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Journal Article
Introduction to Arnold Schoenberg's ‘Accompaniment for a Cinematographic Scene’:Straub/Huillet: Brecht: Schoenberg
Available to Purchase
Camera Obscura (1977) 1 (2 (2)): 34–49.
Published: 01 September 1977
... that in a Shakespearean production one man in the stalls
with a cigar could bring about the downfall of Western art. He might
aswelllight a bomb aslight acigar.10
The second quotation is a verbal one, split into two parts, the first recited
by Danielle Huillet as she strokes the cat, and continued by the man...
Journal Article
(Mis)Imagining Africa in the New Millennium: The Constant Gardener and Blood Diamond
Available to Purchase
Camera Obscura (2011) 25 (3 (75)): 69–99.
Published: 01 December 2011
...” Western audiences about oppression on the “dark continent.” The article focuses on the respective story lines, which indict Western corporations, and on the directors' manipulation of lightness and darkness as a means of literally rendering Western exploitation visible. Despite this potential, however...
Journal Article
Adam Harvey's “Anti-Drone” Wear in Three Sites of Opacity
Available to Purchase
Camera Obscura (2016) 31 (2 (92)): 175–185.
Published: 01 September 2016
... of opacity shifts discussions of seeing and knowing toward situatedness, partiality, and the limits of the Western gaze; this section draws on Donna Haraway's interventions into debates about objectivity and Chandra Talpade Mohanty's critique of the colonial gaze in some Western feminist scholarship...
Journal Article
Occult Melodramas: Spectral Affect and West African Video-Film
Available to Purchase
Camera Obscura (2012) 27 (2 (80)): 25–59.
Published: 01 September 2012
... requires a rethinking of Western melodrama theory that presumes melodrama has emerged during a “de-sacralized” or secular context, and it necessitates a new type of African video-film criticism that takes gender and the body as a point of departure. Furthermore, I argue that in order to understand how...
Journal Article
Photography, the Archive, and the Question of Feminist Form: A Conversation with Zoe Leonard
Available to Purchase
Camera Obscura (2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
... productively deform Western conceptualizations of the aesthetic. In February 2011, Copeland interviewed Leonard about her practice and its implications for feminist approaches to vision, history, and the archive. Their conversation took place at the College Art Association annual conference in New York as part...
Journal Article
“Actors Simply Explode”: To Act in the Cinema of Jean-Marie Straub and Danièle Huillet
Available to Purchase
Camera Obscura (2016) 31 (2 (92)): 93–117.
Published: 01 September 2016
... on their methods, the essay envisages other resonances that such acting can have in thinking about freedom and constraint within the political and economic spheres of Western culture. Manuel Ramos-Martínez is a lecturer in the Department of Visual Cultures at Goldsmiths, University of London. His research...
Journal Article
Sharon Lockhart's Philosophy of the Casual: Toward an Eco-Cinema of Sociability
Available to Purchase
Camera Obscura (2023) 38 (2 (113)): 31–61.
Published: 01 September 2023
... subjects, many of whom are children) first as manifestations of Emerson's and Heidegger's efforts to avoid the violence of Western thinking that they call “clutching” and “grasping” at the world, and then as instantiations of Bersani's notion of sociability as “a form of relationality uncontaminated...
FIGURES
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Journal Article
Revisiting Queer and Trans Representation in Junior
Available to Purchase
Camera Obscura (2024) 39 (1 (115)): 129–155.
Published: 01 May 2024
... been depicted in Western film and television are born out of this queer re-reading. By revisiting Junior through this approach, zaniness—as conceptualized by Sianne Ngai—illustrates yet another division where queer modes of family-making reside—the binaristic formation of horror/humor...
FIGURES
Journal Article
Warrior Marks : Global Womanism's Neo-Colonial Discourse in a Multicultural Context
Available to Purchase
Camera Obscura (1996) 13 (3 (39)): 4–33.
Published: 01 September 1996
... a by-now standard critique of objectifica-
tion, essentialism, exoticization, and Orientalism as the representa-
tional practices of modern Western imperialism. That is, an
oppositional power relation between colonizer and colonized has
come to be understood as a crucial dynamic at work...
Journal Article
Love Is Elsewhere: Neoliberalism and the Tourist Romance
Available to Purchase
Camera Obscura (2025) 40 (1 (118)): 66–89.
Published: 01 May 2025
.... The hope that this time, perhaps, their union will not result in bitterness and divorce has much to do with the picture-perfect island where they rekindle their romance. The love that could not endure in the Western metropolis finds a fresh start in Bali, with its unspoiled beaches, enchanting sunsets...
