...Emily Wang Abstract Lord Byron’s reputation in Russia’s literary imagination might surprise those who remember him not only as a multifaceted poet or political commentator, but also as a sexual libertine. Following his death in Greece, the tempestuous Byron came to stand for both freedom...

... the advent of a “new world order,” but also legitimizes this new order by linking it to some prior historic or legendary event. Furthermore, if Poltava seems to “waver,” as many critics have suggested, between the Byronic narrative poem and the historical novel as popularized by Walter Scott, I argue...

....” Ruskin and Gender . Ed. Dinah Birch. Houndmills: Palgrave, 2002 . 64 –85. Byron, George Gordon. Marino Faliero and The Two Foscari. Byron, The Complete Poetical Works . Vol 6 . Ed. Jerome J. McGann and Barry Weller. Oxford: Clarendon P, 1991 . Correr, Giovanni. Venezia e le sue Lagune...

... Esterhammer or Jon Klancher. She surveys a range of important figures in the literary and publishing scene such as Scott, Carlyle, Byron, Dickens, and the Howitts, inserting their work back into the messy print and performance culture from which it emerged, thereby providing welcome alternatives to more...

... and imprisonment by the ruling Commu- nist party and his ultimate banishment from the Soviet Union; his playful cultivation of affinities with strong poetic fathers like Dante, Pushkin, and Byron; and his frequent use of the word “affair” to describe his intellectual and artistic preoccupations (his “love...

... and imprisonment by the ruling Commu- nist party and his ultimate banishment from the Soviet Union; his playful cultivation of affinities with strong poetic fathers like Dante, Pushkin, and Byron; and his frequent use of the word “affair” to describe his intellectual and artistic preoccupations (his “love...

... and imprisonment by the ruling Commu- nist party and his ultimate banishment from the Soviet Union; his playful cultivation of affinities with strong poetic fathers like Dante, Pushkin, and Byron; and his frequent use of the word “affair” to describe his intellectual and artistic preoccupations (his “love...

... cultivation of affinities with strong poetic fathers like Dante, Pushkin, and Byron; and his frequent use of the word “affair” to describe his intellectual and artistic preoccupations (his “love affair with the English language” or “with Venice,” for instance). All of these provide rich material...

... tyrannies and lead to triumph over totalitarianism—an important ethical lesson for our civilization today. University of Oregon 2010 Byron, Lord George Gordon. The Complete Poetical Works . Cambridge: Riverside P, 1933 . Debreczeny, Paul. The Other Pushkin. A Study of Alexander Pushkin's...

... a version of Byron’s “Sun of the Sleep- less” (“Solntse bezsonnykh” [“Pechal’naia zvezda, bezsonnykh solntse The two translated pieces, which could hardly be more different from each other, encapsulate in many ways Nabokov’s development up to that point. Completed on September 7, 1918 (which...

... for all things Spanish—culminating with Louis Philippe’s Musée Espagnol (1838)—that rapidly spread through the rest of Europe. The romantic construction of Spain embodied the qualities that writers such as Borrow, Chateaubriand, Hugo, Byron, Irving, Mérimée, and many others were looking for: a rich...

... in Slavitt’s translation than in Ariosto’s original, and he is a very different sort of narrator —​unlike either the narrative voice of Ariosto’s smiling courtier or that of the cynical young narrator of Byron’s Don Juan. Such a narrator, too eager to display his own cleverness and too immature to make...

... in Ariosto’s original, and he is a very different sort of narrator —​unlike either the narrative voice of Ariosto’s smiling courtier or that of the cynical young narrator of Byron’s Don Juan. Such a narrator, too eager to display his own cleverness and too immature to make plausible the moral judgments...

... translation than in Ariosto’s original, and he is a very different sort of narrator —​unlike either the narrative voice of Ariosto’s smiling courtier or that of the cynical young narrator of Byron’s Don Juan. Such a narrator, too eager to display his own cleverness and too immature to make plausible...

... of narrator —​unlike either the narrative voice of Ariosto’s smiling courtier or that of the cynical young narrator of Byron’s Don Juan. Such a narrator, too eager to display his own cleverness and too immature to make plausible the moral judgments scattered throughout the original text, cannot capture...

... in Slavitt’s translation than in Ariosto’s original, and he is a very different sort of narrator —​unlike either the narrative voice of Ariosto’s smiling courtier or that of the cynical young narrator of Byron’s Don Juan. Such a narrator, too eager to display his own cleverness and too immature to make...

..., and Drama . Baltimore : The Johns Hopkins UP , 2002 . Print . Purinton Marjean D. Romantic Ideology Unmasked: The Mentally Constructed Tyrannies in Dramas of William Wordsworth, Lord Byron, Percy Shelley, and Joanna Baillie . Newark : U of Delaware P , 1994 . Print . Rousseau Jean...

... chapter), Scap- pettone draws on Ruskin’s Stones of Venice to chart the origins of modern engagement with the city, which is marked by the lasting influence of Romantic representations (Byron’s above all) as well as by “scorn for the superficial model of sympathy and attendant pathetic fallacies...

... of popular genres. However, if we push the argument about the role of narrative irony in The Tales of Belkin to its logical end, we will be forced to draw an unsettling and self-contradictory conclusion. Infinite ironization of point of view, like Byronic solipsism, is a way of rejecting the world...

... for the imagination and fancy, and if they are not led to the Psalms and Isaiah, and Job, and the Apocalypse, and the narratives and parables, they will find it in Shelley, Byron, Rousseau, and Georges Sand, and the feebler and more debased novels of the modern press of France. (22–23) In this estimation...