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Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 211–215.
Published: 01 May 1979
...Meg Morley Copyright © 1979 by Camera Obscura 1979 Les Rendex-Vous d’Anna (Chantal Akerman) Meg Morley Details: Les Rendez-vous d’Anna, 1978, directed by Chantal Aker- man; director of photography Jean Penzer; film editor Francine Sand- berg; with Aurore Clement, Helmut Grier...
Journal Article
Camera Obscura (1980) 2 (2 (5)): 116–118.
Published: 01 September 1980
... Ganges (Marguerite Duras). Vol. I, no. 2; pp. 122-128. Discourse and Difference. Vol. I, no. 3-4;pp. 14-20. Mangolte, Babette Interview with Camera Obscura. Vol. I, no. 3-4;pp. 198-210. Morley, Meg Les Rendez-Vous &Anna (Chantal Akerman). Vol. I, no. 3-4;pp. 211-215. Penley...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 59–81.
Published: 01 December 2001
... “Lettres d’admirateurs à Musidora 1915–1919,” Fonds Musidora 12, Bibliothèque du Film, Paris(BIFI). 25. Ibid., letter of 19 December 1917. 26. Ibid., letter of 17 May 1918. “Alors voulez-vous bien me soumet un fétiche—quelque chose de vous, que vous ayiez porté? Un bas, ou encore mieux un...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 27–31.
Published: 01 May 2006
... Stardom in French Cinema (New York: Continuum, 2000); Vincendeau, Jean-Pierre Melville: An American in Paris (London: British Film Institute, 2003); as well as countless articles and anthologies. Geneviève Sellier, Jean Grémillon: Le cinéma est à vous (Paris: Méridiens...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 7–11.
Published: 01 December 1982
... image. Isabelle stands facing the window, show- ing her ass to M. Personne. In an ironic comment, she asks, ‘‘Vous admivex fepaysage?” Later in the same scene when she is playing the daughter in the imaginary family (a scene which is in some ways a response to the...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 137–145.
Published: 01 September 1977
... has received an advance of approximately $13,000 (65,000 French francs) to film the script she has been working on since last December. Tentatively titled Les Rendez-vous d'Anna (Anna's Ren- dezvous), she describes it as being 'about displaced persons'. Not immi- grants or...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 143–179.
Published: 01 May 2001
... Hubert looking out the train window, followed by an eye- line match to a billboard that reads “le monde est à vous” [“the world is yours The irony produced in this pair of shots comes from the fact that Paris central city is clearly not the world of the...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 46–63.
Published: 01 September 1990
... comprehending glance, escaping the crowds and an impending ner- vous attack by taking refuge in the false railway carriage that used the new mechanical medium of projected motion pictures to simulate scenic travel to exotic, Other, places. Fagin’s surrogate -an unseen and sole...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 33–59.
Published: 01 December 1982
..., copying, imprint- ing). The questions are idiosyncratic and the tone an odd one for an adult talking to a child; he often uses the formal vous to address them. The interviewer does not appear to share the theories of de- velopmental psychologists who would judge his...
Journal Article
Camera Obscura (2020) 35 (1 (103)): 109–137.
Published: 01 May 2020
... woman, Pow- ell (as well as her bosses, US and British politicians, and the ner- vous new drone pilot). Bolstering this perversion is the filmic trope of discursively quarantining terrorist violence to the Muslims: we see the Somalian terrorists slowly and ritualistically prepar- ing for a suicide...
Journal Article
Camera Obscura (2005) 20 (1 (58)): 33–57.
Published: 01 May 2005
... traumatic, anamorphic stain, is an unmediated message from the film proper: “ATTENTION / VOUS AVEZ 30 SECONDES POUR ABANDONNER LA PRO- JECTION DE CE FILM” (Attention / You Have 30 Seconds to Leave the Screening of This Film), it reads, and then a countdown in real time begins—30, 29, 28...
Journal Article
Camera Obscura (2008) 23 (3 (69)): 81–109.
Published: 01 December 2008
.... Significant pauses punctuate their gestures as the women variously shift their positions or move in and out of the camera’s frame. Along with the exchange of ner- vous smiles and brief exchanges of inaudible dialogue, Benglis and Lenkowsky appear self-conscious and not entirely absorbed in their...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 93–127.
Published: 01 December 2015
Journal Article
Camera Obscura (2017) 32 (1 (94)): 93–127.
Published: 01 May 2017
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 42–74.
Published: 01 May 1997
...-old single white man who reported a large luminous disk hovering over Tucson at three a.m., 17 November 1967.44“The Applied Assessment of Central Ner- vous System Integrity: A Method for Establishing the Creditability of Eye Witness and Other Observers” includes a...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 98–124.
Published: 01 September 1990
... for Himself) and]e vous salue Marie (Hail Mary, 1985) that the questions opened up by Rossellini and Bergman re-emerge in a more direct fashion, as an interruption of movement and a search for the instant. The cascading decompositions of movement in Every Man for Him- self, as those...
Journal Article
Camera Obscura (2000) 15 (2 (44)): 75–103.
Published: 01 September 2000
... that “c’est un film qu’on n’a encore jamais fait,” to which he responds, “Vous dites vrai mademoiselle, c’est un film que per- sonne n’a vu.” [“It is a film that hasn’t been made yet.” “You speak the truth, Miss, it’s a film which no one has seen38 Thus...