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warhol

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
...Lucas Hilderbrand This essay draws from queer theory and sound studies in an analysis of two sexually explicit 1960s underground films that refused synchronization: Barbara Rubin's Christmas on Earth (US, 1963), which is intended to be screened with a live radio sound track, and Andy Warhol's Couch...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 151–159.
Published: 01 May 2008
.... Vaginal Davis’s Gospel Truths Marc Siegel A number of years ago, while in Los Angeles to pack up my stor­ age unit and complete my move to Berlin, I attended a small con­ ference on queer perspectives on Andy Warhol at the California Museum of Photography at the University of California...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 1–31.
Published: 01 September 2011
... adequately addressed. As I will argue in this essay, Portrait of Jason does in fact closely adhere to the conventions of a ubiquitous albeit mostly invisible genre: the screen test. At the time of the film’s release, Portrait of Jason  was often discussed in tandem with Andy Warhol’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1996) 13 (3 (39)): 152–153.
Published: 01 September 1996
... States by Jacqueline Ellis. Bowling Green State University Press, 1998. Social Text: Queer Transexions of Race, Nation, and Gender. Vol. 52-53. Duke University Press, 1997. A Small Boy and Others: Imitation and Initiation in American Culture from Henry James to Andy Warhol by Michael Moon. Duke...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2002) 17 (3 (51)): 180–182.
Published: 01 December 2002
..., 2001. Mellen, Joan. Seven Samurai. London: British Film Institute, 2002. Michelson, Annette, ed. Andy Warhol. Cambridge: MIT Press, 2001. Murphy, Robert, ed. The British Cinema Book. 2d ed. London: British Film Institute, 2001. Neville, Brian, and Johanne Villeneuve, eds. Waste-Site...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 212–214.
Published: 01 December 2003
... Grundman, Roy. Andy Warhol’s Blow Job. Philadelphia: Temple University Press, 2003. Halle, Randall, and Margaret McCarthy, eds. Light Motives: German Popular Film in Perspective. Detroit, MI: Wayne State University Press, 2003. Hoberman, J., and Jeffrey Shandler. Entertaining America...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 169–177.
Published: 01 January 1988
... Simpson's (editor), Parents Talking Television (London: Comedia, 1987) Andrew Ross Everyone, I think, knows what Andy Warhol meant when he said that "a whole day of life is like a whole day of television." Instant recognition of a home truth. That is what Pop philosophy aims for, and it is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 1–9.
Published: 01 May 2008
... “fusion of dandy and diva” that includes fig- ures like Oscar Wilde, Radclyffe Hall, Una Troubridge, Noël Cow- ard, Marlene Dietrich, Mick Jagger, David Bowie, Joan Jett, Andy Warhol, and fictional characters like Dorian Gray, Orlando (from 6  •  Camera Obscura Virginia Woolf’s novel), and Jack...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2010) 25 (1 (73)): 161–195.
Published: 01 May 2010
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 4–7.
Published: 01 May 1990
... the North Shore. I walked the dogs. I watched Hooper and my God, it was great, just Burt Reynolds and his usual lines. This rather banal autobiographical statement is just one among many references to movies and television in Andy Warhol’s diary...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 174–178.
Published: 01 September 1991
.... Andy Warhol: Film Factory edited by Michael O’Pray. British Film Institute, 1989. The Cabinet of Dr. Caligari: Texts, Contexts, Histories edited by Mike Budd. 175 Rutgers University Press, 1990. $14.95. D. W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 149–153.
Published: 01 September 2016
... Chicago Press, 2013); Nicholas de Villiers, Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol (Minneapolis: University of Minnesota Press, 2012); Ulrich Loock, “Opacity,” frieze d/e, no. 7 (2012), frieze-­magazin.de /archiv/features/opazitaet/?lang=en. 3...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... aesthet- ics might initially prompt a comparison to Andy Warhol’s prodi- gious filmmaking output at the simulacrum of a Hollywood stu- dio he created within his New York Factory, the combination of sincerity and technical skill that characterizes Basil’s performance distinguishes it from the blasé...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 165–171.
Published: 01 May 2008
... D’Acosta, Mick Jagger, David Bowie, David Johansen, Joan Jett, Andy Warhol, and their fictional alter egos: Dorian Gray, Stephen Gordon, Jonathan Brockett, Orlando, Robin Vote, Paul Arbian, Brian Fairy, and Maxwell Demon. From fin de siècle decadence to urban post-punk glam, the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 187–193.
Published: 01 September 2016
... Closet: Queer Tactics in Foucault, Barthes, and Warhol (Minneapolis: University of Minnesota Press, 2012), 2. 8. Mark Anthony Browne et al., “Accumulation of Microplastic on Shorelines Worldwide: Sources and Sinks,” Environmental Science and Technology 45, no. 21 (2011): 9175...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 86–103.
Published: 01 September 1985
..., Krishnamurti and Zen), music (Cage, Wolff, Brecht , Fluxus, Boulez and Stockhausen), the visual arts (Buren, Duchamp and Warhol) and poetry (Tzara and Mallarmk). Her second book, Afncan Spaces: Design for Living in Upper Volta, written in collaboration with Jean Paul Bourdier...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 11–37.
Published: 01 September 2007
...- thing scandalous or, as Cukor said of one Warhol/Morrissey film, “an authentic whiff from the gutter.”11 Cukor’s direction of Angela Lansbury in her first screen role inGaslight (US, 1944) provides an excellent example of this dynamic. While Ingrid Bergman’s lead role is a character...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 103–123.
Published: 01 September 2007
..., that such serials are beleaguered by acting that is, at best, “sloppy and formulaic.”4 Nor are such indictments delimited to critics. As the scholar and avid soap fan Robyn R. Warhol observes, the viewers of soap operas are among the first to decry the genre’s shortcomings: in online...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 120–126.
Published: 01 September 1988
... of thought: the totality that the Seventh Art forms could well be open-ended, divided, dissociated, disjunctive; analysis could distinguish, even while linking them, Renoir and Fellini, Kubrick and Resnais, Duras and Straub, Warhol and Garrel, What is essential is that the cinema, just 124...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 29–61.
Published: 01 September 2017
...- less utilizes a variety of techniques, including cross-­processing and solarization, that call attention to the materiality of cinema and evoke avant-­garde film traditions. After she finishes in the bathroom, a stranger in Warhol drag approaches Maddie on the street. Andie (Sadie Lune...