...Michael Fried; Jeffrey M. Perl Clark T. J. , Picasso and Truth: From Cubism to Guernica ( Princeton, NJ : Princeton University Press , 2013 ), 344 pp. Copyright © 2019 Duke University Press 2019 ...

... for the general reader, but then so was Psellos himself. Jeffreys and Lauxtermann are among the best possible guides, and we must be very grateful for whatever help we can get. Averil Cameron doi 10.1215/0961754X-7900060 James D. Herbert, Brushstroke and Emergence: Courbet, Impressionism, Picasso (Chicago...

...Michael Fried Clark T. J. , Picasso and Truth: From Cubism to Guernica . ( Princeton, NJ : Princeton University Press , 2013 ), 344 pp. © 2014 by Duke University Press 2014...

... battle” ( battle” aperpetual color, Aline, acanvas, painting. abattle “Cézanne’s also apples are ferocity: even Cézanne’sintensity, with artist an indolence as own his contrasted and loveslaziness” ofspirit how spoke “the Picasso mind, in explicitly painting...

..., and study of the postbaroque literature was determined by belief that nothing need be known of it but what was writ- ten in the text, I and two friends, Peter Maxwell Davies and Harrison Birtwistle, saw, at a comprehensive Picasso exhibition at the Tate in London...

... revolution, initial of the wake the wayin under gets really story the of(not him; all Picasso that he say,approaches to it though, here. Suffice argument his not summarize...

... revolution, initial of the wake the wayin under gets really story the of(not him; all Picasso that he say,approaches to it though, here. Suffice argument his not summarize...

... —  to accept and deploy that power; Picasso, with Guernica with Picasso, power; deploy and accept...

..., Roger Delaunay, would subsist on Hofmann’s can labeled Orphism. The abstract shapes, expressive geometry, and bright colors of a colorful lyricism that the firsttruly modernistart critic, Guillaume Apollinaire, Cubists, Picasso and Braque, but was drawn to an offshoot of Cubism set apart...

... that and carvings to, such inferior and of, derivative was Picasso’s art that argued and day, sheherwouldleave will me in one that, sculptures tablesheAfrican so brought a“modernist,” the Iwas to said meto...

..., with odd squiggles and dry, scratchy marks. These he kept. To his contemporaries, such works must have appeared 8. Newman, “Surrealism and the War” (1945), in O’Neill, ment today—Picasso, Dalí, Miró” (“The Art Galleries: ed., Barnett Newman, 96. Surrealism and Civilization,” New...

... and admired, especially Picasso, had no use whatever for herfor whatever use no had Picasso, especially admired, and loved Stein artists the that again and again shown been has it but salon, Fleurus de sexual deviance), must have experienced. Yes, everyone loved to come to her Rue...

... and admired, especially Picasso, had no use whatever for herfor whatever use no had Picasso, especially admired, and loved Stein artists the that again and again shown been has it but salon, Fleurus de sexual deviance), must have experienced. Yes, everyone loved to come to her Rue...

... and admired, especially Picasso, had no use whatever for herfor whatever use no had Picasso, especially admired, and loved Stein artists the that again and again shown been has it but salon, Fleurus de sexual deviance), must have experienced. Yes, everyone loved to come to her Rue...

... and admired, especially Picasso, had no use whatever for herfor whatever use no had Picasso, especially admired, and loved Stein artists the that again and again shown been has it but salon, Fleurus de sexual deviance), must have experienced. Yes, everyone loved to come to her Rue...

... and Lauxtermann are among the best possible guides, and we must be very grateful for whatever help we can get. Averil Cameron doi 10.1215/0961754X-7900060 James D. Herbert, Brushstroke and Emergence: Courbet, Impressionism, Picasso (Chicago: University of Chicago Press, 2015), 149 pp. Within a modern critical...

...; Gauguin’s Paradise Lost; Picasso’s Brothel; The Ara Pacis of Augustus and Mussolini; Freud, Leonardo da Vinci, and the Vulture’s Tail; and The Youth of Cézanne and Zola: Notoriety at Its Source. Frank R. Ankersmit is professor of intellectual history at Groningen...

... in Riyadh, was professor of art history at the Massachusetts Institute of Technol- ogy from 1965 to 1985, and on occasion visiting professor at Harvard, Columbia, and Yale Universities. His most recent books are Picasso’s Brothel and Freud, Leonardo da Vinci...

... and visiting professor of art history at Columbia University. His most recent books are Freud, Leonardo da Vinci, and the Vulture’s Tail; The Ara Pacis of Augustus and Mussolini; and Picasso’s Brothel. Jeffrey Auerbach is the author of The Great Exhibition of 1851: A Nation on Display and is currently...

...: The Picnic and the Prostitute; and Picasso’s Brothel. Sir John Boardman, Lincoln Professor of Classical Art and Archaeology Emeritus at Oxford University, is editor of the Oxford History of Classical Art, coeditor of the Oxford History...