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1-13 of 13 Search Results for
wyatt
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Journal Article
Common Knowledge (2018) 24 (2): 321–322.
Published: 01 April 2018
...John Watkins Wyatt Thomas Sir , The Complete Works , vol. 1, Prose , ed. Powell Jason ( Oxford : Oxford University Press , 2016 ), 528 pp. Copyright © 2018 by Duke University Press 2018 ...
Journal Article
Common Knowledge (2017) 23 (2): 354.
Published: 01 April 2017
...John Watkins Rossiter William T. , Wyatt Abroad: Tudor Diplomacy and the Translation of Power . ( Woodbridge, UK : D. S. Brewer , 2014 ), 258 pp. © 2017 by Duke University Press 2017...
Journal Article
Common Knowledge (2017) 23 (2): 354–355.
Published: 01 April 2017
... of Medieval Books Kathryn M.Rudy, Postcards onParchment: doi 10.1215/0961754X-3815966 Watkins —John diplomat. worka“Renaissance” as his shaped of statecraft understanding how amedieval and Wyatt’s in poetry persisted aesthetic amedieval how rich demonstrates Rossiter periodizations...
Journal Article
Common Knowledge (2013) 19 (3): 506–517.
Published: 01 August 2013
...
.
.
Based on archaeological evidence of irri evidence onarchaeological Based
David K. Wyatt, Wyatt, K. David
Janice Stargardt, “Earth, Rice, Water: ‘Reading...
Journal Article
Common Knowledge (2008) 14 (2): 316.
Published: 01 April 2008
.... In this collection he elevates poets, beginning with
Wyatt, whose rhythms originate in song and dance; and he demotes those for
whom meter consists of counting. Amplifying Pound’s assertion that poets should
compose by the musical phrase, not in sequence of the metronome...
Journal Article
Common Knowledge (2008) 14 (2): 316–317.
Published: 01 April 2008
.... In this collection he elevates poets, beginning with
Wyatt, whose rhythms originate in song and dance; and he demotes those for
whom meter consists of counting. Amplifying Pound’s assertion that poets should
compose by the musical phrase, not in sequence of the metronome...
Journal Article
Common Knowledge (2008) 14 (2): 317–318.
Published: 01 April 2008
.... In this collection he elevates poets, beginning with
Wyatt, whose rhythms originate in song and dance; and he demotes those for
whom meter consists of counting. Amplifying Pound’s assertion that poets should
compose by the musical phrase, not in sequence of the metronome...
Journal Article
Common Knowledge (2008) 14 (2): 318.
Published: 01 April 2008
.... In this collection he elevates poets, beginning with
Wyatt, whose rhythms originate in song and dance; and he demotes those for
whom meter consists of counting. Amplifying Pound’s assertion that poets should
compose by the musical phrase, not in sequence of the metronome...
Journal Article
Common Knowledge (2008) 14 (2): 319.
Published: 01 April 2008
.... In this collection he elevates poets, beginning with
Wyatt, whose rhythms originate in song and dance; and he demotes those for
whom meter consists of counting. Amplifying Pound’s assertion that poets should
compose by the musical phrase, not in sequence of the metronome...
Journal Article
Common Knowledge (2008) 14 (2): 319.
Published: 01 April 2008
.... In this collection he elevates poets, beginning with
Wyatt, whose rhythms originate in song and dance; and he demotes those for
whom meter consists of counting. Amplifying Pound’s assertion that poets should
compose by the musical phrase, not in sequence of the metronome...
Journal Article
Common Knowledge (2008) 14 (2): 320–321.
Published: 01 April 2008
... the canon. In this collection he elevates poets, beginning with
Wyatt, whose rhythms originate in song and dance; and he demotes those for
whom meter consists of counting. Amplifying Pound’s assertion that poets should
compose by the musical phrase, not in sequence...
Journal Article
Common Knowledge (2008) 14 (2): 321–323.
Published: 01 April 2008
... the canon. In this collection he elevates poets, beginning with
Wyatt, whose rhythms originate in song and dance; and he demotes those for
whom meter consists of counting. Amplifying Pound’s assertion that poets should
compose by the musical phrase, not in sequence...
Journal Article
Common Knowledge (2008) 14 (2): 323.
Published: 01 April 2008
.... In this collection he elevates poets, beginning with
Wyatt, whose rhythms originate in song and dance; and he demotes those for
whom meter consists of counting. Amplifying Pound’s assertion that poets should
compose by the musical phrase, not in sequence of the metronome...