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Journal Article
Camera Obscura (1983) 4 (2 (11)): 28–59.
Published: 01 September 1983
...Raymond Bellour © 1983 by Camera Obscura 1983 Thierry Kuntzel and the Return of Writing RaymondBellour It was after this that there was most ofa virtue for him, most of a cultivated charm, most...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 65–97.
Published: 01 December 2016
...Hanna Kuusela This article investigates collaborative and crowdsourced online writing projects and the economies surrounding them. It describes the conjunctures between collective creativity and contemporary economic regimes and introduces the concept of the promise economy. The article discusses...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 99–111.
Published: 01 May 2019
... that the two parts poetically echo each other—one focuses on her writing displayed sculpturally, and the other on an interview with her mother about her grandmother’s diary—and features a projection doubled not only by side-by-side images but also by an additional intervening scrim bearing images of the diary...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 69–85.
Published: 01 December 2022
...Ivan Cerecina Abstract This paper describes the history of the writing and the intellectual context for Nicole Vedrès's essay “The Leaves Are Stirring.” It places Vedrès's claims about cinematic realism and montage in dialogue with canonical theorizations of film theory in France at this pivotal...
FIGURES
Journal Article
Camera Obscura (2009) 24 (1 (70)): 37–65.
Published: 01 May 2009
... billion images in the past four years alone. The writings of media theorist Mark Hansen offer a provocative starting point to explore how a desire for racial neutrality can lead to the unintentional repression of important forms of cultural difference. Two models of ethics, grounded in the writings...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 1–31.
Published: 01 December 2013
...Lucy Fischer More than fifty years after the death of experimental filmmaker Maya Deren on 13 October 1961, this essay attempts to grapple with her complex legacy. While numerous scholars have already provided in-depth studies of Deren's films, writings, and biography, this article seeks to take...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 149–153.
Published: 01 September 2016
... of the world, an ethical demand, a form of political legitimation, and a poetics. In this “In Practice” collection, opacity is offered as an alternative to the familiar terrain of identity, visibility, and representation in feminist and queer politics and writing. Contributors utilize opacity as both a tactic...
Journal Article
Camera Obscura (2008) 23 (2 (68)): 69–101.
Published: 01 September 2008
... way of being in the world. Through the point of view of the female protagonist, this film moves from a contemplative to a loving and epistemically productive gaze; in so doing, this story about learning to love what passes writes the history of women's cinematic subjectivity as the worldly exercise...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 131–159.
Published: 01 May 2010
... the panoptic authority of power. In their integration of writing and images, self-display and participation, present-tense transience and persistent traces, cam sites and other organized forums for cyber-exhibitionism materialize today's archival conflicts between visual and textual control, between...
Journal Article
Camera Obscura (2010) 25 (2 (74)): 41–73.
Published: 01 September 2010
... and the exploitation of bodily secretions such as tears, sweat, and fingernails. Drawing on the writings of Michael Hardt and Antonio Negri, I argue that Rottenberg's works meditate on how women's bodies are reshaped and rendered productive by the shift from industrial production to “biopolitical production.” Camera...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 103–123.
Published: 01 May 2013
...Alexander R. Galloway Rey Chow, in her book The Age of the World Target , identifies a rise in self-referentiality across a number of domains of contemporary life. Fueled by Martin Heidegger's writings on “the world picture,” Chow asserts that “understanding … is now an act inseparable from the act...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
... lens, Leonard works from an implicitly queer and feminist perspective that puts pressure on both hegemonic modes of seeing and our ways of narrating them. Such concerns have similarly animated the work of art historian Huey Copeland, whose writing explores the ways in which forms of cultural difference...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 63–87.
Published: 01 September 2017
... through heroic deeds of masculine role fulfillment. Drawing on the modeling of masculine hysteria by both Mark S. Micale and Elaine Showalter, the article is also informed not only by Bessel van der Kolk's descriptions of post-traumatic stress disorder but also by theorizations of tears in the writings...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 117–151.
Published: 01 September 2017
... by Breillat's portrayal in À ma sœur! ( Fat Girl , France, 2001) and her other films of nonnormative, even taboo subjects—the depiction of childhood and adolescent sexuality, of unsimulated sex, and of statutory rape—writings on her work have focused largely on the director's public persona and the polemics...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 101–127.
Published: 01 May 2015
... principles that “organize the ethical experience of the aphrodisia. ” This article thus interrogates the technology of care on Jersey Shore as a node where affects, ethics, and sexual practices intersect in order to argue that by writing off Jersey Shore as unethical, we ignore the ethics building...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 185–195.
Published: 01 May 2015
...Jane Feuer This essay attempts to break down a binary opposition between “quality TV” and reality TV, which is usually set up along an axis of distinction based on aesthetic value. That is: HBO dramas are art; reality TV shows are trash. As Misha Kavka writes, “Because reality television is seen...
Journal Article
Camera Obscura (2018) 33 (2 (98)): 105–137.
Published: 01 September 2018
... is inspired by Jacques Derrida’s turn from phonocentric presence to telephonic writing. The essay elaborates this concept of voicing by contrasting Derrida and other philosophers of voice with the desexualizing approach taken by media archaeologists, focusing on Wolfgang Ernst’s version of media archaeology...
Journal Article
Camera Obscura (2019) 34 (3): 127–155.
Published: 01 December 2019
....” These “infamous” (or, more appropriately, un -famous) women story editors become visible as they are being penalized, disciplined, or fired—which is to say, they only appear in the historical record when they are being pushed out or when they push back. As Hechtlinger writes in an angry memo to a supervisor...
Journal Article
Camera Obscura (2020) 35 (1 (103)): 1–37.
Published: 01 May 2020
...Lilia Kilburn This article responds to the call, long latent in queer theory, for more nuanced portrayals of vocality. As Andrew Anastasia writes in the introductory issue of TSQ: Transgender Studies Quarterly , accounts of vocality that consider only the voice’s discursive or linguistic qualities...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 129–135.
Published: 01 December 2021
... material from Hammer's 1998 artist residency in a Cape Cod shack without running water or electricity. While there, she shot film, recorded sounds, and kept a journal. In 2018, Hammer began her process of dying by revisiting her personal archive. She gave all of her images, sounds, and writing from...
FIGURES