...Ricardo Apostol Both the German philosopher Hans-Georg Gadamer and the Greek poet Giorgos Seferis attempted to solve the problem of classical reception by connecting the modern reader with the poetry of ancient Greece. Read according to Gadamer, Seferis's poetry of the 1930s articulates and enacts...

... classical Chinese language and thought, and his recreation of Chinese antiquity via a radical contemporization of the past. This examination demonstrates that Quignard poses important questions about cultural reception and appropriation, especially as regards the problematic relation between sinophilia...

... Antiquity, pursues two aims, one of which we might call historicist, the other polemical: Goldhill gives a learned and original account of the representation of classical antiquity in the nineteenth century; and he reflects on the current state of classical reception and its future directions...

... Antiquity, pursues two aims, one of which we might call historicist, the other polemical: Goldhill gives a learned and original account of the representation of classical antiquity in the nineteenth century; and he reflects on the current state of classical reception and its future directions...

... Antiquity, pursues two aims, one of which we might call historicist, the other polemical: Goldhill gives a learned and original account of the representation of classical antiquity in the nineteenth century; and he reflects on the current state of classical reception and its future directions...

..., the other polemical: Goldhill gives a learned and original account of the representation of classical antiquity in the nineteenth century; and he reflects on the current state of classical reception and its future directions. The case studies that make up the historicist —​or cultural historical...

... Antiquity, pursues two aims, one of which we might call historicist, the other polemical: Goldhill gives a learned and original account of the representation of classical antiquity in the nineteenth century; and he reflects on the current state of classical reception and its future directions...

... on Medusa as a “divine sculptor” within the poet (231) or Mary DeShazer on Bogan’s “demonic muse” (100)—perhaps hew too closely to the critical agendas of their historical moment. As classical reception theorists Vanda Zajko and Miriam Leonard warn in their recent volume Laughing with Medusa...

.../htr/day_of_reflection/htr_0607c.pdf > Web. 12 Oct. 2015 . Clarke David R. , ed. W.B Yeats, the Writing of Sophocles' King Oedipus . American Philosophical Society , 1989 . Print . “Classical Receptions in Late Twentieth-Century Drama and Poetry in English.” Open University...

... classical reception. I do not mean to imply that these four literary nightingales never cross flight paths: it is impossible to cleanly disentangle the bird’s various meanings in the history of verse. When later poets imagine the nightingale in conjunction with ideas about containment, enclosure...

...' Oresteia.” A Companion to Classical Receptions . Ed. Hardwick L. Stray C. . Oxford : Blackwell , 2008 . 360 – 72 . Print . Yatromanolakis Yorgis . “Παράμετρο: Μεταφραστική Θεωρία και Πρακτική του Σεφέρη.” Metagrafes . Athens : Leschi , 1980 . 227 – 308 . Print...

... and Classical Reception. Towards a New Literary History . Oxford : Wiley-Blackwell , 2011 . Print . Grainger James . Poetical Translation of the Elegies of Tibullus, and of the Poems of Sulpicia . London : A. Millar , 1759 . Print . Griffin Eric J. English Renaissance Drama...

... contexts. In the United Kingdom, scholars have framed the discussion as “Reception Stud- ies,” and its categories include the classics and education in such postcolonial settings as a number of African countries; the reception of classical drama onstage in nineteenth- and twentieth-century Britain...

... conversation about the afterlife of Greece and Rome in modern and postmodern contexts. In the United Kingdom, scholars have framed the discussion as “Reception Stud- ies,” and its categories include the classics and education in such postcolonial settings as a number of African countries; the reception...

... contexts. In the United Kingdom, scholars have framed the discussion as “Reception Stud- ies,” and its categories include the classics and education in such postcolonial settings as a number of African countries; the reception of classical drama onstage in nineteenth- and twentieth-century Britain...

... contexts. In the United Kingdom, scholars have framed the discussion as “Reception Stud- ies,” and its categories include the classics and education in such postcolonial settings as a number of African countries; the reception of classical drama onstage in nineteenth- and twentieth-century Britain...

.... It remains, however, one of the most thought-provoking and important studies of the reception of classical Japanese literature to appear in any Western language. While many of us have been feeling unhappy about the concept of “reception,” I am not convinced that Emmerich’s “replacement” will win...

... a philosophical tradition such as materialism refuses to run in a straight, unitary line. This is a question of how to understand reception history: either as an unbroken tradition of faithful imitation and replication (a family genealogy, grouped under the name of the father, “Lucretius” for example), or else...

.... To illustrate these claims, this essay turns to the career of Rabindranath Tagore, whose auto-translations of many works, including Gitanjali and The Home and the World, render him a bilingual writer of Bengali and English literature. By close reading Tagore's translations and their receptions among early...

... are often more radi- cal. Such is the case both with Poussin’s painting “Et in Arcadia Ego” and Keats’s famous paradigm of ekphrasis, “Ode on a Grecian Urn,” which involves transfer in the opposite direction: from visual to verbal art. Both works frame a classical act of communication within another...