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Artaud

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Journal Article
Comparative Literature (2015) 67 (4): 394–414.
Published: 01 December 2015
...Aileen Forbes In their disparate dramatizations of the legend of the sixteenth-century Cenci family, Romantic poet Percy Bysshe Shelley and avant-garde dramatist Antonin Artaud simulate the transmission of a trauma. With reference to trauma theorists Ruth Leys and Cathy Caruth, among others...
Journal Article
Comparative Literature (2002) 54 (3): 229–241.
Published: 01 June 2002
...CLARK LUNBERRY University of Oregon 2002 Artaud, Antonin. Artaud Anthology . Ed. Jack Hirschman. San Francisco: City Lights Books, 1965 . ____. The Theater and Its Double . Trans. Mary Caroline Richards. New York: Grove Weidenfeld, 1958 . Barthes, Roland. The Pleasure...
Journal Article
Comparative Literature (2002) 54 (1): 72–75.
Published: 01 January 2002
... before Breton with Apollinaire and Cocteau. In addition, she contends that those “excluded” from the group such as Roger Vitrac and Antonin Artaud were as cre- ative and original as Breton’s designated surrealists. And so were several remarkable women artists such as Leonora Carrington, Dorothea...
Journal Article
Comparative Literature (2002) 54 (1): 76–78.
Published: 01 January 2002
... before Breton with Apollinaire and Cocteau. In addition, she contends that those “excluded” from the group such as Roger Vitrac and Antonin Artaud were as cre- ative and original as Breton’s designated surrealists. And so were several remarkable women artists such as Leonora Carrington, Dorothea...
Journal Article
Comparative Literature (2002) 54 (1): 78–83.
Published: 01 January 2002
... before Breton with Apollinaire and Cocteau. In addition, she contends that those “excluded” from the group such as Roger Vitrac and Antonin Artaud were as cre- ative and original as Breton’s designated surrealists. And so were several remarkable women artists such as Leonora Carrington, Dorothea...
Journal Article
Comparative Literature (2002) 54 (1): 84–87.
Published: 01 January 2002
... and Antonin Artaud were as cre- ative and original as Breton’s designated surrealists. And so were several remarkable women artists such as Leonora Carrington, Dorothea Tanning, and Leonor Fini, who distanced themselves from Breton’s official surrealist circle. In the last two chapters, Levitt focuses...
Journal Article
Comparative Literature (2002) 54 (1): 88–91.
Published: 01 January 2002
... before Breton with Apollinaire and Cocteau. In addition, she contends that those “excluded” from the group such as Roger Vitrac and Antonin Artaud were as cre- ative and original as Breton’s designated surrealists. And so were several remarkable women artists such as Leonora Carrington, Dorothea...
Journal Article
Comparative Literature (2002) 54 (1): 91–93.
Published: 01 January 2002
... before Breton with Apollinaire and Cocteau. In addition, she contends that those “excluded” from the group such as Roger Vitrac and Antonin Artaud were as cre- ative and original as Breton’s designated surrealists. And so were several remarkable women artists such as Leonora Carrington, Dorothea...
Journal Article
Comparative Literature (2002) 54 (1): 94–96.
Published: 01 January 2002
... before Breton with Apollinaire and Cocteau. In addition, she contends that those “excluded” from the group such as Roger Vitrac and Antonin Artaud were as cre- ative and original as Breton’s designated surrealists. And so were several remarkable women artists such as Leonora Carrington, Dorothea...
Journal Article
Comparative Literature (2021) 73 (3): 299–319.
Published: 01 September 2021
... published in Akşam from June 12, 1931, to July 16, 1931, follow closely the first, second, and sixth chapters of Artaud’s Le moine , itself an adaptation of Matthew Lewis’s The Monk . In the feuilletons published after July 17, 1931, Vâlâ seems to draw on Kallinikov’s Relics in describing...
FIGURES
Journal Article
Comparative Literature (2001) 53 (3): 193–213.
Published: 01 June 2001
... cube is a wooden cube), or the Artaud-like question of what happens to theater when it’s removed from the auditorium and deposited on the street.7 To which one might add a question from performance art: When does an ordinary event or thing or behavior (two lovers having an argument in a restaurant...
Journal Article
Comparative Literature (2012) 64 (1): 110–112.
Published: 01 March 2012
... and for the immedi- ate future. Throughout the work, Enders writes in a profoundly philosophical vein, sparring with both recent scholars and the great theorists of previous eras: Artaud, Schechner, Stanislav- ski, to name but a few. Yet while it is admittedly an advantage for the reader to be already...
Journal Article
Comparative Literature (2012) 64 (1): 112–115.
Published: 01 March 2012
... in a profoundly philosophical vein, sparring with both recent scholars and the great theorists of previous eras: Artaud, Schechner, Stanislav- ski, to name but a few. Yet while it is admittedly an advantage for the reader to be already COMPARATIVE LITERATURE / 118 familiar with this body of established...
Journal Article
Comparative Literature (2012) 64 (1): 115–117.
Published: 01 March 2012
... in a profoundly philosophical vein, sparring with both recent scholars and the great theorists of previous eras: Artaud, Schechner, Stanislav- ski, to name but a few. Yet while it is admittedly an advantage for the reader to be already COMPARATIVE LITERATURE / 118 familiar with this body of established...
Journal Article
Comparative Literature (2012) 64 (1): 117–119.
Published: 01 March 2012
... in a profoundly philosophical vein, sparring with both recent scholars and the great theorists of previous eras: Artaud, Schechner, Stanislav- ski, to name but a few. Yet while it is admittedly an advantage for the reader to be already COMPARATIVE LITERATURE / 118 familiar with this body of established...
Journal Article
Comparative Literature (2000) 52 (4): 363–366.
Published: 01 September 2000
... will be enacted rather COMPARATIVE LITERATURE/364 than hear what might be told. Later, Antonin Artaud’s impassioned manifestos were con- cerned to a large extent with identifying and promoting a theatrical style in primal and pre-literate terms; his “no more masterpieces” platform was an argument against...
Journal Article
Comparative Literature (2000) 52 (4): 366–369.
Published: 01 September 2000
... will be enacted rather COMPARATIVE LITERATURE/364 than hear what might be told. Later, Antonin Artaud’s impassioned manifestos were con- cerned to a large extent with identifying and promoting a theatrical style in primal and pre-literate terms; his “no more masterpieces” platform was an argument against...
Journal Article
Comparative Literature (2000) 52 (4): 369–372.
Published: 01 September 2000
... will be enacted rather COMPARATIVE LITERATURE/364 than hear what might be told. Later, Antonin Artaud’s impassioned manifestos were con- cerned to a large extent with identifying and promoting a theatrical style in primal and pre-literate terms; his “no more masterpieces” platform was an argument against...
Journal Article
Comparative Literature (2000) 52 (4): 372–376.
Published: 01 September 2000
... was that the ancient dramatist rightly knew that an audience comes first to see what will be enacted rather COMPARATIVE LITERATURE/364 than hear what might be told. Later, Antonin Artaud’s impassioned manifestos were con- cerned to a large extent with identifying and promoting a theatrical style in primal...
Journal Article
Comparative Literature (2002) 54 (4): 325–356.
Published: 01 September 2002
... tribute to such writers as Genet, Artaud, and Roland Barthes. His work shows a new semiotic, in which words and metaphors derive their mean- ing from a cultural universe to be discovered not in the nature of language, but in the author’s own background and the lived experiences of his countrymen...