1-20 of 706 Search Results for

self-image

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Common Knowledge (2016) 22 (2): 178–180.
Published: 01 May 2016
... in a single act. Publishing, it is suggested, resembles leave-taking: it is a way of saying good-bye to who you are. © 2016 by Duke University Press 2016 publish perish self-image COLUMNS PUBLISH AND PERISH Djaimilia Pereira de Almeida The state...
Journal Article
Common Knowledge (2013) 19 (3): 411–423.
Published: 01 August 2013
... building and, in the process, inadvertently show that, to overbear various negative associations of blur and fog, the authors/architects grew self-contradictorily emphatic about the need to produce de-emphasis in architecture and in modern life. Perl shows how this self-contradiction appears also...
Journal Article
Common Knowledge (2010) 16 (2): 276–284.
Published: 01 April 2010
..., the essay argues for a new, kenotic simplicity, a quietism grounded not in transcendence but in pragmatic virtues of self-dispossession. Duke University Press 2010 Symposium: Apology for Quietism, Part 5 Quietism Now? An Anonymous Envoi I left my locked...
Journal Article
Common Knowledge (2002) 8 (2): 415–416.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 416.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 417.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 417.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 418.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 418–419.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 419.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 420.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 420.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 421.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 421–422.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 422.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 422–423.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 415.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2005) 11 (2): 326–348.
Published: 01 April 2005
... Of course, the deconstruction or defl deconstruction the course, Of The Limitsof Seeing-as-a-Whole itself. deconstructs end, the in quarrel, abipolar as ofaesthetics self-image mythic the thefts, and borrowings, collaborations, syntheses, covert and of overt art of ment of peace...
Journal Article
Common Knowledge (2006) 12 (3): 443–459.
Published: 01 August 2006
... and to self imaged...
Journal Article
Common Knowledge (2008) 14 (2): 349–351.
Published: 01 April 2008
... ; . Against the Self-Images of the Age , andmonographs andT. on Friedrich Schlegel, Mallarmé, S...