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George Sand

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Journal Article
Comparative Literature (2015) 67 (1): 62–78.
Published: 01 March 2015
...Claire White This article reads George Sand's Le Compagnon du Tour de France (1840) alongside Karl Marx's “Economic and Philosophic Manuscripts of 1844.” It considers how these contemporaries bring to bear on their accounts of labor, estrangement, and the structures of property an attention to the...
Journal Article
Comparative Literature (2015) 67 (4): 415–428.
Published: 01 December 2015
... . Frederickson George . The Black Image in the White Mind: The Debate on Afro-American Character and Destiny, 1817–1914 . Middletown : Wesleyan UP , 1987 . Print . Goddu Teresa A. “The Ghost of Race: Edgar Allan Poe and the Southern Gothic.” Criticism and the Color Line: Desegregating...
Journal Article
Comparative Literature (2016) 68 (4): 351–369.
Published: 01 December 2016
...Luke Arnott Noting the resurgence of popular and academic interest in epics across disparate media, this essay proposes a theory of the epic genre that transcends particular media and cultures. It seeks to reconcile discussions of the epic in Aristotle, G.W.F. Hegel, Georg Lukács, Mikhail Bakhtin...
Journal Article
Comparative Literature (2012) 64 (1): 93–109.
Published: 01 March 2012
...–24); the minuscule shells, all similar but each one different, that waves gently cast up on the bibula harena (the ‘imbibing sand’) (2.374–76); or the spiderwebs that wrap themselves around us without our noticing them as we walk along (3.381–90)” (Six Memos 9). In the same passage, Calvino...
Journal Article
Comparative Literature (2015) 67 (2): 166–184.
Published: 01 June 2015
...Ricardo Apostol Both the German philosopher Hans-Georg Gadamer and the Greek poet Giorgos Seferis attempted to solve the problem of classical reception by connecting the modern reader with the poetry of ancient Greece. Read according to Gadamer, Seferis's poetry of the 1930s articulates and enacts...
Journal Article
Comparative Literature (2011) 63 (4): 383–401.
Published: 01 December 2011
... — smaller meaner everything is never mind — this is London — hundreds of thou- sands of white people white people rushing along and the dark houses all alike frowning down one after the other all alike all stuck together. (17) This passage explicitly rejects the truths of the representations of England...
Journal Article
Comparative Literature (2011) 63 (2): 225–227.
Published: 01 June 2011
... methodically demonstrates, a veritable “review of Western genres” (219) and “the prod- uct of an argument with a literary tradition” (37) reaching from Diderot to Chateaubri- and, Constant, de Vigny, Musset, George Sand, and Balzac, as well as to the lesser-known writer Philarète Chasles. Each of the...
Journal Article
Comparative Literature (2011) 63 (2): 227–230.
Published: 01 June 2011
... veritable “review of Western genres” (219) and “the prod- uct of an argument with a literary tradition” (37) reaching from Diderot to Chateaubri- and, Constant, de Vigny, Musset, George Sand, and Balzac, as well as to the lesser-known writer Philarète Chasles. Each of the novel’s peculiarly mis-ordered...
Journal Article
Comparative Literature (2011) 63 (2): 230–234.
Published: 01 June 2011
... methodically demonstrates, a veritable “review of Western genres” (219) and “the prod- uct of an argument with a literary tradition” (37) reaching from Diderot to Chateaubri- and, Constant, de Vigny, Musset, George Sand, and Balzac, as well as to the lesser-known writer Philarète Chasles. Each of the...
Journal Article
Comparative Literature (2013) 65 (2): 242–246.
Published: 01 June 2013
... George Sand’s Consuelo, together with a wealth of literary echoes alongside the commercial “airbrushed” commodity epitomized in Scheffer’s images. It is fascinating to learn about the Mignon effect in Baudelaire, Nerval, Balzac, and Zola, parodies as well as earnest and sentimental homages. One of...
