...Thomas DaCosta Kaufmann This essay, part of a special issue on the Warburg Institute and Library, offers personal recollections of scholars whom the author encountered there as a student in the early 1970s, including E. H. Gombrich, Otto Kurz, Michael Baxandall, Frances Yates, D. P. Walker, A. I...

...Michael Baxandall Centering on his relationship with Gertrud Bing from 1958 until her death in 1964 — as well as, to a lesser extent, on his relationship with Ernst Gombrich — the author recalls his informal induction during those years into a tradition of thought and an intellectual climate...

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... tique 54.611 (1998): 138–62. E. H. Gombrich and Didier Eribon, Ce que l’image nous dit: Entretiens sur l’art et la science (Paris: Biro, 1991), 29. The 3. Von Schlosser, Histoire du portrait en cire, trans. Édouard English translation appears as A Lifelong Interest: Conver...

... that, as early as the 1920s, had put up so little resistance to the Nazi ethos. Take the case of my art historian uncle Otto Kurz, married to my mother’s sister Hilde. Kurz, as his lifelong colleague Ernst Gombrich relates in a mov- 1. Johann Wolfgang von Goethe...

... English Dictionary English Oxford Shorter New The Ernst Hans Gombrich, Gombrich, Hans Ernst (London: Warburg Institute, 1970 Institute, Warburg (London...

... s study leads me to such speculation, while also recalling the his- tory of visual perception outlined in E. H. Gombrich s Art and Illusion (1960). For Gombrich, convention (cliché) provided communicative stability, enabling repre- sentational methods to develop from a base in discovery without...

... friend and (in some respects) disciple, Ernst Gombrich, discussed the role of visual schemata that direct, and so limit, the artist's vision. Gombrich asked how artists were able to break out from what he called “the prison of style” and answered that this became possible by comparing the schemata...

... in on January 1 on January work He started project. upthe for Londontake to later, Vienna years left five Gombrich, Ernst declined. graciously midstride, in onLeonardo research his off break to reluctant he was labor. enormous saying it an Heydenreich, wouldbe conceded, Bing...

... in Leipzig in 1902, opened with a glowing tribute to Burckhardt as the pioneer of Renaissance scholarship. Ernst Gombrich has, however, disclosed in his biog- raphy of Warburg several drafts of that tribute, and these betray a contrasting assessment of Burckhardt’s Alberti...

... to a different world. . . . What were ducks in the scientist s world before [a scientific] revolution are rabbits afterwards to which Kuhn added that such transformations are almost always irreversible. 3 Responding likewise to the duck- rabbit picture and its unsteady gestalt, E. H. Gombrich, in what may...

... in the sphere of fine art, see Gombrich, The Story of Art (1950); Danto, After the End of Art (1997); Doorman, Art in Progress (2003); and Vilar, Desartización (2010). For a critical overview of three progressivist views in art history, see Bertinetto, “Gombrich, Danto, and the Question...

... Verlust der Mitte der Verlust .  Ernst Hans Gombrich, Gombrich, Hans Ernst...

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... - - - them, Ernst Gombrich, Fritz Saxl, Edgar Wind, and Frances A. Yates. A. Frances and Wind, Edgar Saxl, Fritz Gombrich, Ernst them, among concepts: and methods, symbols, ofcultural systematizers synthesizing modern great of other papers working contain Institute of the Archives...

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