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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 27–63.
Published: 01 May 2016
...Marc Francis This article examines a series of recent films that seeks to represent the often conflated categories of asexuality and singlehood. The films (A)sexual (dir. Angela Tucker, US, 2011), Year of the Dog (dir. Mike White, US, 2007), and Bill Cunningham New York (dir. Richard Press, US...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 31–57.
Published: 01 May 2019
...Janet Bergstrom For this interview, cinematographer, photographer, and filmmaker Babette Mangolte agreed to focus on her collaborations as cinematographer with Belgian filmmaker Chantal Akerman on her 1970s New York films. Besides Jonas Mekas and Anthology Film Archives, Mangolte brought in the art...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 191–202.
Published: 01 January 1988
...Dana Polan Copyright © 1988 by The Johns Hopkins University Press 1988 ij I Complexity and Contradiction in Mass-Culture Analysis: On len Ang's Watching Dallas (New York: Methuen, 1985) Dana Polan There seem to be two very different books in len Ang's...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1989) 7 (1 (19)): 134–141.
Published: 01 January 1989
...Jane Weinstock Copyright © 1989 by The Johns Hopkins University Press 1989 Women on the Verge of a Nervous Breakdown (Pedro Almodovar, 1988) Out of Her Mind: Fantasies of the 26th New York Film Festival by Jane Weinstock You could say it was the Year of the Other at the New...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 3–38.
Published: 01 December 2003
... Eugenia Volkes Feminism 101: The New York Women’s Video Festival, 1972–1980 Melinda Barlow From 1972 to 1980, the New York Women’s Video Festival was the primary showcase for work by American women videomakers. A landmark annual event founded by Steina Vasulka in 1972 to address the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 135–145.
Published: 01 May 2013
... relationship of the project to the development of feminist film studies, the production conditions for women's filmmaking in Latin America, the contemporary climate for distribution and exhibition in New York City (along with public funding structures), and the cultivation of new Latina/Latino audiences in New...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 185–195.
Published: 01 May 2015
... suggests that, with the proliferation of reality shows, we now have a taste hierarchy within reality TV. The Bravo cable channel in the US—now called Bravo Media as it expands to multiple platforms—has pioneered the high-end reality series, working within two genres (whose names I borrow from the New York...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 5–25.
Published: 01 May 2016
...Corinn Columpar This article explores the role of collaboration, embodiment, and performance in John Cameron Mitchell's Shortbus (US, 2006). It takes its cue from a particularly provocative scene in the film in which a former New York City mayor suggests that it is New Yorkers' “permeability”—their...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
... productively deform Western conceptualizations of the aesthetic. In February 2011, Copeland interviewed Leonard about her practice and its implications for feminist approaches to vision, history, and the archive. Their conversation took place at the College Art Association annual conference in New York as part...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 113–137.
Published: 01 May 2019
... York or from hotel rooms around the world. In these purposefully dedramatized spaces “nothing happens”— nothing, that is, but a series of profound and moving encounters between Akerman and her mother, Natalia (Nelly), a survivor of Auschwitz whose family was murdered in the Holocaust. Bracha Ettinger’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2012) 27 (1 (79)): 97–125.
Published: 01 May 2012
... vulnerable audiences, even as the same model/actress appeared, frequently in partial or fully nude poses, in public statuary throughout New York City. Purity and Munson's performance in the film provide previously uninterrogated evidence of the extensive anxiety around female nudity and the efforts to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
... organizations, these critiques often fail to consider how queer Palestinians mobilize and understand themselves. This article reports on an October 2011 panel and film screening at Yale University and the Hagop Kevorkian Center for Near Eastern Studies at New York University. “Queer/Palestinian: Critical...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
... to address the under- and misrepresentation of women in film and media; today, the New York–based nonprofit supports the creation and circulation of independent film and media by and about women through its production assistance program, extensive distribution service, and advocacy role. The...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2017) 32 (1 (94)): 63–91.
Published: 01 May 2017
...Jaime Brunton This essay analyzes The Artist Is Present , Marina Abramović's heavily mediatized 2010 performance at New York's Museum of Modern Art, through the lenses of Freudian and Deleuzian concepts of masochism. It specifically focuses on how the masochistic tendencies of this performance may...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2003) 18 (2 (53)): 152–153.
Published: 01 September 2003
... 2003 Books Received Barnes, Peter. To Be or Not to Be. London: British Film Institute, 2002. Barrios, Richard. Screened Out: Playing Gay in Hollywood from Edison to Stonewall. New York: Routledge, 2003. Chion, Michel. Eyes Wide Shut. London: British Film Institute, 2002. Dixon...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2001) 16 (2 (47)): 230–231.
Published: 01 September 2001
... 2001 Books Received Dale, Alan. Comedy Is a Man in Trouble: Slapstick in American Movies. Minneapolis: University of Minnesota Press, 2000. Darley, Andrew. Visual Digital Culture: Surface Play and Spectacle in New Media Genres. New York: Routledge, 2000. Elsaesser...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2004) 19 (1 (55)): 198–199.
Published: 01 May 2004
... 2004 Books Received Aberth, John. Knights at the Movies: Medieval History on Film. New York: Routledge, 2003. Fredrick, David, ed. The Roman Gaze: Vision, Power, and the Body. Baltimore, MD: Johns Hopkins University Press, 2002. Gale, Steven H. Sharp Cut: Harold Pinter’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2002) 17 (2 (50)): 218–219.
Published: 01 September 2002
... 2002 Books Received Abel, Richard, and Rick Altman, eds. The Sounds of Early Cinema. Bloomington: Indiana University Press, 2001. Abrams, Nathan, Ian Bell, and Jan Udris. Studying Film. New York: Oxford University Press, 2001. Bernardi, Daniel, ed. Classic Hollywood...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2004) 19 (2 (56)): 170–171.
Published: 01 September 2004
... 2004 Books Received Acevedo-Muñoz, Ernesto. Buñuel and Mexico: The Crisis of National Cinema. Berkeley and Los Angeles: University of California Press, 2003. Desai, Jigna. Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. New York: Routledge, 2004...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 16 (3 (48)): 264–265.
Published: 01 December 2001
... 2001 Books Received Ashby, Justine, and Andrew Higson, eds. British Cinema: Past and Present. New York: Routledge, 2000. Bernardi, Joanne. Writing in Light: The Silent Scenario and the Japanese Pure Film Movement. Detroit, MI: Wayne State University, 2001. Buhle, Paul, and...