Journal Article
Comparative Literature (2013) 65 (2): 246–249.
Published: 01 June 2013
... George Sand’s Consuelo, together with a wealth of literary echoes alongside the commercial “airbrushed” commodity epitomized in Scheffer’s images. It is fascinating to learn about the Mignon effect in Baudelaire, Nerval, Balzac, and Zola, parodies as well as earnest and sentimental homages. One of...
Journal Article
Comparative Literature (2013) 65 (2): 249–251.
Published: 01 June 2013
... George Sand’s Consuelo, together with a wealth of literary echoes alongside the commercial “airbrushed” commodity epitomized in Scheffer’s images. It is fascinating to learn about the Mignon effect in Baudelaire, Nerval, Balzac, and Zola, parodies as well as earnest and sentimental homages. One of...
Journal Article
Comparative Literature (2013) 65 (2): 251–253.
Published: 01 June 2013
... George Sand’s Consuelo, together with a wealth of literary echoes alongside the commercial “airbrushed” commodity epitomized in Scheffer’s images. It is fascinating to learn about the Mignon effect in Baudelaire, Nerval, Balzac, and Zola, parodies as well as earnest and sentimental homages. One of...
Journal Article
Comparative Literature (2013) 65 (2): 254–256.
Published: 01 June 2013
... George Sand’s Consuelo, together with a wealth of literary echoes alongside the commercial “airbrushed” commodity epitomized in Scheffer’s images. It is fascinating to learn about the Mignon effect in Baudelaire, Nerval, Balzac, and Zola, parodies as well as earnest and sentimental homages. One of...
Journal Article
Comparative Literature (2013) 65 (3): 306–324.
Published: 01 September 2013
... it in Shelley, Byron, Rousseau, and Georges Sand, and the feebler and more debased novels of the modern press of France. (22–23) In this estimation, then, it is not only permissible but critically necessary that the Bible —​this particular  Bible —​should be allowed to rove outside the church...
Journal Article
Comparative Literature (2008) 60 (3): 228–243.
Published: 01 June 2008
... Renaissance and a mod- ernist novel of distinctly European vintage (see Doyle). For example, Larsen’s sophisticated but understated use of free indirect discourse calls to mind J. P. Jacobsen’s Niels Lyhne (1880), a Danish modernist novel that features, like Quick- sand, an aloof protagonist who is...
Journal Article
Comparative Literature (2000) 52 (4): 291–320.
Published: 01 September 2000
... the uncanny, he equates Coppola not only with Coppelius, but also with the Sandman: “the conclusion of the story makes it quite clear that Coppola the optician really is the lawyer Coppelius and thus also the Sand-Man” (383). PYGMALIONESQUE DELUSIONS/295...
Journal Article
Comparative Literature (2017) 69 (4): 430–448.
Published: 01 December 2017
... sand” (1.1222) — whose formulaic repetition brings us back to the opening lines of the book: Anchors bite deep, craft are held fast, curved Sterns cushion on sand, prows frill the beach. (6–7) While the formulaic repetition manages to sound characteristically epic...
Journal Article
Comparative Literature (2010) 62 (3): 246–261.
Published: 01 June 2010
... stones / 247 Yet the city of Venice also proved resistant to this drive to construct a more mate- rially detailed and historically accurate Italy. Forever a “ghost upon the sands of the sea” (Stones  1:17), Venice seemed to evade materiality. Ruskin wrote of “the strange rising of its walls and...
Journal Article
Comparative Literature (2002) 54 (4): 325–356.
Published: 01 September 2002
...: Seuil, 1985./ The Sand Child . Trans. Alan Sheridan. San Diego: Harcourt, 1989 . ____. Harrouda . Paris: Seuil, 1976 . ____. Hospitalité française . Paris: Seuil, 1984 . ____. Jour de silence à Tanger . Paris: Seuil, 1990 . ____. Moha le fou, Moha le sage . Paris: Seuil, 1980...