...AARON MATZ University of Oregon 2008 Beckett, Samuel. Proust . New York: New Directions, 1931 . Benjamin, Walter. Illuminations . New York: Schocken, 1968 . Carter, William C. Marcel Proust: A Life . New Haven: Yale University Press, 2000 . Céline, Louis-Ferdinand...

...Virgil Nemoianu Proust, Joyce, Mann in Modernist Context. By Gerald Gillespie. Washington: Catholic University of America Press, 2003. 324 p. University of Oregon 2004 COMPARATIVE LITERATURE/362 BOOK REVIEWS INDISCERNIBLE...

... -58. Autret, Jean. L'Influence de Ruskin sur la vie, les idées et l'oeuvre de Marcel Proust . Genève: Droz, 1955 . Benjamin, Walter. The Arcades Project . Trans. Howard Eiland and Kevin McLaughlin. Cambridge: Belknap-Harvard University Press, 1999 . ____. “N [Re the Theory of Knowledge...

... ( 1995 ): 258 -84. Beckett, Samuel. Proust and Three Dialogues . London: John Calder, 1999 . Benjamin, Walter. “On the Image of Proust.” Trans. Harry Zohn. Selected Writings . Vol. 2 . Cambridge: Belknap, 1999 . 237 -47. Borges, Jorge Luis. Collected Fictions . Trans. Andrew Hurley. New...

...CHRISTOPHER K. COFFMAN One would find it difficult to overstate the importance of Marcel Proust's À la recherche du temps perdu to James Merrill's work. Although almost any of Merrill's works could be read with an eye to Proustian concerns and motifs, Merrill's final two collections of poems...

...Dana Dragunoiu Abstract The article contributes to the long-standing debate about Lolita’ s final nine chapters by arguing for a much tighter connection than previously acknowledged between Nabokov’s most famous novel and Proust’s À la recherche du temps perdu. Turning on the claim that Dolly’s...

... of both Flaubert and Proust, the sexual allure of the declining aristocracy is tied to a sense of the aesthetic itself and to the question of what of aesthetic value can survive in modern mass culture and in the novel, which is that culture's dominant literary form. University of Oregon 2010...

... and To the Light-house.” Modernism/Modernity 7 : 1 . Baltimore: Johns Hopkins University Press, 2000 . 43 -75. Bell, Clive. Proust . Folcroft, PA: Folcroft Library Editions, 1972 . Bell, Quentin. Virginia Woolf: A Biography . London: Hogarth, 1972 . Heacox, Thomas. “Proust and Bloomsbury...

... Haight and Annie Mahler. Evanston, IL: Marlboro Press/Northwestern, 1992 . Beckett, Samuel. Proust . London: Chatto & Windus, 1931 . Blanchot, Maurice. Le livre à venir . Paris: Gallimard, 1959 . ____. The Book to Come . Trans. Charlotte Mandell. Stanford: Stanford University Press...

... Revue des Lettres Modernes, 1979 : 233 -65. Livak, Leonid. “A Journey to the South: The Art of Oblivion in Gaito Gazdanov's Novel Vecher u Kler.” Wiener Slawistischer Almanach 44 ( 1999 ): 49 -65. ____. “The Prodigal Children of Marcel Proust: Literary `Proustianism' and the French Novel...

...: University of South Carolina Press, 2003 . Pfister, Manfred. “How Postmodern is Intertextuality?” Plett 207 -24. Plett, Heinrich F., ed. Research in Text Theory: Intertextuality . Berlin: de Gruyter, 1991 . ____. “Intertextualities.” Plett 3 -29. Proust, Marcel. A La Recherche du Temps...

... P , 1998 . Print . Pick Daniel . Faces of Degeneration: A European Disorder, c.1848–c.1918 . Cambridge : Cambridge UP , 1989 . Print . Pollard Patrick . “Wilde and the French.” English 53 ( 2004 ): 19 – 29 . Print . Proust Marcel . A la recherche du temps...

... and contradictory relationships between much-studied yet seldom compared modernist novelists and modernist social scientists, Lewis offers a more nuanced view of what were assumed to be atheistic or agnostic novels by James, Proust, Woolf, Kafka, and Joyce. Lewis’s methodology —unlike modernist literary...

... assumed to be atheistic or agnostic novels by James, Proust, Woolf, Kafka, and Joyce. Lewis’s methodology —unlike modernist literary criticism that explores neglected period documents or engages with the recent “theological turn” in continental philosophy — is to read the literature through...

... assumed to be atheistic or agnostic novels by James, Proust, Woolf, Kafka, and Joyce. Lewis’s methodology —unlike modernist literary criticism that explores neglected period documents or engages with the recent “theological turn” in continental philosophy — is to read the literature through...

... assumed to be atheistic or agnostic novels by James, Proust, Woolf, Kafka, and Joyce. Lewis’s methodology —unlike modernist literary criticism that explores neglected period documents or engages with the recent “theological turn” in continental philosophy — is to read the literature through...

... (“Fictional versus Historical Lives 4 (“Proust’s Generic Ambiguity and 5 (“Breaking the Code of Fictional Biography”) apply the criteria of nonreferentiality and indirect discourse to clarify the difference between fictional and historical narra- tives. Because in autobiographies both fictional...

... (“Fictional versus Historical Lives 4 (“Proust’s Generic Ambiguity and 5 (“Breaking the Code of Fictional Biography”) apply the criteria of nonreferentiality and indirect discourse to clarify the difference between fictional and historical narra- tives. Because in autobiographies both fictional...

... (“Fictional versus Historical Lives 4 (“Proust’s Generic Ambiguity and 5 (“Breaking the Code of Fictional Biography”) apply the criteria of nonreferentiality and indirect discourse to clarify the difference between fictional and historical narra- tives. Because in autobiographies both fictional...

... (“Fictional versus Historical Lives 4 (“Proust’s Generic Ambiguity and 5 (“Breaking the Code of Fictional Biography”) apply the criteria of nonreferentiality and indirect discourse to clarify the difference between fictional and historical narra- tives. Because in autobiographies both fictional...