Search Results for chopin

...Jeffrey Kallberg When we view Chopin's later works in the context of his biography, we find a conjunction of real-life machines (trains, the telegraph), mimetic mechanical music (music boxes), and prolific textual variants. Particularly fascinating are several late pieces that feature canons...

... —  performer. the to available options the curtailing radically by damage potential no less does editor modern same the variants, his to access our curbing in but, canons; Chopin’s rewriting of dream would editor modern No . . genre. the define help that practices ing...

... Chopin at the Boundaries: Sex, History, and Musical Genre...

... Schönberg), through jazz and contemporary idioms. contemporary and jazz Schönberg), through Debussy, (Wagner, Chopin, centuries twentieth early and laternineteenth the Chopin), through Beethoven, Mozart, (Bach, period “common practice” the through centuries, andsixteenth fifteenth...

... Schönberg), through jazz and contemporary idioms. contemporary and jazz Schönberg), through Debussy, (Wagner, Chopin, centuries twentieth early and laternineteenth the Chopin), through Beethoven, Mozart, (Bach, period “common practice” the through centuries, andsixteenth fifteenth...

... Schönberg), through jazz and contemporary idioms. contemporary and jazz Schönberg), through Debussy, (Wagner, Chopin, centuries twentieth early and laternineteenth the Chopin), through Beethoven, Mozart, (Bach, period “common practice” the through centuries, andsixteenth fifteenth...

... Schönberg), through jazz and contemporary idioms. contemporary and jazz Schönberg), through Debussy, (Wagner, Chopin, centuries twentieth early and laternineteenth the Chopin), through Beethoven, Mozart, (Bach, period “common practice” the through centuries, andsixteenth fifteenth...

... Schönberg), through jazz and contemporary idioms. contemporary and jazz Schönberg), through Debussy, (Wagner, Chopin, centuries twentieth early and laternineteenth the Chopin), through Beethoven, Mozart, (Bach, period “common practice” the through centuries, andsixteenth fifteenth...

... Schönberg), through jazz and contemporary idioms. contemporary and jazz Schönberg), through Debussy, (Wagner, Chopin, centuries twentieth early and laternineteenth the Chopin), through Beethoven, Mozart, (Bach, period “common practice” the through centuries, andsixteenth fifteenth...

.... The graphic representation of pedagogical practice appears in real com- positions throughout the history of music—from Bach’s stile antico to the neo- baroque figurations of Mendelssohn, Chopin, and Liszt, to Bruckner’s “Pales- trina” (in the Masses), to Webern’s...

... Mozart’s quintet is located (at best, where its man- uscript is kept), where Stravinsky’s Rite of Spring can be sought, where Chopin’s preludes may be found. Cathedrals are planted on the ground, Italian palaces do not travel (not unless a mad...

... into the shadows of the narrow Stairway No. 5 and sit on the bottom stair, settle herself, relax. She could listen to the pleasant music 553 of a Chopin nocturne coming from the Palm Court. She could savor the min- gling scents of perfume and cinnamon and cigarettes. Eyes narrowed into a squint, shoulders...

... - - - - her collection of “bric- her collection with along offlowers (“Chopin”) and music (“lilacs kinds of certain ciation her, her appre what surrounds toward sensitivity and (II.26) of“sympathy” tions...