..., 1163) are imperfect and partial signifiers of redemption and thus elements of a scene that the poet of course fails to represent. The full divine signification manifest in broken human tokens is perceivable only through an act of faith and love. The crucifix, a mysterious signifier of self-sacrifice...

... approach misses is that even the religious discourses of the period were tied to a long and in no way local epistemological debate about signs and their meaning, whose roots are to be found in Greek and Latin rhetorical theory. This first installment of “Tokens of Love” commences a discussion of the role...

... of which are written in the manner of Petrarchan cliché: the yearning lover beseeches a silent beloved for signs of love. The following fourteen lines elaborately contradict the seeming belief in love tokens with which the poem begins, and the resulting dissonance may suggest an interpolation from another...

... are inseparable from is also a sign that we are not self-sufficient creatures. Thus, the piece concludes, inseparability is evidence of the species' gregariousness, and the body is only one among many tokens of a person's soul. © 2014 by Duke University Press 2014 Wittgenstein inseparability soul body...

... of surprised and somewhat taken aback by, as if it had happened by chance by the pleasure of being finally able to respondthe to love token she had offered euphoric and vanquished at the same time. Before even greeting her, swept away if he had read wouldthem, because leapRimini in andfirst...

... —  papers and tokens tokens and papers - ...

... token and thereby grasp what kind of whatkind grasp thereby ­token and that language’s semantic semantic language’s...

... assemblage fascinating the than artifact ahistorical no become to less however, itself, threatens postcard The more personal. far was precursor medieval the respects many in though postcard, the to likeness their underscores ofexchange, tokens and gifts as messages, and prayers...

... the the here.presented In ofimages assemblage fascinating the than artifact ahistorical no become to less however, itself, threatens postcard The more personal. far was precursor medieval the respects many in though postcard, the to likeness their underscores ofexchange, tokens and gifts...

... is the editor of Philosophical Fictions and the French Renaissance and the coeditor (with Philip Ford) of La Librairie de Montaigne. Yaakov Mascetti is a lecturer in comparative literature at Bar- Ilan University and the author of Tokens of Love: Humanist Sign- Theory and Protestant Sacramentalism in Early Mod...

... the position of the moon. It is pointless to ask what else else what ask to pointless is It moon. the of position the knowledge, there be can no any more there aboutbe can suspense, suspense than same token, the rationalist model the leaves By no room narrative. for alternativeless paths...

.... Luis Garcia and Token...

... (in which, as a token of philosemi of token a as which, (in 15 , 2010 The Restored New Testament: A New...

...- tentious pluralization of culture augurs tokenism at best and, in our darkest fears, a morass of multiculturalism. The fuzzy feel-good subtitle about “explorations in the comparative history” of its ephemeral subject does little to allay these fears. But, behold, this book...

...- tentious pluralization of culture augurs tokenism at best and, in our darkest fears, a morass of multiculturalism. The fuzzy feel-good subtitle about “explorations in the comparative history” of its ephemeral subject does little to allay these fears. But, behold, this book...

...- tentious pluralization of culture augurs tokenism at best and, in our darkest fears, a morass of multiculturalism. The fuzzy feel-good subtitle about “explorations in the comparative history” of its ephemeral subject does little to allay these fears. But, behold, this book...

...- tentious pluralization of culture augurs tokenism at best and, in our darkest fears, a morass of multiculturalism. The fuzzy feel-good subtitle about “explorations in the comparative history” of its ephemeral subject does little to allay these fears. But, behold, this book...

...- tentious pluralization of culture augurs tokenism at best and, in our darkest fears, a morass of multiculturalism. The fuzzy feel-good subtitle about “explorations in the comparative history” of its ephemeral subject does little to allay these fears. But, behold, this book...

...- tentious pluralization of culture augurs tokenism at best and, in our darkest fears, a morass of multiculturalism. The fuzzy feel-good subtitle about “explorations in the comparative history” of its ephemeral subject does little to allay these fears. But, behold, this book...

...- tentious pluralization of culture augurs tokenism at best and, in our darkest fears, a morass of multiculturalism. The fuzzy feel-good subtitle about “explorations in the comparative history” of its ephemeral subject does little to allay these fears. But, behold, this book...