Search Results for women

...Rhona Berenstein Copyright © 1990 by The Johns Hopkins University Press 1990 Remembering History: Films by Women at the 1989 Toronto Film Festival Rhona Berenstein . . . the textual construction (written filmic, etc.) of discursive spaces in which not Woman...

...Erin Addison Copyright © 1993 by Indiana University Press 1993 Aladdin (Walt Disney Pictures, 1992). 0 The Walt Disney Company. All rights reserved. Saving Other Women from Other Men: Disney’s Aladdin Erin Addison In academic writing...

... and is in the postproduction stages of a feature-length documentary, Talk Back Bosnia: A Dialogue on Nation Building . Loie Fuller in The Serpentine Dance. Courtesy New York Public Library Women in Motion: Loie Fuller and the “Interpenetration” of Art and Science Elizabeth Coffman A modern woman...

...Melinda Barlow Camera Obscura 2003 Editor’s Note on “Dossier on Women and Video: Histories and Practices” In North America, video and feminism have shared a history since the heady 1970s. There seems to be an almost “organic rela- tionship,” in contributor Laura Marks’s phrase...

... was a fellow of the Center for Behavioral Research at the American University of Beirut. Still from Hadel Nazmy’s open studio project, “Personal Diary in Desolate Town,” at Cairo’s Townhouse Gallery in 2002. Courtesy Hadel Nazmy What Is That and between Arab Women and Video? The Case...

...Lindsey Moore Camera Obscura 2005 Lindsey Moore is lecturer in English at Lancaster University, UK. She has published articles on Algerian revolutionary women in the texts of Frantz Fanon and Gillo Pontecorvo and on Shirin Neshat, an Iranian artist resident in the United States. She...

... and theorist. Camera Obscura 2008 Brian Wall is an assistant professor of cinema at Binghamton University, State University of New York. He is currently working on a manuscript exploring Theodor Adorno's conceptions of spirit in relation to cinema. “Jackie Treehorn Treats Objects Like Women...

... documentaries frequently focus on women and children in not only the United Kingdom but also in cultures as diverse as Japan, Iran, and nations in Africa. This essay explores four of her most well-known recent documentaries, Divorce Iranian Style (1998) and Runaway (2001), both made in Tehran and codirected...

... Alexanderplatz. Ultimately these figures make up one vast composite character, a combinatory form that echoes the superimposed photographs from the Weimar era that appear in the miniseries's credit sequence. Both the credit sequence and the serial women offer ways of representing Germany's past as a variegated...

...Debra Zimmerman; Patricia White Debra Zimmerman, executive director of Women Make Movies, talks about the organization on the occasion of its fortieth anniversary with Camera Obscura editorial collective member and Women Make Movies board chair Patricia White. Women Make Movies was formed in 1972...

... focus This “Miserable Women on Television”: Irene McCabe, Television News, and Antibusing Politics Matt Delmont The slender mother of three alternatively goaded, rallied, calmed and steadied her followers through a long morning of active protest against pupil busing. Thousands...

...Marc Silberman © 1980 by Camera Obscura 1980 Women Workmg Women Filmmakers in West Germany: A Catalog Marc Silberman Introduction 8. Cristina Perincioli 1. Claudia Alemann 9. Helga Reidemeister 2. Jutta Brueckner 10. ErikaRunge 3. Doris...

...Carolyn Bronstein Copyright © 1994 by Indiana University Press 1994 A Healthy Challenge: The National Nutrition Test (Lifetime Television, 1993) Mission Accomplished? Profits and Programming at the Network for Women Carolyn Bronstein In the latest round of proposed funding cuts...

... screening in the Tokyo Kinema movie theater. The actors pictured are Okada Yoshiko, right, and Tanaka Kinuyo, left. Reprinted from Toyo Cinema Weekly, 9 February 1933. New Women of the Silent Screen: China, Japan, Hollywood Catherine Russell The movie screen here is not simply...

..., they are nonetheless geopolitically and historically specific, consistently focusing on the awkwardness of white, heterosexual, middle-class, professional German women and what Lauren Berlant refers to as the “cruel optimism” that renders their seemingly privileged existence precarious. Ade distinguishes herself...

...Faye Stewart This study traces shared national narratives about women, work, and precarity in films made by East German women directors in the state-run DEFA studios before and after the fall of the Berlin Wall. A comparative analysis of Evelyn Schmidt’s Das Fahrrad ( The Bicycle , 1982) and Helke...

...Annie Berke This article places 1950s women story editors in television in the context of the studio system and explains the particular labor of the story and script editors in film and TV. It examines the extant records and archival sources (including newspapers, industry trade publications...

... ethical questions around white imperial violence, the disposability of brown lives, and the current political shift of and toward white women in positions of intense power. The article argues that these two technologies of domination—visual culture that entertains its citizens and political practice...

...Lisa Cartwright Copyright © 1992 by Indiana University Press 1992 Highlights aztd Shadows (James Sibley Watson for Kodak Research Laboratories, USA, 1937) Women, X-rays, and the Public Culture of Prophylactic Imaging Lisa Cat-twright...