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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2010) 25 (1 (73)): 161–195.
Published: 01 May 2010
...Anna E. Ward As faces become ubiquitous on the Web through social networking sites and YouTube, it is perhaps no surprise that an adult, subscription-based Web site has emerged seeking to capitalize on investing faces with sexual meaning. This article engages in a close examination of the Web site...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 27–59.
Published: 01 September 2016
...Rebecca Wanzo Issa Rae's web series The Misadventures of Awkward Black Girl (2011–13), initially posted on YouTube, and Lena Dunham's Girls (HBO, 2012–) are examples of the precarious-girl comedy in the new millennium. These sitcoms depict women experiencing a prolonged girlhood produced not only...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 131–138.
Published: 01 September 2011
... YouTube was founded in the spring of 2005. That summer, vidders — ­ the overwhelmingly female community of video editors who cre- ate fan music video out of television and film footage — ­gathered in Chicago to celebrate the thirtieth anniversary of vidding with a dance party and two cakes: one...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 1–25.
Published: 01 September 2016
... from YouTube — Mass Ornament (2009), the Tes- tament series (2009), and Now He’s Out in Public and Everyone Can See (2012) — are large-­screen immersive gallery installations made up of montages featuring multiple frames and screens showing short snippets of solo dance and first-­person speech.4...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 1–31.
Published: 01 December 2013
... things, how her films reveal a female temporal perspective in their links to waiting.25 Here and in In the Mirror, we have a “Garbo speaks!” moment for those who have only known a silent Maya Deren. Finally, there is a YouTube posting of a fabricated trailer for Meshes that, with a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 11–39.
Published: 01 May 2015
... broadly across the mediascape: a woman’s fame can be forgiven if it comes to her passively, but if she schemes and plots for visibility, her avarice for celebrity makes her monstrous. This monstrosity, in turn, seemingly authorizes aggressive disciplinary measures, from misogynistic YouTube posts...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 29–53.
Published: 01 September 2015
... technology developed and the cinema risked losing the val- ued qualities of liveness and originality in performance, fidelity between scores and images of performances provided a necessary compensation.4 The proliferating YouTube videos of the virtual Tupac’s performance and the profits that have...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2010) 25 (1 (73)): 131–159.
Published: 01 May 2010
... 144  •  Camera Obscura recordings necessitates channeling them through a limited num- ber of for-profit platforms. The most popular social media sites ban “obscene” content — YouTube’s “Community Guidelines,” for example, state that “YouTube is not for pornography or sexually explicit...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
..., and, more recently, producing home videos of improvised choreography and rehearsals for her personal dance-­themed YouTube channel.21 She does not distinguish between these creative contexts — professional or amateur, collaborative or solo, mass culture or subculture; for Basil, they are...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 155–183.
Published: 01 May 2015
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 123–130.
Published: 01 September 2011
... the headline “CR AZY.”11 The vid’s crescendo evokes vultures snatching at pieces: Spears’s father, mother, manager, Dr. Phil, CNN, FOX News — ­even Chris Crocker, who became an Internet celebrity through his “Leave 128  •  Camera Obscura Britney alone!” YouTube video. The final few...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 139–146.
Published: 01 September 2011
... their piece in this dossier, online vids are vulnerable to erasure on account of their use of copyrighted material. Hosting sites like YouTube and Vimeo Camera Obscura 77, Volume 26, Number 2 doi 10.1215/02705346-­1301575  © 2011 by Camera Obscura Published by Duke University Press...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 1–9.
Published: 01 May 2015
... two books on reality TV and am taking up a lot of valuable library space! Seriously, I consider reality TV — and its many transmediated spin-­offs, like YouTube, Twitter, and Facebook — to be the media form of our age and thus critical for study. Misha: I’m guilty of taking up library space...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 165–173.
Published: 01 September 2017
... private, you published it online and made it available to the public. That seems like a strong political statement. What inspired this approach? A lot of the research I am doing builds on fan labor. I am depen- dent on the fact that people have recorded hours of gameplay and put it on YouTube...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 109–133.
Published: 01 May 2009
... guarantees the authenticity of the television programs it streams on demand, while YouTube or Veoh do not, so, too, does the diegetic digital infor- mation network run by the Counter Terrorism Unit (CTU) in 24 guarantee the authenticity of its mediated information. This logic of “network security...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 151–175.
Published: 01 September 2013
... these technologies are linked to the same post­feminist cul- ture within which they are both made and used. Starting with the work of Maes — instead of ten years later with the birth of Google, YouTube, or Facebook — reveals a very different history of social networking and digital culture that...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
.... It was all about the instant playback. But there was a beauty in all that crudeness.”33 In this sense, the early days of video activ- ism were not unlike current uses of YouTube and Facebook, which provide modes of instant playback and allow users to share every- thing from footage of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 129–153.
Published: 01 May 2015
... ratchet. Let’s get ratchet.” At some point over the last three years, the word ratchet has become pervasive; it showed up in the famous YouTube video, “Ratchet Girl Anthem,” and is now part of an everyday lexicon.2 While the origins of the word Camera Obscura 88, Volume 30, Number 1 doi...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 27–63.
Published: 01 May 2016
... corner who can’t get a girl”) terms. One of the subjects, Swank Ivy, even devotes her YouTube channel to debunking these sorts of common 40  •  Camera Obscura myths. In her online video “Asexuality Top 10,” she tells us about the responses she gets when she informs people of her asexuality...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2017) 32 (1 (94)): 33–61.
Published: 01 May 2017