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chopin

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Journal Article
Common Knowledge (2011) 17 (2): 269–282.
Published: 01 April 2011
...Jeffrey Kallberg When we view Chopin's later works in the context of his biography, we find a conjunction of real-life machines (trains, the telegraph), mimetic mechanical music (music boxes), and prolific textual variants. Particularly fascinating are several late pieces that feature canons...
Journal Article
Common Knowledge (2011) 17 (2): 221–230.
Published: 01 April 2011
Journal Article
Common Knowledge (2011) 17 (2): 423–425.
Published: 01 April 2011
... Chopin at the Boundaries: Sex, History, and Musical Genre...
Journal Article
Common Knowledge (2012) 18 (3): 547–548.
Published: 01 August 2012
... Schönberg), through jazz and contemporary idioms. contemporary and jazz Schönberg), through Debussy, (Wagner, Chopin, centuries twentieth early and laternineteenth the Chopin), through Beethoven, Mozart, (Bach, period “common practice” the through centuries, andsixteenth fifteenth...
Journal Article
Common Knowledge (2012) 18 (3): 549–550.
Published: 01 August 2012
... Schönberg), through jazz and contemporary idioms. contemporary and jazz Schönberg), through Debussy, (Wagner, Chopin, centuries twentieth early and laternineteenth the Chopin), through Beethoven, Mozart, (Bach, period “common practice” the through centuries, andsixteenth fifteenth...
Journal Article
Common Knowledge (2012) 18 (3): 550–551.
Published: 01 August 2012
... Schönberg), through jazz and contemporary idioms. contemporary and jazz Schönberg), through Debussy, (Wagner, Chopin, centuries twentieth early and laternineteenth the Chopin), through Beethoven, Mozart, (Bach, period “common practice” the through centuries, andsixteenth fifteenth...
Journal Article
Common Knowledge (2012) 18 (3): 551–552.
Published: 01 August 2012
... Schönberg), through jazz and contemporary idioms. contemporary and jazz Schönberg), through Debussy, (Wagner, Chopin, centuries twentieth early and laternineteenth the Chopin), through Beethoven, Mozart, (Bach, period “common practice” the through centuries, andsixteenth fifteenth...
Journal Article
Common Knowledge (2012) 18 (3): 552–553.
Published: 01 August 2012
... Schönberg), through jazz and contemporary idioms. contemporary and jazz Schönberg), through Debussy, (Wagner, Chopin, centuries twentieth early and laternineteenth the Chopin), through Beethoven, Mozart, (Bach, period “common practice” the through centuries, andsixteenth fifteenth...
Journal Article
Common Knowledge (2012) 18 (3): 553–556.
Published: 01 August 2012
... Schönberg), through jazz and contemporary idioms. contemporary and jazz Schönberg), through Debussy, (Wagner, Chopin, centuries twentieth early and laternineteenth the Chopin), through Beethoven, Mozart, (Bach, period “common practice” the through centuries, andsixteenth fifteenth...
Journal Article
Common Knowledge (2002) 8 (1): 108–123.
Published: 01 January 2002
.... The graphic representation of pedagogical practice appears in real com- positions throughout the history of music—from Bach’s stile antico to the neo- baroque figurations of Mendelssohn, Chopin, and Liszt, to Bruckner’s “Pales- trina” (in the Masses), to Webern’s...
Journal Article
Common Knowledge (2002) 8 (3): 582–594.
Published: 01 August 2002
... Mozart’s quintet is located (at best, where its man- uscript is kept), where Stravinsky’s Rite of Spring can be sought, where Chopin’s preludes may be found. Cathedrals are planted on the ground, Italian palaces do not travel (not unless a mad...
Journal Article
Common Knowledge (2004) 10 (3): 551–564.
Published: 01 August 2004
... into the shadows of the narrow Stairway No. 5 and sit on the bottom stair, settle herself, relax. She could listen to the pleasant music 553 of a Chopin nocturne coming from the Palm Court. She could savor the min- gling scents of perfume and cinnamon and cigarettes. Eyes narrowed into a squint, shoulders...
Journal Article
Common Knowledge (2017) 23 (1): 19–56.
Published: 01 January 2017
... - - - - her collection of “bric- her collection with along offlowers (“Chopin”) and music (“lilacs kinds of certain ciation her, her appre what surrounds toward sensitivity and (II.26) of“sympathy” tions...