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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 106–119.
Published: 01 September 1988
...Dana Polan Gilles Deleuze, Foucault (Minneapolis: University of Minnesota Press, 1988) Copyright © 1988 by The Johns Hopkins University Press 1988 Powers of Vision, Visions of Power Dana Polan Gilles Deleuze, Foucault (Minneapolis: University of Minnesota Press, 1988...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1997) 14 (1-2 (40-41)): 199–225.
Published: 01 May 1997
...Thomas DiPiero Copyright © 1996 by Indiana University Press 1997 Lifeforce (Tobe Hooper, 1985) Field of Dreams (Phil Alden Robinson, 1989) Angels in the (0ut)Field of Vision Thomas DiPiero . . . violence emerges when a fiction is threatened...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 235–249.
Published: 01 September 1985
...E. Ann Kaplan Copyright © 1985 by Camera Obscura 1985 The Hidden Agenda: Re- Vision: Essays in Feminist Film Criticism E. Ann Kaplan Women in Film is fast becoming a publicly recognized sub-field within Film Studies. The recent spate of books externalizes for the larger academic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2000) 15 (2 (44)): 75–103.
Published: 01 September 2000
...); Encyclopedia of the Essay (1997); Triangulated Visions: Women in Recent German Cinema (1998); and Imperialism and Theatre: Essays on World Theatre, Drama, and Performance (1995). She is currently working on a book-length manuscript on the international essay film, for which she has received a National...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 54–89.
Published: 01 December 1980
...D.N. Rodowick © 1980 by Camera Obscura 1980 Vision, Desire, and the Fib-Text D. N,Rodowick The task confronting this analysis is to try to define more precisely the relationship between the enunciation of desire and its representations in the fiction film. The...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2008) 23 (3 (69)): 1–33.
Published: 01 December 2008
... possibility of aligning their work with the vision of a postcolonial feminist project remains, to an extent, contested. Camera Obscura 2008 Anna Ball is a lecturer in postcolonial studies at Nottingham Trent University. Her research is concerned with the possibility of building a nuanced...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2018) 33 (1 (97)): 113–137.
Published: 01 May 2018
... spaces and aesthetics for producing collective memory that differently configure spectatorial interaction and social intervention. Counterposing the hyperindustrialized military vision of the fictional reality TV show Drones with the social media–styled memory market TruNode, the film’s caricature of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 165–175.
Published: 01 December 2016
... audiences with a contemporary vision of queer feminism that embraces a multitude of gender expressions. This approach can be understood in the context of the cultural changes to lesbian and queer communities over the past twenty years, shaped by the growing visibility and inclusion of transgender politics...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 167–173.
Published: 01 September 2016
... world. The undetectable, like the monad, is both object and process, unfolding on a field of vision. Nathan Lee is a critic, curator, and PhD student in the Department of Modern Culture and Media at Brown University. A former film critic for the New York Times and Village Voice , he is a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
... political economy and liberal politics underwrites the program’s titular modernity, which celebrates its portrayals of sexuality, kinship, and intimacy as progressive, yet bases them in conservative visions of gender. While the program announces its token interest in racial plurality through its core...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 93–119.
Published: 01 December 2017
... their adaptation of Truman Capote’s 1958 novella. The film de-queered the novella, erasing its fantasies of white/black miscegenation and funneling these racial and sexual anxieties onto the specter of Asianness. In place of Capote’s original vision, the film preoccupied itself with defining an...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
... productively deform Western conceptualizations of the aesthetic. In February 2011, Copeland interviewed Leonard about her practice and its implications for feminist approaches to vision, history, and the archive. Their conversation took place at the College Art Association annual conference in New York as part...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2018) 33 (2 (98)): 1–39.
Published: 01 September 2018
...Jackie Stacey Sally Potter’s film Yes (UK/US, 2004) stages the political possibilities of cosmopolitanism through the aesthetics of a heterosexual love story whose failures reveal the limit points of such a vision. Read psychoanalytically, cosmopolitan aspirations share with love an idealizing...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2009) 24 (3 (72)): 1–39.
Published: 01 December 2009
... in these films, Osterweil reads these texts as attempts to reconcile the trauma of interracial desire as represented in D. W. Griffith's Birth of a Nation (1915). Yet while these films superimpose their own utopian fantasies of interracial, intergenerational romance over the vision of racial violence...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 33–63.
Published: 01 September 2011
... Irigaray's argument that Heidegger has “forgotten” the pre-Socratic element air in a philosophy that privileges materiality and vision, I examine popular films that feature air, and in particular breathing, as a central trope. Because of an emphasis on the more obviously material aspects of visual images...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2012) 27 (1 (79)): 69–95.
Published: 01 May 2012
... Vision ) and its interrogation of language and translation, the Xin Lu series offers a queer diasporic critique of nationalism and globalization. Situating Ma's video practice in relation to the theoretical work of Rosalind Krauss, David Joselit, Richard Fung, Aihwa Ong, Pheng Cheah, and others, Feng...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 61–91.
Published: 01 September 2012
... more motivation, vision for the future, and sense of personal and domestic power than her husband. This article explores the complexities of Jones's star image in 1955–56 through a series of production memos authored principally by her husband, producer David O. Selznick. To a certain extent, writer...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 135–143.
Published: 01 September 2012
... feminist artistic practice in relation to Palestinian strategies for resistance. Together, the “Queer/Palestinian” films suggest the urgency for Palestinian visual artists to persistently generate new means of expressing, embodying, and critiquing visions for Palestinian society. Films such as Victoria...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 155–160.
Published: 01 September 2012
... conflict continues to shadow any vision of what a peaceful reality might look like. Thus it is increasingly difficult to speak of sexual politics without reference to grander institutional schemas. Omar Kholeif is an Egyptian-born, UK-based writer and curator. He is currently curator at FACT...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 103–123.
Published: 01 December 2013
... visual possibilities of the graphic genre. Mapping Bechdel's coming-of-age story as a narrative about coming to see, this article traces the importance of vision in young Alison's gender identity, her relationship to her father, and her ability to posthumously “see” her father through family photographs...