...Daniel Feldman This article addresses the pervasive articulation of nothing in the poetry of Paul Celan and Dan Pagis. The essay ties nullification in speech to cancellation of self in Celan and aims to understand his attestation of a form of subjectivity reconfigured by the Holocaust as negative...

...Maya Barzilai Abstract This article examines Paul Celan’s use of the terms cola and breath-unit in his notes for the 1960 “Meridian” address. In the 1920s, Martin Buber and Franz Rosenzweig developed their “colometric translation” of the Bible, using the breath-unit to capture, in German...

... to recent work at the intersection of language, translation, and gender: Derrida's The Monolingualism of the Other (1996) and “Shibboleth: For Paul Celan” (2005), and Barbara Johnson's Mother Tongues (2003). I then consider the extent to which many of her key figures—drawn from the work of Novalis...

...SARA GUYER University of Oregon 2005 Adorno, Theodor. Negative Dialectics. Trans. E.B. Ashton. London: Routledge, 1973 . Baer, Ulrich. Remnants of Song: Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan . Stanford: Stanford University Press, 2000...

... . Buber, Martin, and Franz Rosenzweig. Die Fünf Bücher der Weisung/Fünf Bücher des Moses . Köln and Olten: Jakob Hegner, 1968 . Celan, Paul. Der Meridian: Endfassung, Entwürfe, Materialien . Frankfurt: Suhrkamp, 1999 . ____. Paul Celan: Poems, a Bilingual Edition . Trans. and introd...

... Oxford Annotated Bible with the Apocrypha: Revised Standard Version . Ed. Herbert G. May and Bruce M. Metzger. New York: Oxford University Press, 1973, 1977 . Biro, Matthew. Anselm Kiefer and the Philosophy of Martin Heidegger . New York: Cambridge University Press, 1998 . Celan, Paul...

..., Boulder, New York, and Oxford: Rowman & Littlefield, 2002 . 102 -22. Catelli, Nora. Testimonios tangibles: Pasión y extinción de la lectura en la narrativa moderna . Barcelona: Anagrama, 2001 . Celan, Paul. Selected Poems and Prose of Paul Celan . Trans. John Felstiner. New York...

... bears witness for the witness.” The epigraph so iconic as to be immediately recognizable for those who, like Philip, have encountered the literature of the Holocaust: it is the last stanza of Paul Celan’s iconic Holocaust-era poem “Aschenglorie” (“Ash/Glory,” or “Ash-Aureole”). Celan’s poem becomes...

..., Jonathan. “Valente's Lectura de Paul Celan and the Heideggerian Tradition in Spain.” Diacritics 34 . 3 -4 ( 2004 ): 73 -89. Perloff, Marjorie. The Dance of the Intellect: Studies in Poetry of the Pound Tradition . Cambridge: Cambridge University Press, 1985 . Silver, Philip. Ruin...

.... Caruth, Cathy. Unclaimed Experience: Trauma, Narrative, and History . Baltimore: Johns Hopkins University Press, 1996 . Celan, Paul. “Todesfugue.” Paul Celan: Poems . Trans. Michael Hamburger. Manchester: Carcanet New Press Ltd., 1980 . De Cortanze, Gérard. Le Madrid de Jorge Semprun . Saint...

... to fulfill two demands: on the one hand, he wants to demonstrate how the respective poetics of Paul Celan, Durs Grünbein, and Joseph Brodsky are responses to biographical events; on the other hand, he seeks to show that poetry’s significance is not limited to the aesthetic, but extends to the realm...

... to fulfill two demands: on the one hand, he wants to demonstrate how the respective poetics of Paul Celan, Durs Grünbein, and Joseph Brodsky are responses to biographical events; on the other hand, he seeks to show that poetry’s significance is not limited to the aesthetic, but extends to the realm...

... to fulfill two demands: on the one hand, he wants to demonstrate how the respective poetics of Paul Celan, Durs Grünbein, and Joseph Brodsky are responses to biographical events; on the other hand, he seeks to show that poetry’s significance is not limited to the aesthetic, but extends to the realm...

... the respective poetics of Paul Celan, Durs Grünbein, and Joseph Brodsky are responses to biographical events; on the other hand, he seeks to show that poetry’s significance is not limited to the aesthetic, but extends to the realm of ethics —​as Eskin approvingly quotes Brodsky, “aesthetics is the mother...

...,” and Paul Celan’s poem “The Vintagers.” In his Introduction Levine states that his primary aim in examining all of these texts is to “listen” to the stories told by sur- vivors, and “in so doing, to explore the relationship between narration and sur- vival, between a desire to survive in order to tell...

... . Print . Truglio Maria . Beyond the Family Romance: The Legend of Pascoli . Toronto Italian Studies . Toronto : U of Toronto P , 2007 . Print . Wolosky Shira . “The Metaphysics of Language in Emily Dickinson (as Translated by Paul Celan).” Trajectories of Mysticism in Theory...

... significance to a discrete sphere of conceptual or empirical representation is reflected throughout the text in its creation of what we might think of as productive imbalances, or (following Coetzee’s own description of the poetry of Paul Celan) “field[s] of tension,” between seemingly disparate elements...

... to those on the outside. But significantly, this untranslatability is precisely what allows Kiyanovska to use the year 1933 as a password for gaining access into the equally untranslatable world of 1941. For Kiyanovska, “’33” is a version of what Derrida, writing about Paul Celan, has referred...

... of its sensual juices by over-intellectualization. John Felstiner follows Hans Egon Holthusen in associating Mallarmé with Paul Celan through the cult of pure form. This critic cites a rondel by Mallarmé and its rendering by Celan, then translates both into English. The only problematic part...

... of its sensual juices by over-intellectualization. John Felstiner follows Hans Egon Holthusen in associating Mallarmé with Paul Celan through the cult of pure form. This critic cites a rondel by Mallarmé and its rendering by Celan, then translates both into English. The only problematic part...