...Daniel Feldman This article addresses the pervasive articulation of nothing in the poetry of Paul Celan and Dan Pagis. The essay ties nullification in speech to cancellation of self in Celan and aims to understand his attestation of a form of subjectivity reconfigured by the Holocaust as negative...

... of the Nazi genocide. Rawicz rejects moral and historical frameworks because they do not engage the Holocaust on the level he finds most salient: as a terrifying experience of ontological truths about the nature of God, subjectivity, and Being writ large. I situate Rawicz’s novel alongside his pronouncements...

...Laura Levitt Unwanted Beauty: Aesthetic Pleasure in Holocaust Representation. By Brett Ashley Kaplan. Urbana, Chicago: University of Illinois Press, 2007. 215 p. University of Oregon 2009 BOOK REVIEWS TRANSATLANTIC TRANSLATIONS...

...RICHARD J. GOLSAN University of Oregon 2008 Michael G. Levine. The Belated Witness: Literature, Testimony, and the Question of Holocaust Survival . Stanford: Stanford University Press, 2006. Samuel Moyn. Origins of the Other: Emmanuel Levinas between Revelation and Ethics...

...Meili Steele The Holocaust and the Postmodern. By Robert Eaglestone. Oxford: Oxford University Press, 2004. 384 p. University of Oregon 2008 COMPARATIVE LITERATURE/186 BOOK REVIEWS OVID’S LOVERS: DESIRE, DIFFERENCE...

.... “The Boundaries of Holocaust Literature: The Emergence of a Canon.” Diss. Columbia University, 1992 . Egri, Péter. Survie et réinterprétation de la forme Proustienne, Proust-Déry-Semprun . Debrecen: Studia Romanica, 1969 . Farrán, Ofelia. “`Cuanto más escribo, más me queda por decir': Memory...

...Laurie K. Vickroy The Holocaust of Texts: Genocide, Literature, and Personification. By Amy Hungerford. Chicago: The University of Chicago Press, 2003. 206 p. University of Oregon 2004 BOOK REVIEWS/99...

...Antony Rowland This article examines the categories of victim and perpetrator testimony in relation to the writing contained in the Salamander Oasis Trust archive in the Imperial War Museum at Duxford. In Dimensions of the Holocaust , Elie Wiesel famously commented that the Holocaust produced...

...Deb Donig Abstract This essay seeks to understand the complexity of a post-Holocaust discourse of comparative suffering in law and literature, focusing on the legacy of the transatlantic slave trade. The essay traces a history of post-1945 discourse about the Holocaust, as the place of Jewish...

... the collective post-World War II memory that had come to associate it with the Holocaust. Mikhail Bakhtin's concept of the “chronotope” provides a theoretical tool that captures the unique characteristics of the use of time and temporality in the Jewish train genre. The speeding train and the interior...

... warfare and the Holocaust, Abish and Perec's novels elaborate themes of concealment, violence, and the limitations of language. I argue that, despite the common misconception that constraint-based writers are engaged in predominantly self-reflexive linguistic experimentation and lightweight textual play...

... the Holocaust and Austerlitz mediates the search for his history through photographs of landscapes and buildings. This mediation also occurs through Sebald's dialogue with Wittgenstein's skepticism and, indeed, Through its focus on architectural “monumentality,” Austerlitz brings into full articulation Sebald's...

... single literary genre, I examine the rhetoric of anachronism in two historical novels—Alessandro Manzoni's I promessi sposi ( The Betrothed ) and Giorgio Bassani's Il giardino dei Finzi-Contini ( The Garden of the Finzi-Continis )—two texts dealing with the Holocaust—Primo Levi's “Il tramonto di Fòssoli...

... preoccupations as a post-Holocaust writer, it points specifically to those literary resources of modernity that Sebald implicitly brings to bear on the very question of history. Indeed, the aim of this article is to mine the unrevealed archive of Sebald's own literary imagination in order to capture the problem...

...Samuel J. Spinner Abstract Jerome Rothenberg’s poetry brings together a group of major—seemingly disparate—topics: the Holocaust; ecological crisis; Yiddish culture; and what he terms ethnopoetics, a poetic primitivism centered largely on the culture of Indigenous Americans. This article shows how...

.... “Germany as Victim.” New German Critique 80 ( 2000 ) [Special issue on the Holocaust]: 29 -40. Print. ———. Murder in Our Midst: The Holocaust, Industrial Killing and Representation . Oxford: Oxford UP, 1996 . Print. Bathrick, David, Brad Prager, and Michael D. Richardson, eds. Visualizing...

... in Latin America. Houston: Rice UP, 1995. Young, Robert. Colonial Desire: Hybridity in Theory, Culture, and Race. London: Routledge, 1995. UNWANTED BEAUTY: AESTHETIC PLEASURE IN HOLOCAUST REPRESENTATION. By Brett Ashley Kaplan. Urbana, Chicago: University of Illinois Press, 2007. 215 p...

... in Latin America. Houston: Rice UP, 1995. Young, Robert. Colonial Desire: Hybridity in Theory, Culture, and Race. London: Routledge, 1995. UNWANTED BEAUTY: AESTHETIC PLEASURE IN HOLOCAUST REPRESENTATION. By Brett Ashley Kaplan. Urbana, Chicago: University of Illinois Press, 2007. 215 p...

... in Latin America. Houston: Rice UP, 1995. Young, Robert. Colonial Desire: Hybridity in Theory, Culture, and Race. London: Routledge, 1995. UNWANTED BEAUTY: AESTHETIC PLEASURE IN HOLOCAUST REPRESENTATION. By Brett Ashley Kaplan. Urbana, Chicago: University of Illinois Press, 2007. 215 p...

.... JAMES SMETHURST University of Massachusetts–Amherst BOOK REVIEWS/105 THE HOLOCAUST OF TEXTS: GENOCIDE, LITERATURE, AND PERSONIFICATION. By Amy Hungerford. Chicago: The University of Chicago Press, 2003. 206 p. This thought...