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cosimo

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Journal Article
Common Knowledge (2003) 9 (2): 254–272.
Published: 01 April 2003
... Neri di Gino once said to Cosimo: “I wish you would say things clearly so that I could understand you.” He replied: “Learn my language.” —Angelo Poliziano, Detti piacevoli A remarkable proportion of recent scholarship concerning...
Journal Article
Common Knowledge (2003) 9 (2): 359–362.
Published: 01 April 2003
... . , Description The Tradi- Cosimo de...
Journal Article
Common Knowledge (2005) 11 (3): 550–553.
Published: 01 August 2005
... Cosimo de’Cosimo...
Journal Article
Common Knowledge (2002) 8 (2): 415–416.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 416.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 417.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 417.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 418.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 418–419.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 419.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 420.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 420.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 421.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 421–422.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 422.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2002) 8 (2): 422–423.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2015) 21 (3): 399–405.
Published: 01 September 2015
.... 1521) of Erasmus (1917; New York: Cosimo Classics, 2004), 20. Subsequent citations have been made parenthetically in the text. Common Knowledge 21:3 DOI 10.1215/0961754X...
Journal Article
Common Knowledge (2002) 8 (2): 415.
Published: 01 April 2002
... is more like a wall being knocked out. His subject is Rembrandt and the act of portrayal—self-portrayal, as in the topos attributed to Cosimo di’ Medici: “Every painter paints himself” (ogni dipintore digigne s Does he really? How can a painter paint himself if his self-image is formed in the eyes...
Journal Article
Common Knowledge (2006) 12 (1): 96–106.
Published: 01 January 2006
..., to whom she presented this material as part foreign dignitaries are still sometimes received there. of a history department seminar on empire held in 2003. She would like also to thank Anne Higonnet and Nicola di Cosimo for long-term moral and intellectual support. Common Knowledge 12:1 Copyright...
Journal Article
Common Knowledge (2004) 10 (2): 198–213.
Published: 01 April 2004
..., Cosimo de’ Medici and Knowledge 9.2 (spring 2003): 254–72: “In order to under- the Florentine Renaissance: The Patron’s Oeuvre (New stand the role played by patronage in the creation of art, Haven, CT: Yale University...