FIGURES
Journal Article
African Women and Visual Culture: A Sample Syllabus
Available to Purchase
Camera Obscura (1995) 12 (3 (36)): 84–117.
Published: 01 September 1995
...Lisbeth Gant-Britton Copyright © 1995 by Indiana University Press 1995 Molzday’s Girls (Ngozi Onwurah, 1993)
African Women and Visual Culture:
A Sample Syllabus
Lis beth Gant-Britton
Go to any cinema in the United States-or other western country for
that matter...
Journal Article
Imaging Modern Girls in the Japanese Woman's Film
Available to Purchase
Camera Obscura (2005) 20 (3 (60)): 15–55.
Published: 01 December 2005
... an “authenticity complex” and
often display this history in their referentiality to Hollywood pre-
decessors.5 Thus the primary question is how to analyze these films
as something beyond insufficient copies of Western films, espe-
cially given the fact that Japanese films incorporated influences
from Hollywood...
Journal Article
What Is That and between Arab Women and Video? The Case of Beirut
Available to Purchase
Camera Obscura (2003) 18 (3 (54)): 41–69.
Published: 01 December 2003
... of Beirut
Laura U. Marks
For Western scholars and artists, the phrase “women and video”
brings to mind the heady days of feminist video production in
North American (as well as European and Australian) cities in
the early 1970s. Compared to film, the newly available medium
was cheap...
Journal Article
Interview with Trinh T. Minh-ha
Available to Purchase
Camera Obscura (1985) 5 (1-2 (13-14)): 86–103.
Published: 01 September 1985
... that follows, Trinh T. Minh-ha talks about her
approach to documentary filmmaking as well as anthropological method
in general, a method which, she claims, constructs an “other” in order to
ensure both anthropology’s own status as a discipline and the dominance
of a Western idea of identity (the all...
Journal Article
Chinese “Women's Cinema”: Introduction
Available to Purchase
Camera Obscura (1988) 6 (3 (18)): 4–7.
Published: 01 September 1988
... that followed
over a period of about one and a half years.
As I pursued the work, certain interesting things became clear. First,
with the exception of Julia Kristeva's utopian projections,' almost all
Western work on Chinese women that I know is based in the empirical
social sciences." This has provided...
Journal Article
“Overcoming Modernity”: Gender and the Pathos of History in Japanese Film Melodrama
Available to Purchase
Camera Obscura (1995) 12 (2 (35)): 129–157.
Published: 01 May 1995
... this seemed unpalatable to Westerners,
to the japanese [Hara Setsuko] embodied the spir-
itual tenacity which made it possible for japan to
attain the economic level of the West. She reminds
us of the suffering...
Journal Article
Alternation, Segmentation, Hypnosis: Interview with Raymond Bellour
Available to Purchase
Camera Obscura (1979) 1-2 (3-1 (3-4)): 70–103.
Published: 01 May 1979
... a
series of concentric rings and waves.
Fictional Representation, the Woman’s Symbolic Position, Enunciation
JB: Already in the collective book Le Western (1966), while other
contributors chose elements like “Indian attack,” ‘Sheriffs office,”
‘‘fistfight,” “gambler,” or “ranch” to discuss...
Journal Article
Knocking Off Nationalism in Hong Kong Cinema: Woman and the Chinese “Thing” in Tsui Hark's Films
Available to Purchase
Camera Obscura (2006) 21 (3 (63)): 37–61.
Published: 01 December 2006
... definitely letdowns, as evidenced by
their reviews and box-office receipts. But critics agree that Tsui’s
Hong Kong works and Chinese-language films have been instru-
mental in generating the Western craze for Hong Kong cinema.3
Camera Obscura 63, Volume 21, Number 3
doi 10.1215/02705346-2006...
Journal Article
Remembering History: Films by Women at the 1989 Toronto Film Festival
Available to Purchase
Camera Obscura (1990) 8 (1 (22)): 159–166.
Published: 01 January 1990
... love ourselves!”
a 163
The absurdity of these affirmations, particularly when set against the
impact of white, Western racism, internalized racism among blacks,
and the historical and cultural appropriation of black identity (e.g...
Journal Article
Finding Home in Bend It Like Beckham and Last Resor t
Available to Purchase
Camera Obscura (2011) 26 (1 (76)): 131–157.
Published: 01 May 2011
... a familiar Western narrative that associates dynamism,
change, and agency with movement, without questioning the gen
dered assumptions that underpin this narrative. A problematic view
of reproduction as passive remains unquestioned in these accounts,
thus reinstating a binary opposition between...
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