Abstract
The question of divisive affect and national cohesion has been placed at the center of debates in the United States over curricula dealing with race, but the problem is not a new one. Several European thinkers of the late-nineteenth through early-twentieth century theorized affect in the context of social cohesion, including Richard Wagner, Ernest Renan, and Georg Simmel. W. E. B. Du Bois, the author argues, lays bare the power dynamics of these intersecting views in his short story, “The Coming of John” in The Souls of Black Folk. Du Bois recognizes and critiques a specific strategy that he finds most clearly crystallized in Wagner, who advocates building and transmitting national allegiance by suppressing historical knowledge, fostering affective attachment to the nation, and excluding dissenters. Philologist Ernest Renan and sociologist Georg Simmel elaborate on the temporal dimensions of these mechanisms. In conversation with these theories, Du Bois illustrates in “The Coming of John” a stickiness of time—reiteration rather than reconciliation—arising from the reciprocally reinforcing functions of loyalty and ignorance of the past. While Du Bois here also employs methods for re-engaging historical time, the difficulty of moving beyond past social structures reemerges in his later works.