1-20 of 734 Search Results for

way

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 6–23.
Published: 01 May 1995
...Grant Farred Copyright © 1995 by Indiana University Press 1995 Boyz N The Hood (John Singleton, 1991) No Way out of the Menaced Society: Loyalty within the Boundedness of Race Grant Farred Where there is an actual arc of rising violence, as...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 65–89.
Published: 01 September 2011
...Karen Orr Vered; John McConchie Inspired by a review of the political theories of Anthony Giddens, particularly his question of whether or not there can be a Third Way politics of family, this essay examines the TV show Supernanny as an example of what we call “Third Way TV.” Tracing the program's...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 1–33.
Published: 01 September 2014
.... © 2014 by Camera Obscura 2014 Figure 1. Girl 6 (Theresa Randle) as Pam Grier’s Foxy Brown. Girl 6 (dir. Spike Lee, US, 1996) The Only Way Out Is In: Girl 6, Sex Work, and the Color Line Anthony Reed Since the beginnings of cinema, black visuality has marked both a crisis and a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 178–183.
Published: 01 May 2008
...Lucas Hilderbrand Camera Obscura 2008 Lucas Hilderbrand is an assistant professor of film and media studies at the University of California, Irvine. His book Inherent Vice: Bootleg Histories of Videotape and Copyright is forthcoming from Duke University Press. “More Than One Way...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 13–29.
Published: 01 May 2019
...Ivone Margulies This interview with film editor Claire Atherton focuses on her three-decade collaboration on the films and installations of Chantal Akerman (1950–2015). Questioned by Akerman scholar Ivone Margulies, Atherton describes her meeting and rapport with Akerman and their way of working...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1999) 14 (3 (42)): 30–49.
Published: 01 September 1999
...Rey Chow Copyright © 1999 by Indiana University Press 1999 Nostalgia of the New Wave: Structure In Wong Kar-wai's Happy Together Rey Chow In one of the earliest discussions of poststrueturalism to appear in English, "Of Structure as an Inmixing of an Otherness...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2008) 23 (2 (68)): 69–101.
Published: 01 September 2008
...Kristi McKim Hirokazu Kore-eda's 1998 film After Life stylistically cites canonical Japanese films (especially that of Yasujiro Ozu), while heralding the cinema's role in both photogenically defamiliarizing the familiar and naturalizing the new. Set in a way station between heaven and earth and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 26 (3 (78)): 63–93.
Published: 01 December 2011
...Adair Rounthwaite This article develops the concept of “the masturbatory” as a way of theorizing performance art and performance studies' recent turn to reperformance. In reperformance, previous performance artworks — often from performance art's “classic” era of the 1970s — are reenacted, creating...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2008) 23 (2 (68)): 41–66.
Published: 01 September 2008
... way that cinema “at the margins” has been framed within film studies. First examining the manner in which reflexive work, particularly work that seems to address the loss of authorial control by a film director, has in fact functioned to reinstall the primacy of a dominant subjectivity, the essay then...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2008) 23 (3 (69)): 1–33.
Published: 01 December 2008
...Anna Ball One of the many astonishing traits of Palestinian cinema is the way in which it has embraced the complex relationship between gender and nation as a central concern in its filmmaking. This article explores the ways in which gendered and national identity are negotiated and refigured in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 1–37.
Published: 01 May 2011
...Minh-Ha T. Pham This essay closely considers the political limits and possibilities of fashion-themed blogs. Specifically, the author examines the ways in which such blogs are everyday cultural sites that are framed by and can potentially reframe neoliberal relations of culture, technology, and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 91–121.
Published: 01 September 2011
...Noor Al-Qasimi This article focuses on shampoo advertising for Saudi Arabian Television. It examines the ways in which shampoo advertisements produced for Saudi Arabian Television employ techniques to introduce and maintain codes of modesty in the construction of the Muslim female subject on-screen...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2012) 27 (1 (79)): 31–67.
Published: 01 May 2012
... multilayered network of mutual dependency and interactive/interpassive reconfigurations. The article asks in what ways the Twilight films construct or imagine their targeted audience — teenage girls, Twilight moms, and gay men — and how such desires are then consumed, multiplied, and circulated on textual...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 25–59.
Published: 01 September 2012
... films are both recognizable to and somewhat outside world cinema categories, I suggest ways of reading the spectral affects of the films that account for the complex, conflicting forms of spirituality, eroticism, and transgression that make them so popular with their audiences. This type of a reading...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 26 (3 (78)): 155–165.
Published: 01 December 2011
... herself as a benshi. Unlike other traditional performing arts, creating one's original style based on one's interpretation of the film has always been more valued than copying the predecessors' styles. Sawato also discusses the complex ways in which she, a contemporary woman with a clear feminist agenda...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 165–175.
Published: 01 September 2012
...elle flanders This piece follows the author's journey of making a film about the segregated roads in Palestine, and the ways in which queer subjectivity and radical politics inform the work we produce regardless of subject matter. Offering a counter-narrative to the Israeli government's...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
... into alignment. What this essay explores is a certain perversion of these forms of temporal matching — or what I am calling queer sound tracks: image-sound relations unfixed in ways that are not only dynamic aesthetically but that also evoke an affective, diachronic bond to the past. What is heard...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 67–101.
Published: 01 December 2013
... Alexanderplatz. Ultimately these figures make up one vast composite character, a combinatory form that echoes the superimposed photographs from the Weimar era that appear in the miniseries's credit sequence. Both the credit sequence and the serial women offer ways of representing Germany's past as a variegated...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 103–123.
Published: 01 December 2013
..., and larger American historical events, Bechdel's novel deals with themes of trauma, memory, and historical narrative. The novel has been embraced for the queer way in which it approaches her family archive — it refuses to settle on one understanding of the truth of Bechdel's father, his sexuality, and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 89–123.
Published: 01 September 2015
... of hegemonic power through both the narrative and the gameplay. This article tracks the ways in which the game encourages the player to notice and engage with white supremacism and race relations in an allegorical American context. The early twentieth-century world of Columbia functions not only as a...