...John Watkins Wyatt Thomas Sir , The Complete Works , vol. 1, Prose , ed. Powell Jason ( Oxford : Oxford University Press , 2016 ), 528 pp. Copyright © 2018 by Duke University Press 2018 ...

...John Watkins Rossiter William T. , Wyatt Abroad: Tudor Diplomacy and the Translation of Power . ( Woodbridge, UK : D. S. Brewer , 2014 ), 258 pp. © 2017 by Duke University Press 2017...

... of Medieval Books Kathryn M.Rudy, Postcards onParchment: doi 10.1215/0961754X-3815966 Watkins  —John diplomat. worka“Renaissance” as his shaped of statecraft understanding how amedieval and Wyatt’s in poetry persisted aesthetic amedieval how rich demonstrates Rossiter periodizations...

... .  .  Based on archaeological evidence of irri evidence onarchaeological Based David K. Wyatt, Wyatt, K. David Janice Stargardt, “Earth, Rice, Water: ‘Reading...

.... In this collection he elevates poets, beginning with Wyatt, whose rhythms originate in song and dance; and he demotes those for whom meter consists of counting. Amplifying Pound’s assertion that poets should compose by the musical phrase, not in sequence of the metronome...

.... In this collection he elevates poets, beginning with Wyatt, whose rhythms originate in song and dance; and he demotes those for whom meter consists of counting. Amplifying Pound’s assertion that poets should compose by the musical phrase, not in sequence of the metronome...

.... In this collection he elevates poets, beginning with Wyatt, whose rhythms originate in song and dance; and he demotes those for whom meter consists of counting. Amplifying Pound’s assertion that poets should compose by the musical phrase, not in sequence of the metronome...

.... In this collection he elevates poets, beginning with Wyatt, whose rhythms originate in song and dance; and he demotes those for whom meter consists of counting. Amplifying Pound’s assertion that poets should compose by the musical phrase, not in sequence of the metronome...

.... In this collection he elevates poets, beginning with Wyatt, whose rhythms originate in song and dance; and he demotes those for whom meter consists of counting. Amplifying Pound’s assertion that poets should compose by the musical phrase, not in sequence of the metronome...

.... In this collection he elevates poets, beginning with Wyatt, whose rhythms originate in song and dance; and he demotes those for whom meter consists of counting. Amplifying Pound’s assertion that poets should compose by the musical phrase, not in sequence of the metronome...

... the canon. In this collection he elevates poets, beginning with Wyatt, whose rhythms originate in song and dance; and he demotes those for whom meter consists of counting. Amplifying Pound’s assertion that poets should compose by the musical phrase, not in sequence...

... the canon. In this collection he elevates poets, beginning with Wyatt, whose rhythms originate in song and dance; and he demotes those for whom meter consists of counting. Amplifying Pound’s assertion that poets should compose by the musical phrase, not in sequence...

.... In this collection he elevates poets, beginning with Wyatt, whose rhythms originate in song and dance; and he demotes those for whom meter consists of counting. Amplifying Pound’s assertion that poets should compose by the musical phrase, not in sequence of the metronome...