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Claudio Monteverdi

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Published: 01 December 2018
Figure 1. Bars 1–7 from O Mirtillo, Mirtillo anima mia , Claudio Monteverdi, Fifth Book of Madrigals (1605). Monteverdi’s idiomatic use of unprepared dissonance is highlighted. The beginning of this madrigal stood at the center of the controversy with Artusi. Figure 1. Bars 1–7 from O More
Journal Article
Comparative Literature (2018) 70 (4): 369–391.
Published: 01 December 2018
...Figure 1. Bars 1–7 from O Mirtillo, Mirtillo anima mia , Claudio Monteverdi, Fifth Book of Madrigals (1605). Monteverdi’s idiomatic use of unprepared dissonance is highlighted. The beginning of this madrigal stood at the center of the controversy with Artusi. Figure 1. Bars 1–7 from O...
FIGURES
Journal Article
Comparative Literature (2012) 64 (1): 1–32.
Published: 01 March 2012
... operas of composers like Claudio Monteverdi and Cavalli; the tragédies en musique of Jean-Baptiste Lully and his successors; the opera seria championed by Gian Vincenzo Gravina and brought to perfection by Pietro Metastasio; and the reform operas of Tommaso Traetta and Christoph Willibald Gluck...