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Volume 17, Issue 2
Spring 2011
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ISSN 0961-754X
EISSN 1538-4578
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COLUMN

Teaching Tolstoy with Toulmin
Gary Saul Morson
View articletitled, Teaching Tolstoy with Toulmin
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SYMPOSIUM

Between Text and Performance: Symposium on Improvisation and Originalism
Between Text and Performance: Symposium on Improvisation and Originalism
Jeffrey M. Perl; Philip Gossett; Robert Levin; Jeffrey Kallberg; Steven E. Jones ...
View articletitled, Between Text and Performance<span class="subtitle-colon">: </span><span class="subtitle">Symposium on Improvisation and Originalism</span>
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The Written and the Sung: Ornamenting Il Barbiere Di Siviglia
Philip Gossett
View articletitled, The Written and the Sung<span class="subtitle-colon">: </span><span class="subtitle">Ornamenting <em>Il Barbiere Di Siviglia</em></span>
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Text and the Volatility of Spontaneous Performance
Robert Levin
View articletitled, Text and the Volatility of Spontaneous Performance
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Mechanical Chopin
Jeffrey Kallberg
View articletitled, Mechanical Chopin
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Performing the Social Text: Or, What I Learned from Playing Spore
Steven E. Jones
View articletitled, Performing the Social Text<span class="subtitle-colon">: </span><span class="subtitle">Or, What I Learned from Playing <em>Spore</em></span>
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Drama and Performance: Toward a Theory of Adaptation
Martin Puchner
View articletitled, Drama and Performance<span class="subtitle-colon">: </span><span class="subtitle">Toward a Theory of Adaptation</span>
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“I Have Both the Note, and Dittie About Me”: Songs on the Early Modern Page and Stage
Tiffany Stern
View articletitled, “I Have Both the Note, and Dittie About Me”<span class="subtitle-colon">: </span><span class="subtitle">Songs on the Early Modern Page and Stage</span>
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Writing for the Body: Notation, Reconstruction, and Reinvention in Dance
Mark Franko
View articletitled, Writing for the Body<span class="subtitle-colon">: </span><span class="subtitle">Notation, Reconstruction, and Reinvention in Dance</span>
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Mozart's Harlequinade: Musical Improvisation alla Commedia Dell'arte
Roger Moseley
View articletitled, Mozart's Harlequinade<span class="subtitle-colon">: </span><span class="subtitle">Musical Improvisation <em>alla Commedia Dell'art</em>e</span>
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POETRY

In the Shadow of the Crosses: Seven Poems
Nate Klug
View articletitled, In the Shadow of the Crosses<span class="subtitle-colon">: </span><span class="subtitle">Seven Poems</span>
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Reviews

Editorial Note: On Margaret Atwood's Payback
View articletitled, Editorial Note<span class="subtitle-colon">: </span><span class="subtitle">On Margaret Atwood's <em>Payback</em></span>
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A Matter of Some Interest: Payback and the Sterility of Capital
Bethany Moreton
View articletitled, A Matter of Some Interest<span class="subtitle-colon">: </span><span class="subtitle"><em>Payback</em> and the Sterility of Capital</span>
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“CAN'T Pay” And “WON'T Pay” In the Medieval Village
Chris Briggs
View articletitled, “CAN'T Pay” And “WON'T Pay” In the Medieval Village
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Unacknowledged Legislator
William M. Chace
View articletitled, Unacknowledged Legislator
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The Shadow Side of Debt
Philip Goodchild
View articletitled, The Shadow Side of Debt
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Love Knots
Carole L. Glickfeld
View articletitled, Love Knots
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UNFINISHED BUSINESS

Disquieting Time: Further Reflections on Modernism and Quietism
Charles M. Tung
View articletitled, Disquieting Time<span class="subtitle-colon">: </span><span class="subtitle">Further Reflections on Modernism and Quietism</span>
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Notes on Three Northern English Quietists
Colin Richmond
View articletitled, Notes on Three Northern English Quietists
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Notes on Contributors

Notes on Contributors
View articletitled, Notes on Contributors
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