... Copyright © 1992 by The Johns Hopkins University Press 1991 Index to camera obscurall9, 20-21 (volume 7);22, 23, 24 (volume 8); and 25-26, 27 (volume 9) Albano, Lucilla Response to Questionnaire on “The Female Spectator.” No. 20-21; pp. 82-88. Allen, Jeanne...

... 2012 Volume Index Volume 27 corresponds to issues 79 – 81 Nadia Awad, see Colleen Jankovic with Nadia Awad Gerda Cammaer How EXPRMNTL Made the Small Coastal Town of Knokke the Scene for Radical Artistic New Waves and Political Sea Changes. No. 81: pp. 169 – 179...

... 2013 Volume Index Volume 28 corresponds to issues 82 – 84 Catherine L. Benamou and Bienvenida Matías Remembering “Punto de Vista: Latina” in Two Voices. No. 82: pp. 135 – 45 Jonathan Cohn Female Labor and Digital Media: Pattie Maes, Postfeminism, and the Birth...

... 2014 Volume Index Volume 29 corresponds to issues 85 – 87 Jodi Brooks The Kids Are All Right, the Pursuits of Happiness, and the Spaces Between. No. 85: pp. 111 – 35 Juliana Chang I Dreamed I Was Wanted: Flower Drum Song  and Specters of Modernity. No. 87: pp...

... 2015 Volume Index Volume 30 corresponds to issues 88 – 90 John Belton The Commodification of Romanticism:Lola Montès. No. 90: pp. 1 – 25 Phoebe Bronstein Comic Relief: The Andy Griffith Show, White Southern Sheriffs, and Regional Rehabilitation. No. 89: pp. 125 – 55...

... Copyright © 1999 by Indiana University Press 1999 Index to camera obscura/40-41, 42 163 (volume 14) Adams, Rachel "Fat Man Walking": Masculinity and Racial Geographies in James Man• gold's Copland. No. 42; pp. 5-30. Alaimo, Stacy...

... © 1986 by Camera Obscura 1986 180 Index to Camera Obscura/I3-14, 15 (volume 5) Aumont, Jacques Eisenstein: Notes Towards a Biography. No.13-14; pp. 51-82. Beauviala, Jean-Pierre and Jean-Luc Godard Genesis of a Camera (First Episode). No.13...

... Copyright © 1988 by The Johns Hopkins University Press 1988 Index to Camera Obscural16, 17, 18 (volume 6) 157 Adams, Parveen Per Os(cillation). No.17; pp. 7-29. Allen, Richard Brushing Classical Hollywood Narrative Against the Grain of History. On Dana...

... Copyright © 1992 by Indiana University Press 1992 Index to camera obscural28, 29, 30 (volume 10) Balsamo, Anne On the Cutting Edge: Cosmetic Surgery and the Technological Production of the Gendered Body. No. 28; pp. 207-237. Bruno, Giuliana Spectatorial...

... 154 Index to camera obscura/37, 38, 39 (volume 13) Beckman, Karen Violent Vanishings: Hitchcock, Harlan, and the Disappearing Woman. No. 39; pp. 79-103. Blocker, Jane Woman-House: Architecture, Gender and Hybridity...

... lS8 Index to camera obscura/31-36 (volumes 11-12) Addison, Erin Saving Other Women From Other Men: Disney’s Aladdin. No. 31; pp. 5-26. Bronstein, Carolyn Mission Accomplished? Profits and Programming at the Network for Women...

... of “faciality” in Cinema 1 and, with Guattari, in A Thousand Plateaus and What Is Philosophy? This last volume privileges the face as a figure for defining the nature of concepts and the riddles of imagining other people and their worlds. The carefully choreographed close-ups of Illusions , then, make...

..., in the sense of a regimen for cultivating the self, as Michel Foucault argues in volume 3 of The History of Sexuality . As Foucault makes clear, any care regimen is also an ethos in the classical sense, pertaining to debates about contested meanings and values particular to a community that in turn produce...

.... These professionals help cultivate television programs’ aural sensibilities by literally giving voice to a show’s premise and, in so doing, raise the volume on women’s place in television storytelling as otherwise marginalized subjects. This essay identifies three different types of theme singing that are especially...

... and experiences in her art practice and building on the tradition of artists who play with the construction of identity. Radha May's work explores forgotten and hidden histories, peripheral sites, and feminine myths. The interview explores her latest project, When the Towel Drops, Volume 1, Italy (2015), which...

... explicit at the end of the second volume, this approach is in fact in operation through the whole of the work: it is neither a question of applying a philosophical theory to cinema, nor even of constructing a new theory for the cinema, but rather of thinking with this object, working at one...

... © 1984 by Camera Obscura 1984 166 Books Received Sexuality in World Cinema (2 volumes) by James L. Lunbacher. Scarecrow Press. New Jersey, 1983. $72.50. Guide to Women's Art Organizations and Directory for the Arts. Midmarch Associates. New York, 1984...

... Hillier and Harvard University Press have given us a grand sample, easily accessible in two volumes, complete with extensive in• troductions, notes, appendices, and index. Forsaking absolute chro• nology, Hillier has instead grouped his selections topically in order...

... of feminism, culture, and media. These pieces began to appear in issue 61 and will continue throughout the year of our anniversary volume and beyond. We have invited feminist scholars to fantasize about what they would place in this imaginary archive, existing in print rather than in a material...

... of feminism, culture, and media. These pieces began to appear in issue 61 and will continue throughout the year of our anniversary volume and beyond. We have invited feminist scholars to fantasize about what they would place in this imaginary archive, existing in print rather than in a material...