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Holocaust poetry

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Journal Article
Comparative Literature (2014) 66 (4): 438–458.
Published: 01 December 2014
...Daniel Feldman This article addresses the pervasive articulation of nothing in the poetry of Paul Celan and Dan Pagis. The essay ties nullification in speech to cancellation of self in Celan and aims to understand his attestation of a form of subjectivity reconfigured by the Holocaust as negative...
Journal Article
Comparative Literature (2016) 68 (1): 46–58.
Published: 01 March 2016
... – 204 . Print . Rowland Antony . “A Case of Red Herrings: Englishness in the Poetry of Philip Larkin and Ted Hughes.” The Revision of Englishness . Ed. Rogers David McLeod John . Manchester : Manchester UP , 2004 . 81 – 94 . Print . ———. Holocaust Poetry: Awkward Poetics...
Journal Article
Comparative Literature (2009) 61 (1): 69–84.
Published: 01 January 2009
... and relief. Perhaps nowhere does a reader expect historical form to be as objective and relentless a framework as in Holocaust poetry. Yet, as we see in Primo Levi’s “Il tramonto di Fòssoli” (1946), a timely (or untimely) allusion to one of the more memorable lyric utterances in the Western...
Journal Article
Comparative Literature (2011) 63 (4): 366–382.
Published: 01 December 2011
... of war poetry is the unsettling shifts between victim and killer perspectives in many World War II poems.3 According to Raul Hilberg, whose study examines testimony in terms of the well- established categories of Holocaust perpetrators, victims, and bystanders, a perpe- trator is someone who...
Journal Article
Comparative Literature (2008) 60 (2): 199–202.
Published: 01 March 2008
...Meili Steele The Holocaust and the Postmodern. By Robert Eaglestone. Oxford: Oxford University Press, 2004. 384 p. University of Oregon 2008 COMPARATIVE LITERATURE/186 BOOK REVIEWS OVID’S LOVERS: DESIRE, DIFFERENCE...
Journal Article
Comparative Literature (2008) 60 (2): 193–197.
Published: 01 March 2008
... and critique. KATHERINE STANTON Harvard University THE HOLOCAUST AND THE POSTMODERN. By Robert Eaglestone. Oxford: Oxford University Press, 2004. 384 p. Robert Eaglestone, whose books on the discipline of English studies...
Journal Article
Comparative Literature (2008) 60 (2): 186–188.
Published: 01 March 2008
... and critique. KATHERINE STANTON Harvard University THE HOLOCAUST AND THE POSTMODERN. By Robert Eaglestone. Oxford: Oxford University Press, 2004. 384 p. Robert Eaglestone, whose books on the discipline of English studies...
Journal Article
Comparative Literature (2008) 60 (2): 188–192.
Published: 01 March 2008
... and critique. KATHERINE STANTON Harvard University THE HOLOCAUST AND THE POSTMODERN. By Robert Eaglestone. Oxford: Oxford University Press, 2004. 384 p. Robert Eaglestone, whose books on the discipline of English studies...
Journal Article
Comparative Literature (2008) 60 (2): 197–199.
Published: 01 March 2008
... and critique. KATHERINE STANTON Harvard University THE HOLOCAUST AND THE POSTMODERN. By Robert Eaglestone. Oxford: Oxford University Press, 2004. 384 p. Robert Eaglestone, whose books on the discipline of English studies...
Journal Article
Comparative Literature (2008) 60 (2): 203–205.
Published: 01 March 2008
... and international experience, modernism and immigra- tion, and feeling and critique. KATHERINE STANTON Harvard University THE HOLOCAUST AND THE POSTMODERN. By Robert Eaglestone. Oxford: Oxford University Press, 2004. 384 p. Robert...
Journal Article
Comparative Literature (2005) 57 (4): 328–351.
Published: 01 September 2005
... witness to that which it does not know. This dated interruption begins with the first word, “Du.” And yet, counter to our expectations of post-Holocaust poetry and especially of Celan’s own heavily burdened poetry, the poem asks its addressee not to remem- ber, but to forget. Celan’s translation...
Journal Article
Comparative Literature (2016) 68 (4): 408–426.
Published: 01 December 2016
...’ in Nathan Alterman's Poetry: From Archetype to National Symbol.” Israel Affairs 20 . 2 ( 2014 ): 182 – 94 . Print . Brenner Rachel Feldhay . “Discourses of Mourning and Rebirth in Post-Holocaust Israeli Literature: Leah Goldberg's Lady of the Castle and Shulamith Hareven's ‘The Witness...
Journal Article
Comparative Literature (2018) 70 (2): 194–217.
Published: 01 June 2018
... dictum that it had become impossible to write poetry after Auschwitz, which Rawicz deemed “absurde” [iv]). The ax Rawicz has to grind is not with art but with conventional art. In his own novel Rawicz eschews moral and even historical frameworks because they are unable to engage the Holocaust...
Journal Article
Comparative Literature (2006) 58 (1): 24–43.
Published: 01 January 2006
.... He thus main- tains the symbolic analogue, and reminds us, even as his poetry denies it, that art after Auschwitz is impossible. Thus, in the tradition of Klaus Theweleit, “Todesfuge” blames German mascu- linity for the atrocities committed during the Holocaust. In answer to Goethe’s Romantic...
Journal Article
Comparative Literature (2009) 61 (1): 93–95.
Published: 01 January 2009
... on the absolute impossibility of Holocaust representation towards recognizing how attempts to represent it, even if fl awed, can encourage complex forms of memory work”(6). In Unwanted Beauty, she engages a range of aesthetic works: written texts of various genres — testimony, novels, poetry, and history...
Journal Article
Comparative Literature (2009) 61 (1): 85–87.
Published: 01 January 2009
... on the absolute impossibility of Holocaust representation towards recognizing how attempts to represent it, even if fl awed, can encourage complex forms of memory work”(6). In Unwanted Beauty, she engages a range of aesthetic works: written texts of various genres — testimony, novels, poetry, and history...
Journal Article
Comparative Literature (2009) 61 (1): 87–90.
Published: 01 January 2009
... on the absolute impossibility of Holocaust representation towards recognizing how attempts to represent it, even if fl awed, can encourage complex forms of memory work”(6). In Unwanted Beauty, she engages a range of aesthetic works: written texts of various genres — testimony, novels, poetry, and history...
Journal Article
Comparative Literature (2009) 61 (1): 90–93.
Published: 01 January 2009
... on the absolute impossibility of Holocaust representation towards recognizing how attempts to represent it, even if fl awed, can encourage complex forms of memory work”(6). In Unwanted Beauty, she engages a range of aesthetic works: written texts of various genres — testimony, novels, poetry, and history...
Journal Article
Comparative Literature (2011) 63 (2): 203–224.
Published: 01 June 2011
... : 33 -36. Print. Hofmann, Klaus. “Poetry after Auschwitz — Adorno's Dictum.” German Life and Letters 58.2 ( 2005 ): 182 -94. Print. Howe, Irving. “Writing and the Holocaust.” 1988. The Holocaust: Theoretical Readings . Ed. Neil Levi and Michael Rothberg. New Brunswick: Rutgers UP, 2003...
Journal Article
Comparative Literature (2008) 60 (3): 279–287.
Published: 01 June 2008
...RICHARD J. GOLSAN University of Oregon 2008 Michael G. Levine. The Belated Witness: Literature, Testimony, and the Question of Holocaust Survival . Stanford: Stanford University Press, 2006. Samuel Moyn. Origins of the Other: Emmanuel Levinas between Revelation and Ethics...