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Journal Article
Carnal Knowledge: Visuality and the Modern in Charulata
Available to Purchase
Camera Obscura (1996) 13 (1 (37)): 155–186.
Published: 01 January 1996
...Keya Ganguly Copyright © 1996 by Indiana University Press 1996
Carnal Knowledge: Visuality and
the Modern in Charulata
Keya Ganguly
There is such a thing as a special subject for the
cmema...
Journal Article
The Black Visual Experience: Hendrix, Porn, and Authenticity
Available to Purchase
Camera Obscura (2011) 26 (1 (76)): 65–93.
Published: 01 May 2011
... fellow and a research associate in the Department of Women's Studies at Pennsylvania State University. © 2011 by Camera Obscura Jimi Hendrix: The Sex Tape (2007) DVD menu
The Black Visual Experience:
Hendrix, Porn, and Authenticity
Ariane Cruz
Since 29 April 2008, when Vivid...
Journal Article
Faceblindness, Visual Pleasure, and Racial Recognition: Ethnicity and Technicity in Ted Chiang's “Liking What You See: A Documentary”
Available to Purchase
Camera Obscura (2009) 24 (1 (70)): 135–175.
Published: 01 May 2009
...Thomas Foster This essay analyzes a postcyberpunk science fiction story by Ted Chiang, an Asian American writer. The story speculates on the technological manipulation of visual perception through the direct modification of visual processing structures in the human brain. It focuses...
View articletitled, Faceblindness, <span class="search-highlight">Visual</span> Pleasure, and Racial Recognition: Ethnicity and Technicity in Ted Chiang's “Liking What You See: A Documentary”
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for article titled, Faceblindness, <span class="search-highlight">Visual</span> Pleasure, and Racial Recognition: Ethnicity and Technicity in Ted Chiang's “Liking What You See: A Documentary”
Journal Article
Making Space: Deborah Willis and the Archive of Black Visual Culture
Available to Purchase
Camera Obscura (2020) 35 (3 (105)): 132–141.
Published: 01 December 2020
...Jasmine Nichole Cobb In this interview, artist and scholar Deborah Willis describes the work of excavating and organizing the history of Black photography. Willis’s groundbreaking scholarship helped to formally establish an archive of Black visual practice before libraries and cultural institutions...
Journal Article
By Any Other Name: Sweet Justice , Cicely Tyson, and Contemporary Visual Politics
Available to Purchase
Camera Obscura (1995) 12 (3 (36)): 49–65.
Published: 01 September 1995
...Noliwe Rooks Copyright © 1995 by Indiana University Press 1995 By Any Other Name: SweetJustice, Cicely
Tyson, and Contemporary Visual Politics
Noliwe Rooks
The opening credits of NBC’s short lived series, Sweet Justice, almost
succeed in visually explicating the show’s...
Journal Article
African Women and Visual Culture: A Sample Syllabus
Available to Purchase
Camera Obscura (1995) 12 (3 (36)): 84–117.
Published: 01 September 1995
...Lisbeth Gant-Britton Copyright © 1995 by Indiana University Press 1995 Molzday’s Girls (Ngozi Onwurah, 1993)
African Women and Visual Culture:
A Sample Syllabus
Lis beth Gant-Britton
Go to any cinema in the United States-or other western country for
that matter...
Journal Article
Autopsy of a Rat: Odd, Sundry Parables of Freddy Lopez, Speedy Gonzales, and Other Chicano/Latino Marionettes Prancing About Our First World Visual Emporiuim
Available to Purchase
Camera Obscura (1996) 13 (1 (37)): 187–237.
Published: 01 January 1996
...William Anthony Nericcio Copyright © 1996 by Indiana University Press 1996
Autopsy of a Rat: Odd, Sundry Parables of
Freddy Lopez, Speedy Gonzales, and Other
Chicano/Latino Marionettes Prancing About
Our First World Visual Emporium...
View articletitled, Autopsy of a Rat: Odd, Sundry Parables of Freddy Lopez, Speedy Gonzales, and Other Chicano/Latino Marionettes Prancing About Our First World <span class="search-highlight">Visual</span> Emporiuim
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for article titled, Autopsy of a Rat: Odd, Sundry Parables of Freddy Lopez, Speedy Gonzales, and Other Chicano/Latino Marionettes Prancing About Our First World <span class="search-highlight">Visual</span> Emporiuim
Journal Article
Beyond the Gaze: Visual Fascination and the Feminine Image in Silent Hitchcock
Available to Purchase
Camera Obscura (2004) 19 (1 (55)): 77–111.
Published: 01 May 2004
...Jessica Brent Camera Obscura 2004 Jessica Brent recently received her Ph.D. in English from Columbia University, where she completed her dissertation on narrative and visual experience in nineteenth-century texts and early film. The Lodger (dir. Alfred Hitchcock, UK, 1926)
Beyond...
Journal Article
Turkish Cinema in the New Europe: Visualizing Ethnic Conflict in Sinan Çetin's Berlin in Berlin
Available to Purchase
Camera Obscura (2000) 15 (2 (44)): 105–149.
Published: 01 September 2000
... Page 105
Turkish Cinema in the New Europe:
Visualizing Ethnic Conflict in
Sinan Çetin’s Berlin in Berlin
Angelica Fenner
The Turkish media landscape underwent sweeping changes in
the 1990s...
