 1989 . Rousseau Jean-Jacques . The Discourses and Other Early Political Writings...

...? ” In What Is a Nation? and Other Political Writings , translated and edited by Giglioli M. F. N. , 247 – 63 . New York : Columbia University Press , 2018 . Rousseau Jean-Jacques . “ The Social Contract .” In The Social Contract, and Other Later Political Writings , edited...

...: ensayos sobre poesía mexicana moderna . México City D.F.: Fondo de Cultura Económica y El Colegio de México, 1998 . 221 -35. Starobinski, Jean. La Mélancolie au miroir. Trois lectures de Baudelaire . Paris: Editions Julliard, 1989 . Swain, Virginia. Grotesque Figures: Baudelaire, Rousseau...

..., Stephen David. “Beauty.” Encyclopedia of Aesthetics . Ed. Michael Kelly. Vol. 1 . New York: Oxford University Press, 1998 . 237 -244. 4 vols. 1998. Rousseau, Jean-Jacques. Discourse on the Origin and Foundations of Inequality Among Men. Rousseau's Political Writings . Ed. Alan Ritter and Julia...