View articletitled, Turkish Cinema in the New Europe: <span class="search-highlight">Visualizing</span> Ethnic Conflict in Sinan Çetin's Berlin in Berlin
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for article titled, Turkish Cinema in the New Europe: <span class="search-highlight">Visualizing</span> Ethnic Conflict in Sinan Çetin's Berlin in Berlin
Journal Article
Peter (A Young English Girl) : Visualizing Transgender Masculinities
Available to Purchase
Camera Obscura (2004) 19 (2 (56)): 1–45.
Published: 01 September 2004
... was transgender identities and modernism. Figure 1. Romaine Brooks, Una, Lady Troubridge (1924).
Courtesy Smithsonian American Art Museum, Gift of the
Artist
Peter (A Young English Girl) :
Visualizing Transgender
Masculinities
Melanie Taylor
“To be myself . . . I need...
Journal Article
Nguyễn Trinh Thi's Landscape Series #1 (2013) and the Limits of Search and Destroy
Available to Purchase
Camera Obscura (2025) 40 (1 (118)): 90–117.
Published: 01 May 2025
...Jacinda S. Tran Abstract As the most documented war, “Vietnam” established visualizing infrastructures of search and destroy — the imperative to look in order to gather information and thereby inflict violence. This article considers Hanoi‐based artist Nguyễn Trinh Thi's short film Landscape Series...
FIGURES
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Journal Article
Ethical Whiteness and the Death Drive: White Women as the New War Hero
Available to Purchase
Camera Obscura (2020) 35 (1 (103)): 109–137.
Published: 01 May 2020
... domains of war and political machinations. While one film takes on a serious ethical polemic (the innocent lives of civilians caught in the visual crosshairs of drone cameras) and the latter is a romantic comedy following the adventures of a journalist in Afghanistan, both visually capture important...
Journal Article
In the Shadow
Available to Purchase
Camera Obscura (2013) 28 (2 (83)): 1–43.
Published: 01 September 2013
...Alessandra Raengo This essay pursues an understanding of the blackness of black cinema that is unhinged from the body of the maker or the content of the image. It does so by reading blackness through the visual paradigm of the shadow — that is, as a blackness that cannot, other than ideologically...
Journal Article
Queer/Palestinian Cinema: A Critical Conversation on Palestinian Queer and Women's Filmmaking
Available to Purchase
Camera Obscura (2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
... Strategies in Palestinian Queer and Women's Filmmaking” uniquely focused on questions of queerness and Palestine through a program of eight new Palestinian visual productions. The program brought together Palestinian film scholars, filmmakers, visual artists, and curators for a discussion of queer...
Journal Article
How the Computer Taught Us to See
Available to Purchase
Camera Obscura (2024) 39 (2 (116)): 1–39.
Published: 01 September 2024
... side by side, looking closely at how changes in the visualization and datafication of medical diagnosis developed alongside the ways computers were imagined into visual, screen-based technologies that recapitulate the same racialized and gendered logics of medical surveillance and thus of the state...
FIGURES
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Journal Article
The Ins and Outs of Female Sensibility : A 1973 Video by Lynda Benglis
Available to Purchase
Camera Obscura (2008) 23 (3 (69)): 81–109.
Published: 01 December 2008
... in relation to feminist politics, on one hand, and popular culture, on the other? When does self-representation overstep the boundary between sexual valorization and prurient commodification? How, in turn, should a female viewer respond to erotic visual material produced by a woman? In order to understand...
Journal Article
The Whiteness of Privacy: Race, Media, Law
Available to Purchase
Camera Obscura (2009) 24 (1 (70)): 67–107.
Published: 01 May 2009
...Eden Osucha This essay explores how the early history of the American right to privacy, first expressed in the law as a right to media privacy, reflects the racialization of concepts of privacy and publicity in nineteenth-century visual culture. Where standard scholarly treatments focus...
Journal Article
Pantomimes of Ecstasy: BeautifulAgony.com and the Representation of Pleasure
Available to Purchase
Camera Obscura (2010) 25 (1 (73)): 161–195.
Published: 01 May 2010
... BeautifulAgony.com , a site exclusively focusing on the face of orgasm. Using Tom Gunning's research on the gnostic impulse of cinema, or the drive to reveal “new visual knowledge” through technology, I interrogate hard-core representation in the context of visual media and knowledge production. Beautiful Agony's...
Journal Article
Seeing in Alison Bechdel's Fun Home
Available to Purchase
Camera Obscura (2013) 28 (3 (84)): 103–123.
Published: 01 December 2013
..., and the author's relationship to him, and instead insists on piecing together the past from a variety of angles. This article focuses on how the queer qualities of contingency and partiality that Fun Home produces around sexuality and the Bechdel family's history is an effect of the author's use of the visual...
Journal Article
An Affair to Forget: Melancholia in Bromantic Comedy
Available to Purchase
Camera Obscura (2014) 29 (2 (86)): 119–147.
Published: 01 September 2014
... of the protagonist's desire. In Knocked Up (dir. Judd Apatow, US, 2007), the film's visuals and its staging of visuality work against the rom-com conventions that the film draws upon, resisting the plot's forward movement into heteronormativity. The article ends by examining The Hangover (dir. Todd Phillips, US, 2009...
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